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Fehl, Philipp P. [Author]

The classical monument : reflections on the connection between morality and art in Greek and Roman sculpture

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New York: New York Univ. Pr., 1972

Published in: Monographs on archaeology and the fine arts ; 24
Eckert, Brita [Editor]; Fehl, Philipp P. [Illustrator] ; Deutsches Exilarchiv 1933-1945, Deutsche Bibliothek Frankfurt am Main; Leipzig

Philipp P. Fehl, Capricci : eine Ausstellung des Deutschen Exilarchivs 1933 - 1945 der Deutschen Bibliothek

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Frankfurt am Main: Die Dt. Bibliothek, Dt. Exilarchiv 1933 - 1945, 2001
Baumstark, Reinhold [Editor]; Fehl, Philipp P. [Other]; Lenckhardt, Adam [Illustrator]; Volk, Peter [Adapter] ; Bayerisches Nationalmuseum, Ausstellung Apoll schindet Marsyas 1995 München

Apoll schindet Marsyas : über das Schreckliche in der Kunst ; Adam Lenckhardts Elfenbeingruppe ; [Katalog zur Ausstellung des Bayerischen Nationalmuseums München, 15. März bis 18. Juni 1995]

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München: Bayerisches Nationalmuseum, 1995
Fehl, Philipp P. [Author]

Das gezähmte Monster : Bemerkungen zum Gartenportal des Palazzo Zuccari in Rom

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1999 ; Online-Ausgabe, Heidelberg: arthistoricum.net, 2023

Published in: Römisches Jahrbuch der Bibliotheca Hertziana ; 32(1997/1998), Beiheft, Seite 265-293
Fehl, Philipp P.

Mantegnas "Mutter der Tugenden"

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JSTOR, 2003

Published in: Artibus et Historiae, 24 (2003) 48, Seite 29
Fehl, Philipp P.

Mantegnas "Mutter der Tugenden"

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IRSA, 2003

Published in: Artibus et Historiae, 24 (2003) 48, Seite 29-42
Fehl, Philipp P.

Uber das Lob in der Kunstgeschichte und sein Schicksal

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JSTOR, 2003

Published in: Artibus et Historiae, 24 (2003) 48, Seite 17
Fehl, Philipp P.

Über das Lob in der Kunstgeschichte und sein Schicksal

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IRSA, 2003

Published in: Artibus et Historiae, 24 (2003) 48, Seite 17-28
Fehl, Philipp P.

Touchstones of Art and Art Criticism: Rubens and the Work of Franciscus Junius

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University of Illinois Press, 1996

Published in: Journal of Aesthetic Education, 30 (1996) 2, Seite 5
Fehl, Philipp P.

Raphael as a Historian: Poetry and Historical Accuracy in the Sala di Costantino

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JSTOR, 1993

Published in: Artibus et Historiae, 14 (1993) 28, Seite 9
Fehl, Philipp P.

Raphael as a Historian: Poetry and Historical Accuracy in the Sala di Costantino

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IRSA, 1993

Published in: Artibus et Historiae, 14 (1993) 28, Seite 9-76
Fehl, Philipp P.

The Stadttempel of the Jews of Vienna: Childhood Recollections and History

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JSTOR, 1988

Published in: Artibus et Historiae, 9 (1988) 17, Seite 89
Fehl, Philipp P.

The Stadttempel of the Jews of Vienna: Childhood Recollections and History

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IRSA, 1988

Published in: Artibus et Historiae, 9 (1988) 17, Seite 89-108
Fehl, Philipp P.

Hermeticism and Art: Emblem and Allegory in the Work of Bernini

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JSTOR, 1986

Published in: Artibus et Historiae, 7 (1986) 14, Seite 153
Fehl, Philipp P.

Hermeticism and Art: Emblem and Allegory in the Work of Bernini

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IRSA, 1986

Published in: Artibus et Historiae, 7 (1986) 14, Seite 153-189
Fehl, Philipp P.

David Cast. The Calumny of Apelles: A Study in the Humanist Tradition. (Yale Publications in the History of Art, 28.) New Haven-London: Yale University Press, 1981. 63 pls. + XV + 243 pp. $32.50

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Cambridge University Press (CUP), 1983

Published in: Renaissance Quarterly, 36 (1983) 2, Seite 239-243
Fehl, Philipp P.

Review: The Calumny of Apelles: A Study in the Humanist Tradition

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The Renaissance Society of America, 1983

Published in: Renaissance Quarterly, 36 (1983) 2, Seite 239-243
Fehl, Philipp P.

Farewell to Jokes: The Last "Capricci" of Giovanni Domenico Tiepolo and the Tradition of Irony in Venetian Painting

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University of Chicago Press, 1979

Published in: Critical Inquiry, 5 (1979) 4, Seite 761-791
Fehl, Philipp P.

Farewell to Jokes: The Last "Capricci" of Giovanni Domenico Tiepolo and the Tradition of Irony in Venetian Painting

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University of Chicago Press, 1979

Published in: Critical Inquiry, 5 (1979) 4, Seite 761-791
FEHL, PHILIPP P.

On the Representation of Character in Renaissance Sculpture

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Oxford University Press (OUP), 1973

Published in: The Journal of Aesthetics and Art Criticism, 31 (1973) 3, Seite 291-308

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