- Referenced in: Saxon Bibliography (Sächsische Bibliografie)
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2020 - 2029
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2010 - 2019
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2000 - 2009
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1990 - 1999
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1980 - 1989
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1970 - 1979
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1960 - 1969
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1950 - 1959
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> Issues
-
110(2022), 9, Seite 89-90:
Diane Arbus David Zwirner Gallery, New York
2022
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109(2021), 1, Seite 71-72:
Matthias Weischer Grimm David Ebony
2021
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93(2005), 3, Seite 114 - 123, 149:
The Persistence of Dalí museums and scholars are paying renewed attention to the public's favorite Surrealist by Charles Stuckey
2005
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93(2005), 3, Seite 124 - 127:
The Producers Jennifer and Kevin McCoy's tabletop-scale movie sets emphasize the artifice of filmmaking by Stephanie Cash
2005
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93(2005), 3, Seite 128 - 131:
Reading Between the Lines dreamlike philosophical quotes run through Joseph Kosuth's latest text-and-neon installation by Nancy Princenthal
2005
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93(2005), 4, Seite 110 - 115:
Thinking, Mapping, Painting the densely worked abstractions of Terry Winters navigate between nature and technology by Carol Diehl
2005
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93(2005), 6, Seite 160 - 165:
Glittering Gardens - Robert Kushner by Edward M. Gomez
2005
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93(2005), 9, Seite 146 - 151, 215:
Climbing the Walls for Art how the author spent a summer helping to execute a large-scale Sol LeWitt drawing by Stephen Persing
2005
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93(2005), 11, Seite 128-129:
Duckworth's Volumes and Planes by Julian Stair
2005
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93(2005), 1, Seite 80 - 89:
Dan Flavin - Singing the Art Electric by Marcia E. Vetrocq
2005
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93(2005), 2, Seite 59 - 63:
The Camera and the Flesh - Ariane Lopez-Huici by Brooks Adams
2005
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93(2005), 2, Seite 84 - 91, 140:
Captivating Strangers the marathon videos of Turkish artist Kutlug Ataman... by Gregory Volk
2005
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93(2005), 2, Seite 92 - 97:
Jessica Stockholder - A Merging of Mediums by Frances Colpitt
2005
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93(2005), 2, Seite 98 - 103:
Allegories of Painting - Vincent Desiderio by Edward Leffingwell
2005
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93(2005), 2, Seite 112 - 115, 143:
Gary Schneider - Facing Time by Trevor Fairbrother
2005
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93(2005), 2, Seite 116 - 121:
The Painted Parables of Robert Schwartz by Nathan Kernan
2005
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93(2005), 3, Seite 80 - 83:
The Enduring Ephemera of General Idea by Peter Gallo
2005
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93(2005), 4, Seite 130 - 133:
The Right Moves Alfred Leslie in the Fifties by Richard Kalina
2005
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93(2005), 4, Seite 134 - 137:
Not-So-Still Life sculptor Andrew Lord fashions oversize, often distorted ceramic vessels and objects by Janet Koplos
2005
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93(2005), 5, Seite 118 - 123, 180:
To Savenge and Transform Charles Long has turned to salvaged materials for his recent abstract sculptures by Raphael Rubinstein
2005
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93(2005), 5, Seite 130 - 133, 181:
Creature Pleasures animal silhouettes dominate Robert Rahway Zakanitch's sumptuous, disarming new paintings by John DeFazio
2005
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93(2005), 5, Seite 134 - 139:
Reconfiguring Barry Le Va by Nancy Princenthal
2005
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93(2005), 8, Seite 132 - 137:
In a Liquid Medium - Richard Jackson by Raphael Rubinstein
2005
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93(2005), 8, Seite 138 - 141, 166:
The Measure of Heartbreak Sophie Calle's "Exquisite Pain" project chronicles an experience of romantic agony by Nancy Princenthal
2005
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93(2005), 8, Seite 142 - 145:
Painting a Paradox - Caio Fonseca by Karen Wilkin
2005
