author = { Chametzky, Peter },

title = { Objects as history in twentieth-century German art Beckmann to Beuys },

publisher = {Univ. of California Press},

isbn = {9780520260429},

isbn = {0520260422},

keywords = { Art and history Germany , Art, German 20th century , Art and history , Germany , Art, German , 20th century , Deutschland , Kunstwerk , Repräsentativität , Geschichte , Geschichte 1900-2000 , Kunst },

year = {2010},

abstract = {Literaturverz. S. 255 - 268 und Index},

abstract = {Introduction. Art objects as history -- Titanic sinks, departure arrives. Max Beckmann's melodramatic role in the fall of history painting and rise of the historical object -- Lost and found Dada objects and subjects. George Grosz, Hannah Höch, and German Jewish identity -- Objects of interpretation. Grosz's Germany: a winter's tale -- Absender: ich. Willi Baumeister's anti-Nazi works as objects of (s)exchange -- Sculpture and crime. Arno Breker -- From muscle men to fatty remains. Joseph Beuys's sculptural objects beyond objecthood -- Conclusion. Beyond Beuys: Gerhard Richter's choice.},

address = { Berkeley, Calif. [u.a.] },

url = { http://slubdd.de/katalog?TN_libero_mab2 }