- Referenced in: Saxon Bibliography (Sächsische Bibliografie)
Issues
2020 - 2029
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
2010 - 2019
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Reserved
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
2000 - 2009
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
1990 - 1999
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
1980 - 1989
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
1970 - 1979
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
1960 - 1969
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
1950 - 1959
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
> Issues
-
120(2021), 1, Seite 14-16:
Virginia Jaramillo Draws a Line in her 80s, the artist's abstractions are finally coming into focus by Maximilíano Durón
2021
-
119(2020), 1, Seite 84-87:
Brand Ambition how Andy Black is making art ready for retail by Marion Maneker
2020
-
119(2020), 2, Seite 14-16:
Marcel Dzama Makes a Drawing his fantastical visions bring a spirited world alive by Anda Battaglia
2020
-
119(2020), 1, Seite 98-103:
"He gets me really upset when the only thing he can talk about is money" by Blake Gopnik
2020
-
119(2020), 4, Seite 24-29:
Stella McCartney & Sheila Hicks by Andy Battaglia
2020
-
119(2020), 4, Seite 30-33:
Food for Thought Lauren Halsey's Summaeverythang community center adds to the socialfabric of L.A. by Catherine Wagley
2020
-
119(2020), 3, Seite 40-46:
Faith Ringgold & Jordan Casteel by Andy Battaglia
2020
-
118(2019), 2, Seite 74-79:
The Sound of Listening Candice Hopkins's curating lets indigenous artists do the talking by Maximilíano Durón
2019
-
118(2019), 3, Seite 62-65:
KAWS & Effect as his ownfame grows, Brian Donnelly has been avidly supporting the art he loves by Sarah Douglas
2019
-
118(2019), 1, Seite 64-71:
Take Me Apart Wu Tsang's art questions everything we think we know about identity by Alex Greenberger
2019
-
118(2019), 1, Seite 72-77:
Out Side In in his arresting work, Lyle Ashton Harris looks to the recent past for new ways forward by Maximilíano Durón
2019
-
118(2019), 1, Seite 80-85:
Serious Play Nayland Blake's gifts from the Department of Transformation by Andrew Russeth
2019
-
117(2018), 1, Seite 56-63:
The Messenger how a video by Arthur Jafa became a worldwide sensation - and described America to itself by Nate Freeman
2018
-
117(2018), 1, Seite 64-69:
Changing Channels Dara Birnbaum's televisual art comes into focus by Alex Greenberger
2018
-
117(2018), 1, Seite 70-77:
Every and All Fred Moten's oneness as a poet, theorist, and artistic muse by Andy Battaglia
2018
-
117(2018), 1, Seite 86-91:
This American Life these days, Cady Noland's art feels more prescient, incisive, and urgent than ever by Andrew Russeth
2018
-
117(2018), 4, Seite 68-73:
Just Like Starting Over can MOCA Los Angeles reinvent itself again? by Suzanne Muchnic
2018
-
117(2018), 4, Seite 88-91:
Voices Carry Suzanne Lacy's polyphonic art defies museum curating - and is helping to reinvent it by Janelle Zara
2018
-
117(2018), 4, Seite 92-95:
Busy Signals Paul Sietsema in converstaion with Connie Butler
2018
-
116(2017), 3, Seite 86-93:
