author = { Petrovic, Paul },

title = { Representing 9/11 trauma, ideology, and nationalism in literature, film, and television },

publisher = {Rowman & Littlefield},

publisher = {},

isbn = {9781442252677},

keywords = { American fiction 21st century History and criticism , September 11 Terrorist Attacks, 2001, in literature , September 11 Terrorist Attacks, 2001, in motion pictures , September 11 Terrorist Attacks, 2001, on television , Terrorism in literature , Terrorism in motion pictures , Terrorism on television , Psychic trauma in literature , Psychic trauma in motion pictures , September 11 Terrorist Attacks, 2001 Influence , Aufsatzsammlung , Elfter September , Terrorismus Motiv , Geschichte 2001-2015 },

year = {[2015]},

abstract = {Includes bibliographical references and index},

abstract = {Introduction Paul Petrovic},

abstract = {Counter-reactions against realism. Jess Walter's The zero: satirizing the "desert of the real" Marjorie Worthington},

abstract = {Memorializing post-9/11 New York in Jonathan Lethem's Chronic city Jeffrey Severs},

abstract = {Never give a good politician time to pray: Stephen King's treatment of political power and community involvement in Under the dome Tamara Watkins},

abstract = {Which came first: zombies or the plague?: Colson Whitehead's Zone one as Post-9/11 allegory Anne Canavan},

abstract = {A eulogy of the urban superhero: the everyday destruction of space in the superhero film James M. Gilmore},

abstract = {Perception, ideology and community. Paucity of imagination: stereotypes, public debates, and the limits of ideology in Amy Waldman's The submission Amir Khadem},

abstract = {Strangers in a homeland: veterans and "innocensus" in Billy Lynn's Long halftime walk and The yellow birds Damon Barta},

abstract = {"Our new customer is the Bush administration": questioning cultural identity and governmental surveillance in Allegra Goodman's The cookbook collector Paul Petrovic},

abstract = {"I'm the motherfucker who found this place": locating post-Bin Laden America in Zero dark thirty Lloyd Isaac Vayo},

abstract = {From 24 to Homeland: the shift in America's perception of terrorism Deborah Pless},

abstract = {Masculinity, marginalization, melancholy, and hyper-protection: the danger that keeps knocking: representations of post-9/11 masculinity in Vince Gilligan's Breaking bad Shana Kraynak},

abstract = {Post-closet and post-9/11: the bromantic imagination of disaster in This is the end and I'm so excited! Ken Feil},

abstract = {The human barnyard: rhetoric, identification, and symbolic representation in Giannina Braschi's United States of banana Elizabeth Lowry},

abstract = {The pain and prison of post-9/11 parenting in Jonathan Franzen's Freedom Megan Cannella},

abstract = {How to get to 9/11: Teju Cole's melancholic fiction Ariela Freedman},

abstract = {Poetic responses to 9/11 and Adrienne Rich's "The school among the ruins" Lin Knutson},

abstract = {International responses. "Some sense of bridge-making": exploring the relationship between America and Pakistan in Moshin Hamid's The reluctant fundamentalist and Mira Nair's film adaptation Laura Findlay},

abstract = {Haunting cartographies: mapping the aftermath in Joachim Trier's Oslo, 31st August Danica Van De Velde.},

address = { Lanham , },

url = { http://slubdd.de/katalog?TN_libero_mab2 }