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  1. Barkin, Elaine Komponist; Bettendorf, Carl Komponist; Clement, Sheree Komponist; Dydo, Stephen Komponist; Gressel, Joel Komponist; Hall, Jeffrey Komponist; Howe, Hubert Komponist; Hudson, Joseph Komponist; James, Tom Komponist; Kreiger, Arthur Komponist; San Martin, Laurie Komponist; Vidiksis, Adam Komponist; Wells, Samuel Komponist; Wright, Maurice Komponist ; Lydian String Quartet, Washington Square Chamber Music Society

    Electronic and Chamber Music - BARKIN, E. / HOWE, H. (Music from the APNM, Vols. 1 and 2) (A. Kreiger, N. Young, V. Lowrie)

    Sound Recordings
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    New Focus Recordings, 200214

    Published in: New Focus Recordings

  2. Barkin, Elaine

    A Response to Rhian Samuel

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    Perspectives of New Music, Inc., 2002

    Published in: Perspectives of New Music, 40 (2002) 2, Seite 275-277

  3. Barkin, Elaine

    Afterword

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    Perspectives of New Music, Inc., 2001

    Published in: Perspectives of New Music, 39 (2001) 2, Seite 57-62

  4. Barkin, Elaine

    "either/other"

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    JSTOR, 1992

    Published in: Perspectives of New Music, 30 (1992) 2, Seite 206

  5. Barkin, Elaine

    "either/other"

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    Perspectives of New Music, Inc., 1992

    Published in: Perspectives of New Music, 30 (1992) 2, Seite 206-233

  6. Barkin, Elaine

    ..... Typescript

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    JSTOR, 1992

    Published in: Perspectives of New Music, 30 (1992) 1, Seite 284

  7. Barkin, Elaine

    ..... Typescript

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    Perspectives of New Music, Inc., 1992

    Published in: Perspectives of New Music, 30 (1992) 1, Seite 284-288

  8. Barkin, Elaine

    [Untitled]

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    JSTOR, 1988

    Published in: Perspectives of New Music, 26 (1988) 1, Seite 243

  9. Barkin, Elaine

    [Untitled]

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    Perspectives of New Music, Inc., 1988

    Published in: Perspectives of New Music, 26 (1988) 1, Seite 243-245

  10. Barkin, Elaine

    Review: Quartet for Winds

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    Sonneck Society and the University of Illinois Press, 1989

    Published in: American Music, 7 (1989) 3, Seite 351-354

  11. Barkin, Elaine

    Four Texts

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    JSTOR, 1984

    Published in: Perspectives of New Music, 23 (1984) 1, Seite 98