Maja's Way collector Maja Hoffmann builds an iconoclastic home for her LUMA Foundation in the south of France by Nate Freeman
2017
-
116(2017), 3, Seite 106-109:
Picket Fences Ai Weiwei protests oppressive borders with a work of public art by Barbara Pollack
2017
-
116(2017), 1, Seite 66-71:
A New Future from the Passed Lynn Hershman Leeson comes into her own after 50 years of prophetic work by Alex Greenberger
2017
-
116(2017), 2, Seite 88-93:
Stanley Whitney Paints a Picture by Aruna D'Souza
2017
-
116(2017), 2, Seite 100-105:
Search & Preserve Yuji Agematsu makes monuments to travels near and dear by Andy Battaglia
2017
-
116(2017), 1, Seite 78-83:
Concrete History Chicana muralist Judith F. Baca goes from the Great Wall to the museum wall by Maximilíano Durón
2017
-
116(2017), 1, Seite 90-95:
How to Get Forgotten what ever happened to Aaron Kuriloff? by Greg Allen
2017
-
116(2017), 2, Seite 94-99:
They Know Why You Fly Martha Rosler on her airport photographs Martha Rosler
2017
-
116(2017), 2, Seite 74-79:
Postcards from the Edge for 40 years, Kasper König has been bringing the avant-garde to Münster by Andrew Russeth
2017
-
115(2016), 1, Seite 28-31:
"Some Peaople Think What I've done is Almost Sacrilege" a talk with Jeff Koons by Bill Powers
2016
-
115(2016), 1, Seite 72-81:
The Composer Mary Heilmann's idiosyncratic, rhytmic abstractions - and chairs - find their place in the sun by Linda Yablonsky
2016
-
115(2016), 1, Seite 98-105:
The Shape-Shifter how Lynda Benglis left the bayou and messed with the establishment by M. H. Miller
2016
-
115(2016), 2, Seite 80-87:
American Beauty Jasper Johns, Robert Rauschenberg, and the case of the missing flag by Greg Allen
2016
-
115(2016), 2, Seite 90-99:
The Big Fake behind the scenes of Knoedler gallery's downfall by M. H. Miller. Illustrations by Victor Juhasz
2016
-
115(2016), 3, Seite 110-117:
Specific Objectives the Complex Task of Preserving Donald Judd's Legacy by Zoë Lescaze
2016
-
115(2016), 4, Seite 98-101:
A Talk with Andrea Fraser$Hby Anne Doran
2016
-
115(2016), 4, Seite 110-115:
Banner Year at a time of heated race relations in America, Dread Scott wades into the fray by Andrianna Campbell
2016
-
114(2015), 6, Seite 16-22:
Of Flies and Homemade Bombs Yoko Ono's art world by M. H. Miller
2015
-
114(2015), 2, Seite 38-40:
Authentic Success Kathleen White 1960-2014 by Gary Indiana
2015
-
114(2015), 2, Seite 46-53:
Looking at Seeing David hammons and the politics of visibility by Andrew Russeth
2015
-
114(2015), 2, Seite 62-69:
Ready for Prime Time Charles Atlas stars in Chelsea and Times Square by Barbara Pollack
2015
-
114(2015), 3, Seite 72-77:
Eyes Wide Shut Laurie Simmons's new work ventures closer to the human by Andrew Russeth
2015
-
114(2015), 5, Seite 70-79:
Forging a Sea of Iron Yoan Capote explores the Cuban obsession with America by Hilarie M. Sheets
2015
-
114(2015), 5, Seite 90-99:
Garage Rocked Kate Fowle and the making of a Moscow museum by Dan Duray
2015
-
114(2015), 9, Seite 46-53:
More is More and More in Rachel Rose's compulsive video collages, war, polar bears, and cryogenic labs unite by Alex Greenberger
2015
-
114(2015), 11, Seite 58-65:
The Doctor Is In Art Basel's Noah Horowitz, Ph. D., hits the beach by Nate Freeman
2015
-
114(2015), 11, Seite 66-73:
