author = { Ashkenazi, Ofer AND Barzilai, Maya AND Frölich, Margrit AND Ganeva, Mila AND Hales, Barbara AND Hales, Barbara AND Hans, Anjeana K. AND Henkel, Brook AND Malakaj, Ervin AND Rogowski, Christian AND Seyfert, Andréas-Benjamin AND Silverman, Lisa AND Stiasny, Philipp AND Walk, Cynthia AND Wallach, Kerry AND Weinstein, Valerie AND Weinstein, Valerie },

title = { Rethinking Jewishness in Weimar Cinema },

publisher = {Berghahn Books},

publisher = {},

isbn = {9781789208733},

keywords = { Jewish motion picture producers and directors Germany , Jews in the motion picture industry Germany , Motion pictures Germany History 20th century , PERFORMING ARTS / Film & Video / History & Criticism },

year = {[2020]},

abstract = {Frontmatter},

abstract = {CONTENTS},

abstract = {FIGURES},

abstract = {ACKNOWLEDGMENTS},

abstract = {Introduction THE JEWISHNESS OF WEIMAR CINEMA},

abstract = {PART I JEWISH VISIBILITY ON AND OFF SCREEN},

abstract = {Chapter 1. Humanizing Shylock: The "Jewish Type" in Weimar Film},

abstract = {Chapter 2. Energizing the Dramaturgy: How Jewishness Shaped Alexander Granach's Performances in Weimar Cinema},

abstract = {Chapter 3. The Jewish Vamp of Berlin: Actress Maria Orska, Typecasting, and Jewish Women},

abstract = {Chapter 4. Jewish Comedians beyond Lubitsch: Siegfried Arno in Film and Cabaret},

abstract = {Chapter 5. Alfred Rosenthal's Rhetoric of Collaboration, the Politics of Jewish Visibility, and Jewish Weimar Film Print Culture},

abstract = {PART II CODING AND DECODING JEWISH DIFFERENCE},

abstract = {Chapter 6. Two Worlds, Three Friends, and the Mysterious Seven-Branched Candelabrum: Jewish Filmmaking in Weimar Germany},

abstract = {Chapter 7. Homosexual Emancipation, Queer Masculinity, and Jewish Difference in Anders als die Andern (1919) 152 Valerie Weinstein},

abstract = {Chapter 8. Der Film ohne Juden: G.W. Pabst's Die freudlose Gasse (1925)},

abstract = {Chapter 9. "The World Is Funny, Like a Dream": Franziska Gaal's Verwechslungskomödien and Exile's Crisis of Identity},

abstract = {PART III JEWISHNESS AS ANTISEMITIC CONSTRUCT},

abstract = {Chapter 10. Cinematically Transmitted Disease: Weimar's Perpetuation of the Jewish Syphilis Conspiracy},

abstract = {Chapter 11. The Einstein Film: Animation, Relativity, and the Charge of "Jewish Science"},

abstract = {Chapter 12. "A Clarion Call to Strike Back": Antisemitism and Ludwig Berger's Der Meister von Nürnberg (1927)},

abstract = {Chapter 13. Banning Jewishness: Stefan Zweig, Robert Siodmak, and the Nazis},

abstract = {Chapter 14. Detoxification: Nazi Remakes of E.A. Dupont's Blockbusters},

abstract = {CODA},

abstract = {Chapter 15. "Filmrettung: Save the Past for the Future!": Film Restoration and Jewishness in German and Austrian Silent Cinema},

abstract = {AFTERWORD},

abstract = {INDEX},

booktitle = {Film Europa ; 24},

address = { New York , },

url = { http://slubdd.de/katalog?TN_libero_mab2 }