@misc
{TN_libero_mab2,
author = {
Fox, Alistair
},
title = {
Coming-of-Age Cinema in New Zealand
Genre, Gender and Adaptation
},
publisher = {Edinburgh University Press},
publisher = {},
isbn = {9781474429467},
keywords = {
Coming-of-age films New Zealand History and criticism
,
Coming-of-age films-New Zealand-History and criticism
,
Film, Media & Cultural Studies
,
PERFORMING ARTS / Film & Video / Direction & Production
},
year = {[2022]},
year = {, ©2017},
abstract = {Frontmatter},
abstract = {CONTENTS},
abstract = {ILLUSTRATIONS},
abstract = {PREFACE},
abstract = {TRADITIONS IN WORLD CINEMA},
abstract = {PART 1 THE COMING-OF-AGE GENRE AND NATIONAL CINEMA},
abstract = {1. THE COMING-OF-AGE FILM AS A GENRE: ATTRIBUTES, EVOLUTION, AND FUNCTIONS},
abstract = {2. NEW ZEALAND COMING-OF-AGE FILMS: DISTINCTIVE CHARACTERISTICS AND THEMATIC PREOCCUPATIONS},
abstract = {PART 2 THE NEW ZEALAND NEW WAVE: 1976–89},
abstract = {3. THE FORMATION OF A BUDDING MAN ALONE: THE GOD BOY (MURRAY REECE, 1976)},
abstract = {4. AN ANGRY YOUNG MAN SEEKS TO JUSTIFY HIMSELF: SLEEPING DOGS (ROGER DONALDSON, 1977)},
abstract = {5. AN IMMIGRANT FILMMAKER SUBSTITUTES AN ALTERNATIVE VISION OF ADOLESCENCE: THE SCARECROW (SAM PILLSBURY, 1982)},
abstract = {6. ART-CINEMA, CULTURAL DISLOCATION, AND THE ENTRY INTO PUBERTY: VIGIL (VINCENT WARD, 1984)},
abstract = {7. A MĀORI GIRL WATCHES, LISTENS, AND LEARNS – COMING OF AGE FROM AN INDIGENOUS VIEWPOINT: MAURI (MERATA MITA, 1988)},
abstract = {PART 3 THE SECOND WAVE OF THE 1990S},
abstract = {8. CREATIVITY AS A HAVEN: AN ANGEL AT MY TABLE ( JANE CAMPION, 1990)},
abstract = {9. DESPERATION TURNED OUTWARDS: HEAVENLY CREATURES (PETER JACKSON, 1994)},
abstract = {10. CONFRONTING DOMESTIC VIOLENCE AND FAMILIAL ABUSE: ONCE WERE WARRIORS (LEE TAMAHORI, 1994)},
abstract = {PART 4 PREOCCUPATIONS OF THE NEW MILLENNIUM},
abstract = {11. AN ADOLESCENT GIRL EXPERIMENTS WITH SEXUALITY: RAIN (CHRISTINE JEFFS, 2001)},
abstract = {12. ASSERTING FEMINIST CLAIMS WITHIN MĀORI CULTURE: WHALE RIDER (NIKI CARO, 2002)},
abstract = {13. FAMILY SECRETS AND THEIR DESTRUCTIVE CONSEQUENCES: IN MY FATHER’S DEN (BRAD MCGANN, 2004)},
abstract = {14. A GAY BOY COMES TO TERMS WITH HIS SEXUALITY: 50 WAYS OF SAYING FABULOUS (STEWART MAIN, 2005)},
abstract = {PART 5 PERSPECTIVES ON MĀORI CULTURE SINCE 2010},
abstract = {15. PARENTAL ABANDONMENT AND THE TRAUMA OF LOSS: BOY (TAIKA WAITITI, 2010)},
abstract = {16. A MĀORI BOY CONTESTS THE OLD PATRIARCHAL ORDER: MAHANA (LEE TAMAHORI, 2016)},
abstract = {17. DELINQUENCY AND BICULTURAL RELATIONS: HUNT FOR THE WILDERPEOPLE (TAIKA WAITITI, 2016)},
abstract = {CONCLUSION},
abstract = {BIBLIOGRAPHY},
abstract = {INDEX},
booktitle = {Traditions in World Cinema ; TWC},
address = {
Edinburgh
,
},
url = {
http://slubdd.de/katalog?TN_libero_mab2
}
}