Growing Pains Franklin Sirmans and the future of the Pérez Art Museum Miami by M. H. Miller
2015
-
114(2015), 10, Seite 46-53:
To Be Frank how and old-school artist became new again by Adrian Dannatt
2015
-
114(2015), 10, Seite 70-77:
The Wrestler Frank Stella readies a landmark third New York retrospective by Andrew Russeth
2015
-
113(2014), 8, Seite 74-79:
An Artist Who Thinks Like a Skier - and a Snowflake by Hilarie M. Sheets
2014
-
113(2014), 7, Seite 78-83:
Ruben Ochoa's Concrete Poetry by Carolina A. Miranda
2014
-
113(2014), 7, Seite 84-89:
Saving Frida Kahlo From Her Own Celebrity by Carolina A. Miranda
2014
-
113(2014), 6, Seite 78-83:
Follow the Light from the World Trade Center to Monet's garden, Spencer Finch erecords the atmospheric light and weather patterns of psychologically charged places and remakes those conditions using TV sets, fluorescent tubes, watercolor paints, and household fans by Hilarie M. Sheets
2014
-
113(2014), 1, Seite 58-61:
His Motive Was Defiance sculptor Anthony Caro delighted in instigating huge challenges for himself by William Feaver
2014
-
113(2014), 3, Seite 60-62:
She Works from Home as an artist, Michelle Grabner makes laborintensive abstractions by Barbara Pollack
2014
-
112(2013), 6, Seite 70-75:
Seeing Double dream logic, impossible combinations, and visual puns fill the work of Cuban sculpzure duo Los Carpinteros
2013
-
112(2013), 6, Seite 76-81:
The New World of Net Art by Carolina A. Miranda
2013
-
112(2013), 9, Seite 66-69:
How Edward Hopper Storyboarded Nighthawks by Robin Cembalest
2013
-
112(2013), 11, Seite 60-67:
The New Collage contemporary artists are updating the modernist tradition with new tactics and new media by Rachel Wolff
2013
-
111(2012), 10, Seite 120-125:
Fred Wilson Creates an Installation by Barbara Pollack
2012
-
111(2012), 3, Seite 84-89:
Risky Business ...Xu Zhen has developed parallel careers as artist, entrepreneur, and activist by Barbara Pollack
2012
-
111(2012), 10, Seite 104-111:
Pat Steir Paints a Painting by Hilarie M. Sheets
2012
-
111(2012), 10, Seite 112-119:
Diana Al-Hadid Makes a Sculpture by Barbara Pollack
2012
-
111(2012), 11, Seite 78-85:
The Dalí Sculpture Mess by Thane Peterson
2012
-
111(2012), 10, Seite 126-131:
Hank Willis Thomas Stages a Photo Shoot how Stanford Biggers came to strike as a two-faced dandy by Rachel Wolff
2012
-
111(2012), 4, Seite 76-83:
Serious Fun Ernesto Neto's rich, sensory environments are meant to engage all of the body's cognitive faculties by Roger Atwood
2012
-
111(2012), 2, Seite 76-85:
The Cindy Sherman Effect by Phoebe Hoban
2012
-
111(2012), 8, Seite 76-81:
Warhol Warhol Everywhere a quarter century after Andy Warhol's death, his work resonates more than ever by Rachel Wolff
2012
-
111(2012), 7, Seite 100-105:
It's About Time the huge success of "The Clock" brings new attention to other parts of Christian Marclay's career by Barbara Pollack
2012
-
110(2011), 6, Seite 96-99:
Cosmic Comic Kenny Scharf's lopy, Pop-saturated oaintings are back - in galleries and on the street by Carolina A. Miranda
2011
-
110(2011), 7, Seite 74-76:
Separating the Trees from the Forest Alan Sonfist has built a career as an urban land artist by Ann Landi
