TY -
BOOK
AU - Talbot, Michael
TI -
Aspects of the secular cantata in late baroque Italy
PB - Ashgate
SN - 0754657949
SN - 9780754657941
KW - Cantatas, Secular History and criticism
KW - Music Italy 17th century History and criticism
KW - Music Italy 18th century History and criticism
KW - Cantatas, Secular
KW - History and criticism
KW - Music
KW - Italy
KW - 17th century
KW - 18th century
KW - Aufsatzsammlung
KW - Italien
KW - Barock
KW - Kantate
KW - Geschichte 1570-1750
PY - c 2009
N2 - Formerly CIP Uk. - Includes bibliographical references and index. - The when and how of arioso in Stradella's cantatas / Carolyn Gianturco -- A lost volume of cantatas and serenatas from the "Original Stradella collection" / Colin Timms -- Narration, mimesis and the question of genre: dramatic approaches in Giovanni Legrenzi's solo cantatas, Opp. 12 and 14 / Hendrik Schulze -- A tale of two cities: cantata publication in Bologna and Venice, c.1650-1700 / Reinmar Emans -- "Al tavolino medesimo del compositor della musica": notes on text and context in Alessandro Scarlatti's cantate da camera / Norbert Dubowy -- Bononcini's "agreeable and easie style, and those fine inventions in his basses (to which he was led by an instrument upon which he excells) / Lowell Lindgren -- The "humble" and "sublime" genres, the pastoral and heroic styles: rhetorical metamorphoses in Benedetto Marcello's cantatas / Marco Bizzarini -- Giulia Veneziano investigations into the cantata in Naples during the first half of the eighteenth century: the cantatas by Leonardo Vinci contained in a "Neapolitan' manuscript" / Giulia Veneziano -- The "orchestral" French cantata (1706-1730): performance, edition and classification of a neglected repertory / Graham Sadler -- Patterns and strategies of modulation in cantata recitatives / Michael Talbot -- "Imitando" arietta, ò altro allegro, cantato di fresco": keyboard realization in Italian continuo arias / Giulia Nuti - The revival of the Italian chamber cantata on disc: models and trends / Roger-Claude Travers
N2 - The when and how of arioso in Stradella's cantatas Carolyn Gianturco
N2 - A lost volume of cantatas and serenatas from the "Original Stradella collection" Colin Timms
N2 - Narration, mimesis and the question of genre: dramatic approaches in Giovanni Legrenzi's solo cantatas, Opp. 12 and 14 Hendrik Schulze
N2 - A tale of two cities: cantata publication in Bologna and Venice, c.1650-1700 Reinmar Emans
N2 - "Al tavolino medesimo del compositor della musica": notes on text and context in Alessandro Scarlatti's cantate da camera Norbert Dubowy
N2 - Bononcini's "agreeable and easie style, and those fine inventions in his basses (to which he was led by an instrument upon which he excells) Lowell Lindgren
N2 - The "humble" and "sublime" genres, the pastoral and heroic styles: rhetorical metamorphoses in Benedetto Marcello's cantatas Marco Bizzarini
N2 - Giulia Veneziano investigations into the cantata in Naples during the first half of the eighteenth century: the cantatas by Leonardo Vinci contained in a "Neapolitan' manuscript" Giulia Veneziano
N2 - The "orchestral" French cantata (1706-1730): performance, edition and classification of a neglected repertory Graham Sadler
N2 - Patterns and strategies of modulation in cantata recitatives Michael Talbot
N2 - "Imitando" arietta, ò altro allegro, cantato di fresco": keyboard realization in Italian continuo arias Giulia Nuti - The revival of the Italian chamber cantata on disc: models and trends / Roger-Claude Travers.
CY - Farnham, Surrey [u.a.]
UR - http://slubdd.de/katalog?TN_libero_mab2
ER -