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ReFocus: The Films of Lucrecia Martel
%A Aguilar, Gonzalo
%A Amado, Ana
%A Amante, Adriana
%A Barrenha, Natalia Christofoletti
%A Bernini, Emilio
%A Campo, Mônica
%A Catelli, Nora
%A Christofoletti Barrenha, Natalia
%A Cunha, Damyler
%A Forcinito, Ana
%A Kratje, Julia
%A Laera, Alejandra
%A Martin, Deborah
%A Merchant, Paul R.
%A Niebylski, Dianna C.
%A Oubiña, David
%A Souto, Mariana
%A Verardi, Malena
%I Edinburgh University Press
%@ 9781474485241
%K PERFORMING ARTS / Film & Video / Direction & Production
%D [2022]
%D , ©2022
%X Frontmatter
%X Contents
%X Figures
%X Notes on Contributors
%X Acknowledgements
%X Chapter 1. Metamorphosis and Persistence: An Introduction
%X Chapter 2. Speeds, Generations and Utopias: On The Swamp
%X Chapter 3. Sounding Class, Race and Gender in The Swamp
%X Chapter 4. Being Unable to See and Being Invisible: Unrecognisable, Inaudible Voices in Fish, New Argirópolis and Muta
%X Chapter 5. Muta: Monstrosity and Mutation
%X Chapter 6. Short Films as Aesthetic Freedom
%X Chapter 7. Masculinity, Desire and Performance in The Holy Girl
%X Chapter 8. Other Areas: The Bio-communal and Feminine Utopia of Cornucopia
%X Chapter 9. Realities Made to Order: On The Headless Woman
%X Chapter 10. Fevers, Frights and Psychophysical Disconnections: Invisible Threats in the Soundtracks of Zama and The Headless Woman
%X Chapter 11. Martel Variations
%X Chapter 12. ‘They smother you’
%X Chapter 13. ‘A kind of bliss, a closing eyelid, a tiny fainting spell’: Zama and the Lapse into Colour
%X Chapter 14. Phenomenology of Spirits: Off-screen Horror in Lucrecia Martel’s Films
%X Chapter 15. The Conquest of the Uncomfortable: An Interview with Lucrecia Martel
%X Index
%C Edinburgh University Press
%C Edinburgh
%U https://katalog.slub-dresden.de/en/?cHash=d436d54d7a76fc6fe03d5b8c85ebf4cf&tx_find_find%5Baction%5D=citation&tx_find_find%5Bcontroller%5D=Search&tx_find_find%5Bid%5D=0-1813285292&tx_find_find%5Btype%5D=endnote