2011
-
110(2011), 7, Seite 112-115:
Protecting Goncharova's Legacy by Sylvia Hochfield and Konstantin Akinsha
2011
-
110(2011), 6, Seite 84-89:
Britain's Curator of Garbage Mike Nelson's multiroom installations hint at marginal lives and fallen ideologies by Roger Atwood
2011
-
110(2011), 3, Seite 66-68:
Where Arte Povera Meets Tarzan the jungle connection animates Pino Pascali's steel-wool bridge and chimpanzee imagery Ann Temkin
2011
-
110(2011), 10, Seite 98-103:
Head in the Clouds - Tomás Saraceno by Hilarie M. Sheets
2011
-
110(2011), 10, Seite 86-88:
Four-Color-Process Mel Leipzig creates portraits of astonishing realism using a rigorously limited palette by Celia McGee
2011
-
110(2011), 6, Seite 60-63:
Signs of the Times Robert Cottingham's paintings bring back thje marquees and neon glitz of midcentury America by ann Landi
2011
-
109(2010), 6, Seite 70-73:
Still Picking on Fat Cats Ronald Searle, master satirist by William Feaver
2010
-
109(2010), 7, Seite 78-81:
From Drive-Ins to Palazzos Michael Eastman's architectural photographs carry a trace of humanity by Ivy Cooper
2010
-
109(2010), 7, Seite 100-105:
Where Pharaos Meet Mad Max raw brutalism and gritty humor underlie Huma Bhabha's antiheroic monuments by Hilarie M. Sheets
2010
-
109(2010), 5, Seite 66-70:
What Made Castelli Run? by Milton Esterow
2010
-
109(2010), 5, Seite 78-80:
Past Imperfect Francesc Torres's theatrical installations explore the way we process history and memory by Roger Atwood
2010
-
109(2010), 6, Seite 52-53:
The Ark of Dresden in a city that clings to its past, the Albertinum is rebuilt and remade as home to modern art by Andrew Curry
2010
-
109(2010), 3, Seite 72-77:
Man of Thousand Faces - Jaume Plensa by Hilarie M. Sheets
2010
-
109(2010), 2, Seite 73-75:
Maritime Mischief Duke Riley 's madcap aquatic projects include re-creating an 18th-century submarine... by Ann Landi
2010
-
108(2009), 2, Seite 60-64:
From Breakdowns to Breakthroughs Art Spiegelman on storytelling, modernism, wormholes, loopholes... by Robin Cembalest
2009
-
108(2009), 3, Seite 100-105:
Turning Rooms into Cameras Vera Lutter builds pinhole cameras and develops enormous black-and-white prints... by Edith Newhall
2009
-
108(2009), 6, Seite 82-87:
Spero's Heroes by Phoebe Hoban
2009
-
108(2009), 10, Seite 86-93:
Warhol Inc. two decades after the artist's death, the Andy Warhol brand is stronger than ever... by Eilleen Kinsella
2009
-
108(2009), 8, Seite 94-99:
Turning the Subject into the Artist Oliver Herring is guided by social interaction... by Hilarie M. Sheets
2009
-
108(2009), 4, Seite 96-101:
Connecting the Dots - Bharti Kher by Pernilla Holmes
2009
-
108(2009), 1, Seite 98-105:
Revealing the Hidden Clyfford Still by Sylvia Hochfield
2009
-
107(2008), 3, Seite 118-121:
Dzama's Dramas the cute coexists with teh sinister in the world of Marcel Dzama... by Richard B. Woodward
2008
-
107(2008), 1, Seite 102-105:
Sex, Money, Glamour, Tractors Vladimir Dubossarsky and Alexander Vinogradov by Nora Fitzgerald
2008
-
107(2008), 1, Seite 106-109:
Fools and Ghouls - John Alexander by Ann Landi
2008
-
107(2008), 4, Seite 124-129:
From a Bed of Ice to a 20-Foot Hand Zhang Huan by Barbara pollack
2008
-
107(2008), 5, Seite 96-99:
