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  1. Bosse, Abraham [Author] ; Desargues, Gérard [Other]

    Maniere vniverselle de Mr. Desargves, pour pratiquer la perspective par petit-pied, comme le Geometral. Ensemble les places et proportions des Forts [et] Foibles Touches, Teintes ou Couleurs

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    Paris: Des-Hayes [Drucker], 1648 ; Online-Ausgabe, Berlin: Max-Planck-Institut für Wissenschaftsgeschichte, 2023

  2. Dubreuil, Jean [Author] ; Pricke, Robert [Other]

    Perspective practical or, A plain and easie method of true and lively representing all things to the eye at a distance : by the exact rules of art

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    London: Printed for Robert Pricke, 1698 ; Ann Arbor, Mich: UMI, 1999

    Published in: Early English Books Online / EEBO

  3. Dubreuil, Jean [Author] ; Pricke, Robert [Other]

    Perspective practical, or, A plain and easie method of true and lively representing all things to the eye at a distance by the exact rules of art : as landskips, towns, streets, palaces, churches ... : likewise rules for placing all sorts of figures with their several postures, situation and horizon : also a treatise of shadows natural by the sun, torch, candle, and lamp : very useful and necessary for all painters, engravers, architects, embroiderers, carvers, goldsmiths, tapestry-workers and all others that work by design

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    London: Printed for Robert Pricke and are to be sold by S. Sprint, 1698 ; Ann Arbor, Mich: UMI, 1999

    Published in: Early English Books Online / EEBO

  4. The Geometry of landskips and paintings made familiar and easie : useful to limners in drawing, and gentlemen in choosing pictures, and beneficial to architects and carvers in proportioning the graces and statues of their buildings to the due distance of sight, and to country gentlemen in the more convenient framing of their platforms for seats and prospects

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    London: Printed for Richard Baldwin, 1690 ; Ann Arbor, Mich: UMI, 1999

    Published in: Early English Books Online / EEBO

  5. Dubreuil, Jean [Author] ; Pricke, Robert [Other]

    Perspective practical, or, A plain and easie method of true and lively representing all things to the eye at a distance : by the exact rules of art

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    London: Printed by H. Lloyd, and sold by R. Pricke, 1672 ; Ann Arbor, Mich: UMI, 1999

    Published in: Early English Books Online / EEBO

  6. Moxon, Joseph [Author]

    Practical perspective, or, Perspective made easie : teaching [brace] by the opticks, how to delineate all bodies, buildings, or landskips, &c., by the catoptricks, how to delineate confused appearences, so as when seen in a mirror or pollisht body of any intended shape, the reflection shall shew a designe, by the dioptircks [sic], how to draw parts of many figures into one, when seen through a glass or christal cut into many faces : usefull for all painters, engravers, architects, &c., and all others that are any waies inclined to speculatory ingenuity

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    London: Printed by Joseph Moxon, and sold at his shop, 1670 ; Ann Arbor, Mich: UMI, 1999

    Published in: Early English Books Online / EEBO

  7. Caus, Salomon de [Author]

    La perspectiue : auec la raison des ombres et miroirs. Par Salomon de Caus ingenieur du serenissime Prince de Galles, dedie a son altesse

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    A Londres: [Printed by Richard Field (London), and J. Mommart (Brussels)] chez [i.e. for] Ian Norton imprimeur du Roy de la grande Bretaigne, aus langues estrangers, anno Dom. 1612 ; Ann Arbor, Mich: UMI, 1999

    Published in: Early English Books Online / EEBO

  8. Caus, Salomon de [Author]

    La perspectiue, auec la raison des ombres et miroirs : Par Salomon de Caus ingenieur du serenissime Prince de Galles, dedie a son altesse

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    A Londres: [printed by Richard Field (London), and J. Mommart (Brussels)] chez [i.e. for] Robert Barker. Imprimeur du Roy de la grande Bretaigne, anno Dom. 1611 ; Ann Arbor, Mich: UMI, 1999

