@book
{TN_libero_mab2,
author = {
Edmunds, Susan
},
title = {
Grotesque relations
modernist domestic fiction and the U.S. welfare state
},
publisher = {Oxford University Press},
isbn = {9780195338539},
keywords = {
American fiction 20th century History and criticism
,
Domestic fiction, American History and criticism
,
Politics and literature United States History 20th century
,
Modernism (Literature) United States
,
Literature and society United States History 20th century
,
Public welfare United States History 20th century
,
Grotesque in literature
,
Welfare state in literature
,
American fiction History and criticism 20th century
,
Politics and literature History 20th century United States
,
Literature and society History 20th century United States
,
Public welfare History 20th century United States
,
USA
,
Roman
,
Häuslichkeit Motiv
,
Wohlfahrtsstaat
,
Geschichte 1900-2000
},
year = {2008},
abstract = {Includes bibliographical references and index},
abstract = {Introduction: As with a startling picture: modernism and the domestic sphere -- "For she asks forever only help" : the critique of maternalist reform discourse in Djuna Barnes's Ryder -- Tortured bodies and "twisted words" : the antidomestic vision of Jean Toomer's Cane -- Southeastern European immigration and the "American home" in Edna Ferber's American beauty -- Not sentimental : the double bind of white working-class femininity in Tillie Olsen's Yonnondio -- Siren calls: consumer revolution and the body beautiful in Nathanael West's The day of the locust -- "Not charity yet!" : state-supported capitalism and the secret life of god in Flannery O'Connor's Wise blood},
address = {
Oxford [u.a.]
},
}