Hip Off the Old Block - Barkley Hendricks by Ann Landi
2008
-
107(2008), 8, Seite 118-127:
The Chinese Art Explosion by Barbara Pollack
2008
-
107(2008), 8, Seite 136-141:
The Personality of Peacock Feathers - Carol Bove by Ann Landi
2008
-
107(2008), 9, Seite 106-109:
Every Building Tells a Story Renzo Piano explains how his ideas take shape by Diana Ketcham
2008
-
107(2008), 7, Seite 112-115:
Thinking Inside the Box Charles Maton first crafted exquisite little rooms as models for his paintings by Laurie Hurwitz
2008
-
107(2008), 7, Seite 138-143:
It Takes a "Global Village Idiot" - Jon Kessler by Hilarie M. Sheets
2008
-
107(2008), 11, Seite 114-117:
A Method to Their Sadness part painter, part printmaker, Enoc Perez renders unrequited love and urban isolation by Hilarie M. Sheets
2008
-
107(2008), 7, Seite 156-159:
Poet, Explorer, Innovator, Scavenger, Jester Robert Rauschenberg was many things to the many artists he influenced Milton Esterow
2008
-
107(2008), 9, Seite 134-139:
A Touch of Frankenstein - David Altmejd by Hilarie M. Sheets
2008
-
107(2008), 10, Seite 148-153:
Wall Power ...Lisa Sigal plays with notions of space by Ann Landi
2008
-
106(2007), 1, Seite 90-94:
"RagGonNons" Made from "Hogmawg" - Aminah Brenda Lynn Robinson by Steven Litt
2007
-
106(2007), 1, Seite 106-109:
Prime Cuts - Ursula von Rydingsvard by Ann Landi
2007
-
106(2007), 2, Seite 120-123:
Wrapping the World - Kimsooja by Barbara Pollack
2007
-
106(2007), 5, Seite 136-139:
"What If People Could Eat Themselves?" Dana Schutz depicts macabre scenarios... by Steven Litt
2007
-
106(2007), 9, Seite 134-136:
For Whom the Belles Toil the beleaguered heroines of Kate Gilmore's videos... by William Hanley
2007
-
106(2007), 7, Seite 174-177:
The Poet of Sitting Franz West's furniture reflects his drive to erode the boundaries between art and everyday life by David Galloway
2007
-
106(2007), 4, Seite 122-125:
Artzist Provocateur Oleg Kuli has reformed by Nora Fitzgerald
2007
-
106(2007), 6, Seite 98-100:
Not-So-Still Lifes painter Matvey Levenstein finds drama in his own living-room furniture by Rachel Somerstein
2007
-
106(2007), 9, Seite 140-144:
Swords, Lizards, and the Queen - Hew Locke by Pernilla Holmes
2007
-
106(2007), 9, Seite 170-173:
Shooting from the Hip - Wolfgang Tillmans by Hilarie M. Sheets
2007
-
106(2007), 9, Seite 180-189:
The Surreal Man Ray Legacy by Thane Peterson
2007
-
106(2007), 9, Seite 198-201:
The Branding of Damien Hirst by Pernilla Holmes
2007
-
106(2007), 7, Seite 110-114:
Making the Car Alarms Sing inspired by mistakes and mistranslations, Nina Katchadourian makes them her subjects by Carly Berwick
2007
-
106(2007), 4, Seite 90-94:
Strip Malls in Paradise in the landscapes of Lisa Sanditz, strip malls and casinos blight the desert by Hilarie M. Sheets
2007
-
105(2006), 3, Seite 114-119:
DeKooning's Hidden Legacy by Kelly Devine Thomas
2006
-
105(2006), 8, Seite 102-104:
Making Skin Crawl ...Chloe Piene creates drawings and videos that are at once sexual and macabre by Hilarie M. Sheets
2006
-
105(2006), 10, Seite 106-108:
Behind the Makeup Beverkly McIver's self-portraits have attracted both praise and criticism by Paula Wasley
2006
-
105(2006), 10, Seite 168-171:
