author = { Moeller, Martina },

title = { Rubble, ruins and romanticism visual style, narration and identity in German Post-War cinema },

publisher = {transcript-Verl.},

isbn = {3837621839},

isbn = {9783837621839},

keywords = { Motion pictures Germany History , Motion pictures Germany 20th century , Motion pictures Germany History and criticism , Germans in motion pictures , Rubble films , Germany In motion pictures , Deutschland , Trümmerfilm , Deutschland Motiv , Nationalbewusstsein Motiv , Erzähltechnik , Geschichte 1945-1951 , Film , Geschichte },

year = {2013},

abstract = {Literaturverz. S. [307] - 320},

abstract = {The neoformalist approach : questions of form and style. Film as an aesthetic systemThe result of construction : meaning -- German romanticism : the stylistic origin of rubble films. Leading stylistic and narrative romantic devices -- Ruins and fragment : a romantic discourse on crisis -- The romantic discourse in a selection of rubble films. Rubble films : common features and main differences -- The romantic discourse -- The murderers are among us (1946) : a break with Nazi cinema? -- Film without a name (1947/48) : irony shall help us! -- The Blum affair (1948) : Engel's critical view on the past -- The 'last' illusion (1948/49) : double views and mistaken perception -- Second hand destiny (1949) : the demonic bourgeois -- The lost (1950/51) : no escape? -- Conclusion.},

booktitle = {Film studies},

address = { Bielefeld },

url = { http://slubdd.de/katalog?TN_libero_mab2 }