author = { Gesa zur Nieden; Berthold Over },

title = { Musicians' Mobilities and Music Migrations in Early Modern Europe Biographical Patterns and Cultural Exchanges },

publisher = {transcript Verlag},

isbn = {9783839435045},

isbn = {3839435048},

isbn = {383763504X},

keywords = { Music , Music Social aspects Europe , Music Europe 18th century History and criticism , Emigration and immigration Social aspects , Music Europe 17th century History and criticism , Emigration and immigration , HISTORY ; Civilization , HISTORY ; Essays , HISTORY ; Reference , HISTORY ; Social History , Social & cultural history , Emigration and immigration ; Social aspects , Europe , Criticism, interpretation, etc },

year = {2016},

abstract = {Frontmatter -- Editorial -- Content -- Preface -- Roads “which are commonly wonderful for the musicians” – Early Modern Times Musicians’ Mobility and Migration -- Between Collective Biography and Biography: Cultural-Historical Approaches to Musicians’ Migrations in the Early Modern Age -- Migration and Biography The Case of Agostino Steffani -- “try it elsewhere [...]” – Konrad Hagius and Musician’s Mobility in Early Modern Times in Light of Local and Regional Profile -- Competition at the Catholic Court of Munich Italian Musicians and Family Networks -- From Munich to ‘Foreign’ Lands and Back Again Relocation of the Munich Court and Migration of Musicians (c. 1690-1715) -- Migratory and Traveling Musicians at the Polish Royal Courts in the 17 -- Foreign Musicians at the Polish Court in the Eighteenth Century The Case of Pietro Mira -- Luka Sorgo – a Nobleman and Composer from Dubrovnik -- MUSICI and MusMig Continuities and Discontinuities -- Sources of Musicians’ Migrations Between Court and City -- Musical Travels Sources of Musicians’ Tours and Migrations in the Seventeenth and Eighteenth Century -- “… und bißhero mein Glück in der Welt zu suchen …” – Notes on the Biography of Jonas Friederich Boenicke -- The Russian Experience The Example of Filippo Balatri -- Soloists of the Opera Productions in Brno, Holešov, Kroměříž and Vyškov Italian Opera Singers in Moravian Sources c. 1720-1740 (Part I) -- Vienna Kärntnertortheater Singers in the Letters from Georg Adam Hoffmann to Count Johann Adam von Questenberg Italian Opera Singers in Moravian Sources c. 1720-1740 (Part II) -- Dissemination and Transfer of Music and Music Theory Between Copies, Adaptations and References -- Estienne Roger’s Foreign Composers -- From “Sonate a quattro” to “Concertos in Seven Parts” The Acclimatization of Two Compositions by Francesco Scarlatti -- Spread of Italian Libretti Maria Clementina Sobieska Stuart – a Patron of Roman Operas -- Migrations of Musical Repertoire The Attems Music Collection from Around 1744 -- The Case of Juraj Križanić (1619-1683?) – His Texts on Music. From Artefacts to Cultural Study (Croatian Writers on Music and The Transfer of Ideas in Their New Environments) -- People and Places in a (Music) Source. A Case Study of Giuseppe Michele Stratico and His Theoretical Treatises (Croatian Writers on Music and Transfer of Ideas in Their New Environments) -- List of Contributors -- Index of Persons -- Index of Places},

booktitle = {Mainzer Historische Kulturwissenschaften ; 33},

address = { s.l. },

url = { http://slubdd.de/katalog?TN_libero_mab2 }