Optical Delusions in Tim Eitel's paintings... by Hilarie M. Sheets
2006
-
105(2006), 11, Seite 124-127:
"I'm Quite Perverse" - Marc Quinn by Martin Gayford
2006
-
105(2006), 3, Seite 110-113:
Extreme Makeover from skate chick to socialiteto schoolgirl, Nikki S. Lee reinvents herself for her art by Carly Berwick
2006
-
104(2005), 2, Seite 126 - 129:
Mops, Drops, and Jumbo Baby Ears Tim Hawkinson's mechanical constructs display an absurdly human sense of wit and wonder by Hilarie M. Sheets
2005
-
104(2005), 9, Seite 148 - 151:
Wyeth's World by Deidre Stein Greben
2005
-
104(2005), 9, Seite 154 - 157:
You Pick It Up and Make Art Out of It - Thornton Dial by Edward M. Gomez
2005
-
104(2005), 9, Seite 158 - 161:
Absolutely Fabulist - Marcel Dzama by Carly Berwick
2005
-
104(2005), 10, Seite 162 - 165:
Conquering the Fourth Dimension in a Flying Saucher - Panamarenko by Brigid Grauman
2005
-
104(2005), 3, Seite 96 - 99:
City Lights Havana artist Carlos Garaicoa illuminates the secret life of cities... by Marc Spiegler
2005
-
104(2005), 5, Seite 114 - 121:
The Selling of Jeff Koons by Kelly Devine Thomas
2005
-
104(2005), 5, Seite 124 - 127:
Making the Ordinary Anything But - Mona Hatoum by Pernilla Holmes
2005
-
103(2004), 2, Seite 94 - 97:
Fascinated by Strangers - Rineke Dijkstra by Richard B. Woodward
2004
-
103(2004), 6, Seite 92 - 95:
Making The Trees Dance - New-media artist Jennifer Steinkamp by Michelle Falkenstein
2004
-
103(2004), 3, Seite 116 - 119:
Cool & Hot - Alex Katz by Hilarie M. Sheets
2004
-
103(2004), 9, Seite 132 - 136:
Sense and Sensuality painter Kay Walkingstick seeks sensory overload by Meredith Mendelsohn
2004
-
103(2004), 9, Seite 138 - 141:
Porn Identity Timothy Greenfield-Sanders takes a humanistic look at adult-film stars by Ann Landi
2004
-
103(2004), 9, Seite 146 - 148:
Place of Great Spirit the landscape around Russel Wright's retreat is as artfully designed as the house itself by Meredith Mendelsohn
2004
-
103(2004), 9, Seite 164 - 167:
Putting on the Lamb - Tania Bruguera by Sarah Bayliss
2004
-
103(2004), 4, Seite 106 - 109:
The Evolution of a Mega-Planner - Daniel Libeskind by Hugh Eakin
2004
-
103(2004), 8, Seite 128 - 137:
Authenticating Andy 17 years after Andy Warhols death, controversies surrounding the Warhol Art Authentication Board... by Kelly Devine Thomas
2004
-
103(2004), 1, Seite 118 - 121:
Disturbing Beauty - Lisa Yuskavage by Ann Landi
2004
-
103(2004), 7, Seite 48 - 50:
Unraveling the Story of Ana Mendieta Hilarie M. Sheets
2004
-
103(2004), 7, Seite 148 - 151:
The Cosmos According to Matthew Ritchie by Lilly Wei
2004
-
103(2004), 5, Seite 136 - 139:
Swirls, Whirls, & Mermaid Girls - Inka Essenhigh by Hilarie M. Sheets
2004
-
103(2004), 8, Seite 124 - 127:
A Funny Thing Happened to Robert Crumb by Pernilla Holmes
2004
-
103(2004), 9, Seite 168 - 177:
The Giacometti Legacy a Struggle for Control by Marc Spiegler
2004
-
103(2004), 11, Seite 86 - 88:
Parrots, Peonies, and Peace of Mind - Joseph Raffael by Valerie Gladstone
2004
-
103(2004), 11, Seite 122 - 125:
Thinking Outside the Grid abstract painter Juan Uslé... by Hilarie M. Sheets
2004
-
102(2003), 10, Seite 176:
