%0 Generic

%T The Edinburgh companion to contemporary narrative theories

%A Dinnen, Zara

%A Abbott, H. Porter

%A Baetens, Jan

%A Bell, Alice

%A Breger, Claudia

%A Caracciolo, Marco

%A Currie, Mark

%A Dinnen, Zara

%A Ensslin, Astrid

%A Frey, Hugo

%A Gallagher, Rob

%A Keen, Suzanne

%A Kim, Sue J.

%A Kjerkegaard, Stefan

%A Kukkonen, Karin

%A Lanser, Susan S.

%A McBean, Sam

%A McCracken, Ellen

%A McHale, Brian

%A Mittell, Jason

%A Orbán, Katalin

%A O’Sullivan, Sean

%A Phelan, James

%A Polvinen, Merja

%A Punday, Daniel

%A Quendler, Christian

%A Richardson, Brian

%A Rohy, Valerie

%A Ronen, Ruth

%A Shuman, Amy

%A Walsh, Richard

%A Warhol, Robyn R.

%A Young, Katharine

%I Edinburgh University Press

%@ 9781474424752

%@ 9781474424769

%K Narration (Rhetoric)

%K Storytelling in literature

%K Literary Studies

%K LITERARY CRITICISM / European / English, Irish, Scottish, Welsh

%K Aufsatzsammlung

%K Erzähltheorie

%D [2018]

%X Frontmatter

%X Contents

%X Illustrations

%X Acknowledgements

%X Notes on Contributors

%X Introduction

%X I. Mind-Centred and Cognitive Approaches to Narrative

%X 1. What Does It Mean to Be Mad? Diagnosis, Narrative, Science, and the DSM

%X 2. The Nonhuman in Mind: Narrative Challenges to Folk Psychology

%X 3. Narrative and the Embodied Reader

%X 4. The Fully Extended Mind

%X 5. Sense-Making and Wonder: An Enactive Approach to Narrative Form in Speculative Fiction

%X II. Situated Narrative Theories

%X 6. Cosmopolitanism, Controversy, and Collectivity: Zadie Smith’s Networked Narration

%X 7. Race and Empathy in GB Tran’s Vietnamerica

%X 8. Till Death Do Us Part: Embodying Narratology

%X 9. Digital Intimacies and Queer Narratives

%X 10. The Cinema of the Impossible: Queer Theory and Narrative

%X III. Theories of Digital Narrative

%X 11. Cinema and the Unnarratability of Computation

%X 12. Plotting the Loop: Videogames and Narratability

%X 13. Serial as Digital Constellation: Fluid Textuality and Semiotic Otherness in the Podcast Narrative

%X 14. UI Time and the Digital Event

%X IV. Theories of Television, Film, Comics, and Graphic Narrative

%X 15. Continued Comics: The New ‘Blake and Mortimer’ as an Example of Continuation in European Series

%X 16. Operational Seriality and the Operation of Seriality

%X 17. Closer Than They Seem: Graphic Narrative and the Senses

%X 18. Episode Five, or, When Does a Narrative Become What It Is?

%X 19. Media Theory as Narrative Theory: Film Narration as a Case Study

%X V. Anti-Mimetic Narrative Theories

%X 20. Digital Fiction and Unnatural Narrative

%X 21. Lyric Poetry as Anti-Mimetic Bridging in Narratives and Motion Pictures: A Case Study of Affective Response to Christopher Nolan’s Interstellar (2014)

%X 22. Speculative Fiction, or, Literal Narratology

%X 23. Unnatural Endings in Fiction and Drama

%X VI. Philosophical Approaches to Narrative

%X 24. Narrative and the Necessity of Contingency

%X 25. Local Nonfi ctionality within Generic Fiction: Huntington’s Disease in McEwan’s Saturday and Genova’s Inside the O’Briens

%X 26. The Story of the Law

%X 27. The Centre for Narrative Gravity: Narrative and the Philosophy of Selfhood after Dennett

%X 28. The Body as Medium: A Phenomenological Approach to the Production of Affect in Narrative

%X Index

%C Edinburgh University Press

%C Edinburgh

%U http://slubdd.de/katalog?TN_libero_mab2