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Pabst, Stephan [Editor]; Arlaud, Sylvie [Editor]; Banoun, Bernard [Editor]; Terrisse, Bénédicte [Editor] ; Atelier poétique "La poésie de Wolfgang Hilbig: pour une lecture croisée" 2016 Paris, Wolfgang Hilbig und die (ganze) Moderne Veranstaltung 2017 Berlin, La poésie de Wolfgang Hilbig: "Traumbuch der Moderne"? Veranstaltung 2017 Paris

Wolfgang Hilbig und die (ganze) Moderne - [1. Auflage]

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Berlin: Verbrecher Verlag, 2021

Published in: Literaturforum im Brecht-Haus: Lfb-Texte ; 14
Banoun, Bernard [Editor]; Terrisse, Bénédicte [Editor]; Arlaud, Sylvie [Editor]; Pabst, Stephan [Editor] ; Atelier poétique "La poésie de Wolfgang Hilbig: pour une lecture croisée" 2016 Paris, Wolfgang Hilbig und die (ganze) Moderne Veranstaltung 2017 Berlin, La poésie de Wolfgang Hilbig: "Traumbuch der Moderne"? Veranstaltung 2017 Paris

Wolfgang Hilbigs Lyrik : eine Werksexpedition - [1. Auflage]

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Berlin: Verbrecher Verlag, 2021

Published in: Literaturforum im Brecht-Haus: Lfb-Texte ; 13
Arlaud, Sylvie

Présenter le « temps présent ». Aspects de la littérature germanophone au début du xxie siècle

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OpenEdition, 2023

Published in: Revue germanique internationale (2023) 37, Seite 5-22
Arlaud, Sylvie

La Dame aux Camélias par Frank Castorf : souvenir refoulé d’une révolution Frank Castorf’s The Lady of the Camellias. Repressed Memories of a Revolution. About Art History as Material and Theatrical Device. Frank Castorfs Kameliendame. Verdrängte Erinnerung an eine Revolution. Über Kunstgeschichte als Material und szenischer Apparat : De l’histoire des arts comme matériau et dispositif théâtral

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OpenEdition, 2020

Published in: Cahiers d’études germaniques, 1 volume (2020) 79, Seite 131-144
Arlaud, Sylvie

Falk Richter, Plädoyer für ein manieristisches Theater? Die Wirklichkeit und ihr Double in Small Town Boy, Fear und Je suis Fassbinder Falk Richter, pour un théâtre maniériste ? Falk Richter, Political Theatre and Mannerism. Reality and its Double in Small Town Boy, Fear and Je suis Fassbinder : Le réel et son double dans Small Town Boy, Fear et Je suis Fassbinder : Le réel et son double dans Small Town Boy, Fear et Je suis Fassbinder

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OpenEdition, 2020

Published in: Cahiers d’études germaniques, 1 volume (2020) 79, Seite 207-222
Arlaud, Sylvie

SUBSONG d’Ulrike Draesner. Sous-chants d’innocence et d’expériences Sylvie Arlaud: Ulrike Draesners SUBSONG als Subsongs of Innocence und Experience[s] Sylvie Arlaud: Ulrike Draesner’s SUBSONG as Subsongs of Innocence et Experience[s]

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OpenEdition, 2019

Published in: Germanica (2019) 64, Seite 41-56
Arlaud, Sylvie

faust hat hunger und verschluckt sich an einer grete de Ewald Palmetshofer. De la digestion difficile des classiques faust hat hunger und verschluckt sich an einer grete von Ewald Palmetshofer: Wie verdaut man einen Klassiker? faust hat hunger und verschluckt sich an einer grete by Ewald Palmetshofer: How to digest a Classic

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OpenEdition, 2013

Published in: Cahiers d’études germaniques, 65 (2013) 65, Seite 159-171
Arlaud, Sylvie

Frank Castorf: From Kean to Hamletmaschine, or the Cult of Counter-Cultures Frank Castorf: von Kean zu Hamletmaschine oder Gegenkultur als Kult Frank Castorf : de Kean à Hamletmaschine, ou le culte des contre-cultures

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OpenEdition, 2013

Published in: Cahiers d’études germaniques, 64 (2013) 64, Seite 259-274
Arlaud, Sylvie

La représentation du spectre de Hamlet sur les scènes germanophones du XVIIIe au XIXe siècle Representing Hamlet’s ghost on German stages from the 18th to the early 20th century Verwandlungen von Hamlets Geist auf den deutschen Bühnen vom 18. bis zum frühen 20. Jahrhundert

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OpenEdition, 2012

Published in: Cahiers d’études germaniques, 63 (2012) 63, Seite 367-392
Arlaud, Sylvie

Hofmannsthal : canonisation et création. Le canon moderne et sa reformulation dans les années 1910-1920

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CAIRN, 2007

Published in: Études Germaniques, n° 247 (2007) 3, Seite 601-613
Arlaud, Sylvie

Wiener Kunstreitschriften um 1900: die Nationen im kunstkritischen Diskurs. Eine Fallstudie: Josef August Lux Hohe Warte Les revues d’art viennoises de la fin de siècle ou comment construire une nation : Étude de cas : la Hohe Warte de Joseph August Lux

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OpenEdition, 2008

Published in: Germanica (2008) 43, Seite 183-192
ARLAUD, SYLVIE

Hofmannsthal's Return to Molière, 1909–23: The Conditions of Reception

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Project MUSE, 2005

Published in: Austrian Studies, 13 (2005) 1, Seite 55-76
Arlaud, Sylvie [Author]

Kunst und Kunsthandwerk : une revue entre modernité viennoise et politique culturelle

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Published in: Revue d’Allemagne et des pays de langue allemande ; Vol. 34, n° 2, pp. 139-160
Arlaud, Sylvie [Author]

Steve Rizza : Rudolf Kassner and Hugo von Hofmannsthal : Criticism as Art. The Reception of Pre-Raphaelitism in fin de siècle Vienna. Tübinger Studien zur deutschen Literatur, herausgegeben von Gotthart Wunberg, Band 16, Peter Lang, Europäischer Verlag der Wissenschaften, Frankfurt am Main 1997

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Published in: Austriaca : Cahiers universitaires d'information sur l'Autriche ; Vol. 45, n° 1, pp. 195-196
Tacnet-Delorme, Pascale; Chevallier, Sylvie; Arlaud, Gérard J.

β-Amyloid Fibrils Activate the C1 Complex of Complement Under Physiological Conditions: Evidence for a Binding Site for Aβ on the C1q Globular Regions

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The American Association of Immunologists, 2001

Published in: The Journal of Immunology, 167 (2001) 11, Seite 6374-6381
Quinkal, Isabelle; Hernandez, Jean‐François; Chevallier, Sylvie; Arlaud, Gérard J.; Vernet, Thierry

Mapping of the interaction between the immunodominant loop of the ectodomain of HIV‐1 gp41 and human complement protein C1q

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Wiley, 1999

Published in: European Journal of Biochemistry, 265 (1999) 2, Seite 656-663
Lacroix, Monique; Rossi, Véronique; Gaboriaud, Christine; Chevallier, Sylvie; Jaquinod, Michel; Thielens, Nicole M.; Gagnon, Jean; Arlaud, Gérard J.

Structure and Assembly of the Catalytic Region of Human Complement Protease C1̄r: A Three-Dimensional Model Based on Chemical Cross-Linking and Homology Modeling

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American Chemical Society (ACS), 1997

Published in: Biochemistry, 36 (1997) 21, Seite 6270-6282

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