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Golsenne, Thomas [Author] ; Penone, Giuseppe [Illustrator]

La ligne d'ombre de Giuseppe Penone

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2012

Published in: Roven ; (2012), 7, Seite 62-65
Golsenne, Thomas [Editor]; Ribault, Patricia [Editor] ; École des hautes études en sciences sociales

Essais de bricologie : ethnologie de l'art et du design contemporains

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Paris: Éditions EHESS, 2015

Published in: Techniques & culture ; 64
Auger, Sophie [Editor]; Golsenne, Thomas [Other] ; Maréchalerie - Centre d'Art Contemporain Versailles

Ever living ornement : [exposition, du 6 avril au 1er juillet 2012 à la Maréchalerie, centre d'art contemporain de l'École nationale supérieure d'architecture de Versailles, Micro Onde, centre d'art de l'Onde, Vélizy-Villacoublay]

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Vélizy-Villacoublay: l'Onde, théâtre et centre d'art [u.a.], 2012
Pinaud, Pascal [Other]; Golsenne, Thomas [Other] ; Mamco, Musée d'art moderne et contemporain

Pascal Pinaud - serial painter

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Genève: Mamco - Musée d'Art Moderne et Contemporain, 2014
Golsenne, Thomas [Author]

[Rezension von: Arnaud Dubois, La vie chromatique des objets. Une anthropologie de la couleur de l'art contemporain]

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2021-08-30

Published in: Histara ; (2021) vom: 30. Aug.
Golsenne, Thomas [Author]

[Rezension von: Ariane Varela Braga, Une théorie universelle au milieu du XIXe siècle. La Grammar of Ornament d'Owen Jones]

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2019-01-28

Published in: Histara ; (2019) vom: 28. Jan.
Dierkens, Alain [Author] ; Bartholeyns, Gil [Editor]; Golsenne, Thomas [Editor]

La performance des images

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Bruxelles: Editions de l'Université de Bruxelles, 2010
Dierkens, Alain [Editor]; Bartholeyns, Gil [Editor]; Golsenne, Thomas [Editor]

La performance des images

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Bruxelles: Éditions de l'Université de Bruxelles, 2010

Published in: Problèmes d'histoire des religions
Pierre-Olivier Dittmar [Author]; Gil Bartholeyns [Author]; Thomas Golsenne [Author]; Vincent Jolivet [Author]; Misgav Har-Peled [Author]

Adam et l'Astragale : Essais d'anthropologie et d'histoire sur les limites de l'humain

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[Erscheinungsort nicht ermittelbar]: Éditions de la Maison des sciences de l’homme, 2009
Golsenne, Thomas [Author]

L'Annonciation de Carlo Crivelli et le problème de l'ornement

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Published in: Studiolo ; Vol. 1, n° 1, pp. 149-176
Golsenne, Thomas [Author]

Bernard Vouilloux, Écritures de fantaisie. Grotesques, arabesques, zigzags et serpentinS, Collection Savoir : Lettres, 2008

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Published in: Figures de l'Art. Revue d'études esthétiques ; Vol. 16, n° 1, pp. 281-293
Golsenne, Thomas [Author]

«Tanta vertù ed efficatia». Aux origines d’un culte : le Bienheureux Jacques de la Marche de Carlo Crivelli

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Published in: Mélanges de l'École française de Rome. Moyen-Age ; Vol. 114, n° 2, pp. 1067-1093
Golsenne, Thomas [Author]

«Tanta vertù ed efficatia». Planches

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Published in: Mélanges de l'École française de Rome. Moyen-Age ; Vol. 114, n° 2, pp. 1-16
Golsenne, Thomas

Devenir-gracieux. L’invocation dans Les Furtifs d’Alain Damasio Becoming-gracious. Invocation in Alain Damasio’s Les Furtifs

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Universite de Lille, 2023

Published in: Déméter (2023) 9
Golsenne, Thomas

Aux racines du voir : enjeux contemporains de l’anthropologie figurative de Philippe Descola

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OpenEdition, 2022

Published in: Perspective (2022) 2, Seite 323-340
Golsenne, Thomas

Ileana Parvu, Jean-Marie Bolay, Bénédicte le Pimpec, Valérie Mavridorakis, dir., Faire, faire faire, ne pas faire. Entretiens sur la production de l’art contemporain, Dijon, Les presses du réel ; Genève, la HEAD, 2021, 360 pp. 107 illus. n&b et couleurs € 25 (relié) ISBN 9782940510443

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Consortium Erudit, 2022

Published in: RACAR : Revue d'art canadienne, 47 (2022) 1, Seite 113-115
Golsenne, Thomas

Artistes, savants, médiums : Art contemporain et communication avec l’invisible [portfolio] : Art contemporain et communication avec l’invisible [portfolio]

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OpenEdition, 2018

Published in: Terrain (2018) 69, Seite 152-171
Golsenne, Thomas

La femme-léopard. Histoire de la mode chez les amazones

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OpenEdition, 2018

Published in: Apparence(s) (2018) 8
Golsenne, Thomas

Parergon. Attribut, Material und Fragment in der Bildästhetik des Quattrocento

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Walter de Gruyter GmbH, 2017

Published in: Zeitschrift für Kunstgeschichte, 80 (2017) 1, Seite 159-164
Golsenne, Thomas

Review: Parergon. Attribut, Material und Fragment in der Bildästhetik des Quattrocento

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DEUTSCHER KUNSTVERLAG, 2017

Published in: Zeitschrift für Kunstgeschichte, 80 (2017) 1, Seite 159-164

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