author = { Lennard, Dominic AND Palmer, R. Barton AND Pomerance, Murray Austin-Smith, Brenda AND Badley, Linda AND Bell-Metereau, Rebecca AND Bingham, Dennis AND Desser, David AND Friedman, Lester D. AND Hark, Ina Rae AND Kirshner, Jonathan AND Lennard, Dominic AND Longo, Vincent AND McFarland, Douglas AND McSweeney, Terence AND Palmer, R. Barton AND Pomerance, Murray AND Roche, Nancy McGuire AND Rybin, Steven AND Sacco, Daniel AND Smukler, Maya Montañez AND Stevens, Kyle AND Tsay, I-Lien AND Varndell, Daniel AND Verevis, Constantine AND Warner, Rick },

title = { The Other Hollywood Renaissance },

publisher = {Edinburgh University Press},

publisher = {},

isbn = {9781474442657},

keywords = { Motion pictures-United States-History , Film, Media & Cultural Studies , PERFORMING ARTS / Film & Video / Direction & Production },

year = {[2022]},

year = {, ©2020},

abstract = {Frontmatter},

abstract = {CONTENTS},

abstract = {FIGURES},

abstract = {NOTES ON THE CONTRIBUTORS},

abstract = {THE NEW PICTURE SHOW: AN INTRODUCTION},

abstract = {1. HAL ASHBY, GENTLE GIANT},

abstract = {2. REMAKING GENDER IN THE EARLY FILMS OF PETER BOGDANOVICH},

abstract = {3. IN EXTREMIS: JOHN BOORMAN’S CINEMA OF DISLOCATION},

abstract = {4. JOHN CASSAVETES: IN YOUR FACE AND OFF THE GRID},

abstract = {5. “LET ME LOVE YOU”: AMBIGUOUS MASCULINITY IN MICHAEL CIMINO’S MELODRAMAS},

abstract = {6. DE PALMA’S EMBATTLED RED PERIOD: HITCHCOCK, GENDER, GENRE, AND POSTMODERNISM},

abstract = {7. ESCAPE FROM ESCAPISM: BOB FOSSE AND THE HOLLYWOOD RENAISSANCE},

abstract = {8. THE LITTLE DEATHS OF JOHN FRANKENHEIMER},

abstract = {9. WILLIAM FRIEDKIN: FRAYED CONNECTIONS},

abstract = {10. SIDNEY LUMET AND THE NEW HOLLYWOOD},

abstract = {11. TERRENCE MALICK’S EMERGENT LYRICISM IN BADLANDS AND DAYS OF HEAVEN},

abstract = {12. ELAINE MAY: SUBVERTING MACHISMO “STEP BY TINY STEP”},

abstract = {13. PAUL MAZURSKY: THE NEW HOLLYWOOD’S FORGOTTEN MAN},

abstract = {14. NEW HOLLYWOOD CROSSOVER: JOAN MICKLIN SILVER AND THE INDIE-STUDIO DIVIDE},

abstract = {15. MIKE NICHOLS AND THE HOLLYWOOD RENAISSANCE: A CINEMA OF CULTURAL INVESTIGATION},

abstract = {16. “THERE WILL BE NO QUESTIONS”: 1970S AMERICAN CINEMA AS PARALLAX IN ALAN J. PAKULA’S “PARANOIA TRILOGY”},

abstract = {17. GENRES OF THE MODERN MYTHIC IN THE FILMS OF SAM PECKINPAH},

abstract = {18. BOB RAFELSON’S AMBIVALENT AUTHORSHIP},

abstract = {19. WE’VE NEVER DANCED: ALAN RUDOLPH’S WELCOME TO L.A. AND REMEMBER MY NAME},

abstract = {20. JERRY SCHATZBERG’S DOWNFALL PORTRAITS: HIS CINEMA OF LONELINESS},

abstract = {21. INSIDE JOHN SCHLESINGER OUTSIDE},

abstract = {22. FIRE AND ICE: PAUL SCHRADER},

abstract = {23. PETER YATES: ON LOCATION IN THE NEW HOLLYWOOD},

abstract = {INDEX},

booktitle = {Traditions in American Cinema ; TAC},

address = { Edinburgh , },

url = { http://slubdd.de/katalog?TN_libero_mab2 }