%0
Generic
%T
Cross-Channel Modernisms
%A Davison, Claire
%A Goldman, Jane A.
%A Ryan, Derek
%A Davison, Claire
%A Eells, Emily
%A Elkin, Lauren
%A Goldman, Jane
%A Kolocotroni, Vassiliki
%A Marcus, Laura
%A Mille, Charlotte de
%A Muscogiuri, Patrizia A.
%A Ryan, Derek
%A Saunders, Max
%A Toth, Naomi
%I Edinburgh University Press
%@ 9781474441896
%K Modernism (Art)
%K Modernism (Literature)
%K Literary Studies
%K LITERARY CRITICISM / Feminist
%D [2022]
%D , ©2020
%X Frontmatter
%X Contents
%X Figures
%X Notes on Contributors
%X Introduction: Cross-Channel (Transmanche) Modernisms
%X Interlude: Translating
%X Chapter 1 On Unknowing French? Rhythm and Le Rythme on a Cross-Channel Exchange
%X Chapter 2 Impressions of Translation: Ford Madox Ford’s Cosmopolitan Literary Crossings
%X Chapter 3 Sydney Schiff and Marcel Proust: Table-talk, Tribute, Translation
%X Interlude: Fashioning
%X Chapter 4 Cross-Channel Modernisms and the Vicissitudes of a Laughing Torso: Nina Hamnett, Artist, Bohemian and Writer in London and Paris
%X Chapter 5 Jean Rhys’s comédie anglaise
%X Chapter 6 Betray to Become: Departure in James Joyce’s A Portrait of the Artist as a Young Man
%X Interlude: Mediating
%X Chapter 7 Close Up and Cross-Channel Cinema Culture
%X Chapter 8 Debussy at the Omega Workshops
%X Chapter 9 Across the Other Channel: Elizabeth Bowen and Modernist Mediation
%X Coda: ‘You, who cross the Channel’: Virginia Woolf, Departures and the Spectro-Aesthetics of Mo
%X Index
%C Edinburgh University Press
%C Edinburgh
%U http://slubdd.de/katalog?TN_libero_mab2