author = { Garcia, Luis-Manuel AND Gregor, Neil AND Gregor, Neil AND Irvine, Thomas AND Irvine, Thomas AND Kam, Lap-Kwan AND Nye, Sean AND Okazaki, Brooke McCorkle AND Pollock, Emily Richmond AND Smith, Dana AND Sneeringer, Julia AND Sprigge, Martha AND Ziemer, Hansjakob },

title = { Dreams of Germany Musical Imaginaries from the Concert Hall to the Dance Floor },

publisher = {Berghahn Books},

publisher = {},

isbn = {9781789200331},

keywords = { Music German influences , Music History and criticism 20th century Germany , Music Social aspects History 20th century Germany , Music Social aspects Germany History 20th century , Music Germany 20th century History and criticism , National characteristics, German , MUSIC / History & Criticism , bavaria , berlin , case studies , dance , engaging , europe , fascism , female musicians , german concert halls , german culture , german democratic republic , german music scene , german music , german musicians , german society , germany , hamburg , historical , history , identity , jewish music , land of music , live arts , mass media , modern german history , munich national theater , munich , musicology , mythology , nazi past , performing arts , politics , postwar germany , rock and roll , technological advances , theater , theatrical productions , wagnerism , war },

year = {[2018]},

year = {, ©2018},

abstract = {Frontmatter},

abstract = {CONTENTS},

abstract = {FIGURES AND TABLES},

abstract = {ACKNOWLEDGMENTS},

abstract = {INTRODUCTION},

abstract = {PART I Spaces and Moments of Affect},

abstract = {CHAPTER 1 "The German in the Concert Hall" Concertgoing and National Belonging in the Early Twentieth Century},

abstract = {CHAPTER 2 "Music Made in Hamburg" How One City's Music Scene Helped Make Rock and Roll the Lingua Franca of Youth},

abstract = {CHAPTER 3 "With Every Inconceivable Finesse, Excess, and Good Music" Sex, Affect, and Techno at Snax Club in Berlin},

abstract = {PART II The Local, the Regional, the National},

abstract = {CHAPTER 4 Bruckner, Munich, and the Longue Durée of Musical Listening between the Imperial and Postwar Eras},

abstract = {CHAPTER 5 Female Musicians and "Jewish" Music in the Jewish Kulturbund in Bavaria, 1934-38},

abstract = {CHAPTER 6 Pride of Place: The 1963 Rebuilding of the Munich Nationaltheater},

abstract = {PART III Globalizing Musical Germanness},

abstract = {CHAPTER 7 Was ist Japanisch? Wagnerism and Dreams of Nationhood in Modern Japan},

abstract = {CHAPTER 8 Hubert Parry, Germany, and the "North"},

abstract = {PART IV Fantasies, Reminiscences, Dreams, Nightmares},

abstract = {CHAPTER 9 Between Musicology and Mythology at the Stunde Null: Austria's 950th "Birthday" and the 50th Anniversary of Bruckner's Death},

abstract = {CHAPTER 10 Hearing the Nazi Past in the German Democratic Republic Antifascist Fantasies, Acoustic Realities, and Haunted Memories in Georg Katzer's Aide -Mémoire (1983)},

abstract = {CHAPTER 11 Sprockets + Autobahn: Kraftwerk Parodies, German Electronic Music, and Retro Dreams in Amerika},

abstract = {INDEX},

booktitle = {Spektrum: Publications of the German Studies Association ; 18},

address = { New York , },

url = { http://slubdd.de/katalog?TN_libero_mab2 }