%0 Book
%T Rubble, ruins and romanticism visual style, narration and identity in German Post-War cinema
%A Moeller, Martina
%I transcript-Verl.
%@ 3837621839
%@ 9783837621839
%K Motion pictures Germany History
%K Motion pictures Germany 20th century
%K Motion pictures Germany History and criticism
%K Germans in motion pictures
%K Rubble films
%K Germany In motion pictures
%K Deutschland
%K Trümmerfilm
%K Deutschland Motiv
%K Nationalbewusstsein Motiv
%K Erzähltechnik
%K Geschichte 1945-1951
%K Film
%K Geschichte
%D 2013
%X Literaturverz. S. [307] - 320
%X The neoformalist approach : questions of form and style. Film as an aesthetic systemThe result of construction : meaning -- German romanticism : the stylistic origin of rubble films. Leading stylistic and narrative romantic devices -- Ruins and fragment : a romantic discourse on crisis -- The romantic discourse in a selection of rubble films. Rubble films : common features and main differences -- The romantic discourse -- The murderers are among us (1946) : a break with Nazi cinema? -- Film without a name (1947/48) : irony shall help us! -- The Blum affair (1948) : Engel's critical view on the past -- The 'last' illusion (1948/49) : double views and mistaken perception -- Second hand destiny (1949) : the demonic bourgeois -- The lost (1950/51) : no escape? -- Conclusion.
%C transcript-Verl.
%C Bielefeld
%U http://slubdd.de/katalog?TN_libero_mab2
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