Acting Out Patty Chang skirts the edge of the socially acceptable with her carefully crafted illusions by Lilly Wei
2003
-
102(2003), 10, Seite 144 - 147:
The body unbeautiful Jenny Saville turns wounds into abstraction by Pernilla Holmes
2003
-
102(2003), 11, Seite 84 - 86:
Pleasures of the Flesh Alessandro Raho merges beauty and style in his portraits, landscapes and still lifes by Pernilla Holmes
2003
-
102(2003), 9, Seite 96 - 99:
The Right Stuff James Rosenquist has outlasted Pop to make bright paintings that are records of their time Elisa Turner
2003
-
102(2003), 9, Seite 106 - 109:
Shooting from The Hip the first Diane Arbus retrospective in three decades... Richard B. Woodward
2003
-
102(2003), 11, Seite 106 - 109:
Beyond the Looking Glass glass artist Josiah McElheny by Barbara Pollack
2003
-
102(2003), 3, Seite 102 - 105:
Ramblin' Man Rodney Graham makes the ordinary strange and strange things ordinary by Pernilla Holmes
2003
-
102(2003), 8, Seite 112 - 116:
Lost & Found Sculptor Lee Bontecou... by Ann Landi
2003
-
102(2003), 6, Seite 90 - 93:
The Long-Distance Runner oblivious to art-world trends, Frank Lobdell... by Anneli Rufus
2003
-
102(2003), 6, Seite 94 - 97:
When Human Beings Are the Canvas Santiago Sierra has paid workers to do meaningless tasks... by Marc Spiegler
2003
-
102(2003), 1, Seite 108 - 111:
Animal House naturalist-artist Mark Dion gives the wilderness an urban home by Barbara Pollack
2003
-
102(2003), 7, Seite 138 - 141:
Going Mobile Sarah Sze's painstakingly crafted sculptures... by Linda Yablonski
2003
-
102(2003), 3, Seite 106 - 107:
How Cupid Lost His Head Richard Misrach is focusing his lens on painting... by Jonathon Keats
2003
-
101(2002), 5, Seite 150 - 153:
Still Life with Garbage and Bee Tom Friedman. by Blake Eskin
2002
-
101(2002), 5, Seite 158 - 161:
Taking the Local from street stoops to courtrooms, Thomas Roma explores public and privat lives in his native Brooklyn by Blake Eskin
2002
-
101(2002), 1, Seite 102 - 105:
A Soldier's Story Do-Ho Suh reflects on living in - and moving away from - South Korea by Katie Clifford
2002
-
101(2002), 2, Seite 106 - 109:
Sebastião Salgado's "Humanity in Transition" by Ann Landi
2002
-
101(2002), 11, Seite 102 - 105:
Philip Pearlstein's Deadpan Cool by Linda Yablonsky
2002
-
101(2002), 11, Seite 106 - 111:
"Steering by the Torch of Chaos and Doubt" Sam Francis by Ferdinand Protzman
2002
-
101(2002), 7, Seite 122 - 124:
A Passion for Impasto paint rises in curving peaks from David Stern's canvases by Blake Eskin
2002
-
101(2002), 7, Seite 154 - 157:
A Party Girl Grows Up Sam Taylor-Wood has build a career using black humor... by Pernilla Holmes
2002
-
101(2002), 8, Seite 136 - 139:
Turning Down The Stereotypes Lorna Simpson plays on nostalgia and cinematic contrast... by Barbara Pollack
2002
-
101(2002), 9, Seite 118 - 121:
The Empire's New Clothes - Yinka Shonibare by Pernilla Holmes
2002
-
101(2002), 1, Seite 88 - 90:
Queen of Rubber Soul Chakaia Booker transforms tires and other discarded materials into objects of awkward grace by Lilly Wei
2002
-
101(2002), 1, Seite 96 - 98:
The Acid Green Polyethylene Avant-Garde Dish Rack Marc Newson by Jonathan Turner
2002
-
100(2001), 9, Seite 150 - 153:
