author = { Wierzbicki, James Eugene },

title = { Music, sound and filmmakers sonic style in cinema },

publisher = {Routledge},

isbn = {9780415898935},

isbn = {9780415898942},

isbn = {0415898935},

isbn = {0415898943},

keywords = { Motion picture music History and criticism , Sound in motion pictures , Motion picture producers and directors , Motion picture music , History and criticism , Aufsatzsammlung , Filmmusik },

year = {2012},

abstract = {Literaturverzeichnis: Seiten 191-201},

abstract = {Introduction : sonic style in cinema James Wierzbicki},

abstract = {Music, sound, and silence in the films of Ingmar Bergman Per F. Broman},

abstract = {Andrey Tarkovsky : the refrain of the sonic fingerprint Elizabeth Fairweather},

abstract = {"It's all really happening" : sonic shaping in the films of Wes Anderson Ben Winters},

abstract = {Kieslowski's musique concrète Joseph G. Kickasola},

abstract = {Gus Van Sant's soundwalks and audio-visual musique concrète Danijela Kulezic-Wilson},

abstract = {Blowin' in the wind : music and meaning in the Coen Brothers' films Matthew McDonald},

abstract = {Sound and uncertainty in the horror films of the Lewton Unit Michael Lee},

abstract = {Conducting the composer : David O. Selznick and the Hollywood film score Nathan Platte},

abstract = {The Stanley Kubrick experience : music, firecrackers, disorientation, and you Kate McQuiston},

abstract = {The filmmaker's contract : controlling sonic space in the films of Peter Greenaway Ian Sapiro},

abstract = {The attractions of repetition : Tarantino's sonic style Lisa Coulthard},

abstract = {Dream timbre : notes on Lynchian sound design Isabella van Elferen.},

booktitle = {Routledge music and screen media series},

address = { New York },

url = { http://slubdd.de/katalog?TN_libero_mab2 }