    Published in: Early English Books Online / EEBO

  9. Serlio, Sebastiano [Author]

    A book of perspective & geometry, being the ABC, and first degree of all good art : The learning of which comprehendeth in it many notable arts, needfull and necessary for every artificer and workman. For as no perspective workman can make any work without architecture, so neither can the architecture without perspective. Which perspective is inspection or looking into by shortning of the sight, making it to shew further then in effect it is. ... And seing [sic] perspective art is nothing without geometry, they are both bound together, that the workman may be able to aide and help himselfe therewith. And forasmuch as the hand cannot effect the understanding of the mind, I shall not please thereby such as are curious, yet at least I shall help yong beginners that know little or nothing thereof. This second book of architecture made by Sebastian Serly, entreating of perspective, touching the superficies, translated out of Itallian into Dutch, and out of Dutch into English

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    London: printed by M[ary]. S[immons]. for Thomas Jenner at the south-entrance of the Royall Exchange, 1657 ; Ann Arbor, Mich: UMI, 1999

    Published in: Early English Books Online / EEBO

  10. Holwell, John [Author]

    Trigonometry made easie : fitted to the meanest capacity, it being the foundation of astronomy, navigation, dyalling, surveying, geography, perspective, and gunnery &c

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    London: Printed for Tho. Hawkins, 1685 ; Ann Arbor, Mich: UMI, 1999

    Published in: Early English Books Online / EEBO

  11. Urquhart, Thomas Sir [Author]

    The trissotetras: or, a most exquisite table for resolving all manner of triangles : whether plaine or sphericall, rectangular or obliquangular, with greater facility, then ever hitherto hath been practised: most necessary for all such as would attaine to the exact knowledge of fortification, dyaling, navigation, surveying, architecture, the art of shadowing, taking of heights, and distances, the use of both the globes, perspective, the skill of making the maps, the theory of the planets, the calculating of their motions, and of all other astronomicall computations whatsoever. Now lately invented, and perfected, explained, commented on, and with all possible brevity, and perspicuity, in the hiddest, and most re-searched mysteries, from the very first grounds of the science it selfe, proved, and convincingly demonstrated

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    London: Printed by Iames Young, 1645 ; Ann Arbor, Mich: UMI, 1999

    Published in: Early English Books Online / EEBO

  12. Salmon, William [Author] ; Fabre, Pierre-Jean [Other]

    Polygraphice, or, The arts of drawing, engraving, etching, limning, painting, washing, varnishing, gilding, colouring, dying, beautifying, and perfuming : in seven books : exemplified in the drawing of men, women, landskips, countreys and figures of various forms, the way of engraving, etching, and limning, with all their requisites and ornaments, the depicting of the most eminent pieces of antiquities, the paintings of the antients ... : never published till now, together with the original, advancement and perfection of the art of painting, and a discourse of perspective, chiromancy and alchymy,: to which is added, I, the one hundred and twelve chymical arcanums of Petrus Johannes Faber, a most learned and eminent physician, translated out of Latin into English, II, an abstract of choice chymical preparations, fitted for vulgar use, for curing most diseases incident to humane bodies - [The fifth edition, enlarged with above a thousand considerable additions, adorned with XXV. copper sculptures, the like never yet extant]

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    London: Printed for Thomas Passinger ... and Thomas Sawbridge, 1685 ; Ann Arbor, Mich: UMI, 1999

    Published in: Early English Books Online / EEBO

  13. Bassi, Martino [Author] ; N., Alfonso [Contributor]; Vasari, Giorgio [Contributor]; Palladio, Andrea [Contributor]; Vignola [Contributor]; Bertano, Giovanni Battista [Contributor] Getty Research Institute

    Dispareri in materia d'architettvra, et perspettiva : con pareri di eccellenti, et famosi architetti, che li risoluono

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    In Bressa: Per Francesco, & Pie. Maria Marchetti fratelli, 1572