Drawing the Shades South African artist William Kentridge... by Leslie Camhi
2001
-
100(2001), 7, Seite 164 - 167:
Thinking Outside the Box Gabriel Orozco works out of the studio and outside of convention by Barbara Pollack
2001
-
100(2001), 8, Seite 138 - 141:
Gardens of Earthly Delights Teresita Fernández cultivates spare, evocative landscapes of wisteria and waterfalls by Hilarie M. Sheets
2001
-
99(2000), 1, Seite 106 - 108:
Satanic Reverses In "Quaternity", Anselm Kiefer explores the nature of evil in the human imagination by Michael Auping
2000
-
99(2000), 1, Seite 118:
Seoul Searcher Lim Young Sun's soft sculptures call up inner demons by James Lee
2000
-
99(2000), 2, Seite 132 - 134:
Eclectic Eye Tracey Moffatts images can be lurid, wicked, delicate, sexy, sly, tough, and perversly lovely by Susie Linfield
2000
-
99(2000), 2, Seite 148 - 151:
Lifting the Veil Shirin Neshat uses video and photographs to explore the status of women in Islam by Leslie Camhi
2000
-
99(2000), 3, Seite 130 - 133:
"An Offhand Sublime" Brice Marden's serene, abstract paintings have earned him the status of a youthful old master by Gail Gregg
2000
-
99(2000), 4, Seite 108 - 110:
Color, Comets, and the Cosmos painter Françoise Gilot charts a vivid, often surprising, course by Hilarie M. Sheets
2000
-
99(2000), 5, Seite 210 - 213:
The Hine Question some of Lewis Hine's vintage prints appear to have been forged by Michelle Falkenstein
2000
-
99(2000), 6, Seite 124 - 127:
Making Waves in the hands of Cuban artist Kcho, boats, docks, and oars become potent symbols of migration by Rosa Lowinger
2000
-
99(2000), 6, Seite 138 - 139:
Joy in Mudville LeRoy Neiman takes on the legendary "Casey at the Bat" by Ira Berkow
2000
-
99(2000), 4, Seite 114 - 116:
Planes, Trains, Bathing Beauties, and Elvis Peter Blake's "Toy Shop" is a classic work of British Pop by William Feaver
2000
-
99(2000), 5, Seite 138 - 140:
Double Exposure Alice Neel's 1978 "Margaret Evans Pregnant" by Ann Temkin
2000
-
98(1999), 11, Seite 158 - 162:
A Minimalist in Baroque Trappings David Reed's sensual paintings capture the power and persistence of abstraction by Barbara A. MacAdam
1999
-
98(1999), 8, Seite 90 - 94:
The Stones of Mure Isamu Noguchi's studio in the remote mountains of southern Japan is now a museum Kay Itoi
1999
-
98(1999), 8, Seite 134 - 137:
A Rockwell Renaissance? by Edgar Allen Beem
1999
-
98(1999), 8, Seite 138 - 141:
The Frog Prince hyperrealist painter Alexis Rockman... by Phoebe Hoban
1999
-
98(1999), 9, Seite 150:
The Ghost in the Studio Gideon Bok's time-lapse paintings reveal the many lives of a room by Ken Shulman
1999
-
98(1999), 9, Seite 174 - 177:
Forbidden Fruit Janet Fish dares to paint realistic still lifes by Cynthia Nadelman
1999
-
98(1999), 10, Seite 168 - 170:
A Forgotten Gender Bender surrealist photographer Claude Cahun's dress-up self-portraits were ahead of their time by Leslie Camhi
1999
-
98(1999), 10, Seite 120 - 122:
House of Spirits Antoni Tàpies has assembled mystical art from across continents and civilizations in his Barcelona home by Justin Webster
1999
-
98(1999), 10, Seite 180 - 182:
Prescription for Beauty drugs are design elements in Fred Tomaselli's explosively psychedelic collages by Hilarie M. Sheets
1999