author = { Manning, Susan AND Taylor, Andrew Bannet, Eve Tavor AND Bell, Michael Davitt AND Benjamin, Walter AND Boissevain, Jeremy AND Brickhouse, Anna AND Buell, Lawrence AND Campbell, Mary Baine AND Casanova, Pascale AND Certeau, Michel de AND Cheyfitz, Eric AND Cohen, Margaret AND Deleuze, Gilles AND Dimock, Wai Chee AND Fender, Stephen AND Gerassi-Navarro, Nina AND Giles, Paul AND Gilroy, Paul AND Gravil, Richard AND Gross, Robert A. AND Guattari, Félix AND Hall, Stuart AND Hulme, Peter AND Jakobson, Roman AND Kaplan, Amy AND Katz, Daniel AND Manning, Susan AND McFadden, Margaret AND Miller, J. Hillis AND Mills, Nicolaus AND Pease, Donald E. AND Pratt, Mary Louise AND Roach, Joseph AND Robinson, Douglas AND Rowe, John Carlos AND Said, Edward AND Simpson, David AND Snead, James AND Steiner, George AND Stokes, Claudia AND Stowe, William AND Tanner, Tony AND Taylor, Andrew AND Tennenhouse, Leonard AND Warren, Austin AND Weisbuch, Robert AND Wellek, René AND amberlain, Lori },

title = { Transatlantic Literary Studies A Reader },

publisher = {Edinburgh University Press},

publisher = {},

isbn = {9781474470674},

keywords = { Literary Studies , LITERARY CRITICISM / American / General },

year = {[2022]},

year = {, ©2007},

abstract = {Frontmatter},

abstract = {CONTENTS},

abstract = {NOTE ON THE TEXTS},

abstract = {ACKNOWLEDGEMENTS},

abstract = {PUBLISHER’S ACKNOWLEDGEMENTS},

abstract = {INTRODUCTION: WHAT IS TRANSATLANTIC LITERARY STUDIES?},

abstract = {PART I THE NATION AND COSMOPOLITANISM},

abstract = {THE NATION AND COSMOPOLITANISM: INTRODUCTION},

abstract = {1 ‘COPYRIGHTING AMERICAN HISTORY: INTERNATIONAL COPYRIGHT AND THE PERIODIZATION OF THE NINETEENTH CENTURY’},

abstract = {2 ‘THE TRANSNATIONAL TURN: REDISCOVERING AMERICAN STUDIES IN A WIDER WORLD’},

abstract = {3 ‘NINETEENTH-CENTURY UNITED STATES LITERARY CULTURE AND TRANSNATIONALITY’},

abstract = {4 ‘NATIONAL NARRATIVES, POSTNATIONAL NARRATION’},

abstract = {5 ‘TRANSNATIONALISM AND CLASSIC AMERICAN LITERATURE’},

abstract = {6 ‘THE LIMITS OF COSMOPOLITANISM AND THE CASE FOR TRANSLATION’},

abstract = {7 ‘BETWEEN EMPIRES: FRANCES CALDERÓN DE LA BARCA’S LIFE IN MEXICO’},

abstract = {8 ‘PRINCIPLES OF A HISTORY OF WORLD LITERATURE’},

abstract = {PART II THEORIES AND PRACTICE OF COMPARATIVE LITERATURE},

abstract = {THEORIES AND PRACTICE OF COMPARATIVE LITERATURE: INTRODUCTION},

abstract = {1 ‘GENERAL, COMPARATIVE, AND NATIONAL LITERATURE’},

abstract = {2 ‘NOTES TOWARDS A COMPARISON BETWEEN EUROPEAN AND AMERICAN ROMANTICISM’},

abstract = {3 ‘ENGLISH ROMANTICISM, AMERICAN ROMANTICISM: WHAT’S THE DIFFERENCE?’},

abstract = {4 ‘CULTURAL TIME IN ENGLAND AND AMERICA’},

abstract = {5 ‘NATURE AND WALDEN’},

abstract = {6 ‘ON BEGINNING TO TELL A “BEST-KEPT SECRET”’},

abstract = {7 ‘NETWORK ANALYSIS: A REAPPRAISAL’},

abstract = {PART III IMPERIALISM AND THE POSTCOLONIAL},

abstract = {IMPERIALISM AND THE POSTCOLONIAL: INTRODUCTION},

abstract = {1 ‘PROSPERO AND CALIBAN’},

abstract = {2 ‘CULTURAL IDENTITY AND DIASPORA’},

abstract = {3 ‘THE BLACK ATLANTIC AS A COUNTERCULTURE OF MODERNITY’},

abstract = {4 ‘AMERICAN LITERARY EMERGENCE AS A POSTCOLONIAL PHENOMENON’},

abstract = {5 ‘EUROPEAN PEDIGREES/AFRICAN CONTAGIONS: NATIONALITY, NARRATIVE, AND COMMUNITY IN TUTUOLA, ACHEBE, AND REED’},

abstract = {6 ‘DEEP TIME: AMERICAN LITERATURE AND WORLD HISTORY’},

abstract = {PART IV TRANSLATION},

abstract = {TRANSLATION: INTRODUCTION},

abstract = {1 ‘THE TASK OF THE TRANSLATOR’},

abstract = {2 ‘ON LINGUISTIC ASPECTS OF TRANSLATION’},

abstract = {3 ‘THE HERMENEUTIC MOTION’},

abstract = {4 ‘THE TROPICS OF TRANSLATION’},

abstract = {5 ‘GENDER AND THE METAPHORICS OF TRANSLATION’},

abstract = {6 ‘JACK SPICER’S AFTER LORCA: TRANSLATION AS DECOMPOSITION’},

abstract = {7 ‘THE FRENCH CARIBBEANIZATION OF PHILLIS WHEATLEY: A POETICS OF ANTICOLONIALISM’},

abstract = {PART V STYLE AND GENRE},

abstract = {STYLE AND GENRE: INTRODUCTION},

abstract = {1 ‘ELOQUENCE AND TRANSLATION’},

abstract = {2 ‘INTRODUCTION: RHIZOME’},

abstract = {3 ‘TRAVELING GENRES’},

abstract = {4 ‘INTRODUCTION: HISTORY, MEMORY, AND PERFORMANCE’},

abstract = {5 ‘ROMANCE AND RATIONAL ORTHODOXY’},

abstract = {6 ‘THE FAILURE OF GENRE CRITICISM’},

abstract = {7 ‘EMPIRE AND OCCASIONAL CONFORMITY: DAVID FORDYCE’S COMPLETE BRITISH LETTER-WRITER’},

abstract = {8 ‘THE AMERICANIZATION OF CLARISSA’},

abstract = {PART VI TRAVEL},

abstract = {TRAVEL: INTRODUCTION},

abstract = {1 ‘REFLECTIONS ON EXILE’},

abstract = {2 ‘ETHNO-GRAPHY: SPEECH, OR THE SPACE OF THE OTHER: JEAN DE LÉRY’},

abstract = {3 ‘INTRODUCTION’ TO SEA CHANGES},

abstract = {4 ‘THE REWARDS OF TRAVEL’},

abstract = {5 ‘INTRODUCTION’ TO IMPERIAL EYES AND ‘HUMBOLDT AS TRANSCULTURATOR’},

abstract = {6 ‘TRAVEL WRITING AND ITS THEORY’},

abstract = {GLOSSARY OF TERMS},

abstract = {INDEX},

address = { Edinburgh , },

url = { http://slubdd.de/katalog?TN_libero_mab2 }