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93(2005), 8, Seite 146 - 147, 175:
Open Source Art Cory Arcangel's gallery exhibitions celebrate the collectivist ethos of computer hackers by Sarah Valdez
2005
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93(2005), 6, Seite 128 - 133, 198:
The Ballad of Blinky Palermo by Brooks Adams
2005
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93(2005), 6, Seite 150 - 153, 200:
Seductive Cipher the first U.S. museum show for Katharina Sieverding... by David Ebony
2005
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93(2005), 9, Seite 138 - 145, 193:
Plain Seeing Robert Grosvenor fashions challenging sculptures from everyday materials by Anne Rochette and Wade Saunders
2005
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93(2005), 9, Seite 152 - 155:
April Gornik - The Nature of Painting by Jonathan Gilmore
2005
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93(2005), 10, Seite 138-141:
Infinite Passages Serra in Bilbao by David Ebony
2005
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93(2005), 10, Seite 142-145:
Oteiza's Protocols of Sculpture by Karen Wilkin
2005
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93(2005), 10, Seite 146-149:
Intelligent Design the Art of Carol Ross by Gary Indiana
2005
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93(2005), 1, Seite 62 - 71:
Adams and Sieglitz - A Friendship by Sandra S. Phillips
2005
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93(2005), 1, Seite 90 - 97:
The Body According to Chadwick by Lynn MacRitchie
2005
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93(2005), 1, Seite 110 - 115:
Deconstructive Constructivist - Don Gummer by Irving Sandler
2005
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93(2005), 3, Seite 108 - 113, 148:
Lost in the Moment Rodney Graham's videos and short films blend analytic rigor with entertainment value by Christopher Miles
2005
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93(2005), 5, Seite 140 - 143:
Barry Le Va's Secret Sculpture recalling an ephemeral 1969 installation in a museum that was about to be demolished by Martin Friedman
2005
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93(2005), 5, Seite 144 - 147, 182:
A Chicago Eulogy the city's vibrant past is evoked in Tony Fitzpatrick's collages, prints and drawings by Faye Hirsch
2005
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93(2005), 5, Seite 156 - 159:
States of Stability Nobu Fukui's densely layered canvases teem with metaphor by Carter Ratcliff
2005
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93(2005), 9, Seite 65 - 77:
Where Diane Arbus Went by Leo Rubinfien
2005
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93(2005), 9, Seite 130 - 137:
Matters of Fact a Robert Bechtle retrospective reveals the conceptual subtlety of this Photo-Realist pioneer by Richard Kalina
2005
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93(2005), 10, Seite 150-155:
A Bond of Steel di Suvero and Bellamy by Judith E. Stein
2005
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93(2005), 10, Seite 156-165:
Urbanist at Large interview Mark di Suvero by Joan Simon
2005
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93(2005), 10, Seite 166-169:
Genzken's Open City by Nancy Princenthal
2005
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93(2005), 11, Seite 102-107, 167:
The Other Truth - Elaine Sturtevant by Nancy Princenthal
2005
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93(2005), 11, Seite 112-119:
The Subjective Object - Richard Tuttle by Richard Kalina
2005
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93(2005), 11, Seite 120-123:
Rehabilitating Rebay by Edward Leffingwell
2005
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93(2005), 11, Seite 130-133:
Airborne Abstraction - Jackie Matisse by Jill Johnston
2005
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93(2005), 11, Seite 134-135:
Through a Glass, Darkly - Larry Bell by Matthew Guy Nichols
2005
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93(2005), 4, Seite 116 - 119:
Baldessari's Hollywood an appreciation of postmodernist pioneer John Baldessari's latest cinema- inspired art by Eleanor Heartney
2005
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93(2005), 4, Seite 120 - 125:
De(i)fying the Masters Kehinde Wiley's portraits meld urban street life and European high art traditions by Sarah Lewis
2005
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93(2005), 6, Seite 134 - 139, 199:
Of Politics and Painting Robert Storr interviews Jörg Immendorff Robert Storr
2005
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93(2005), 6, Seite 146 - 149:
The Real Simulations of Thomas Demand by Pepe Karmel
2005
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93(2005), 6, Seite 166 - 169:
Carla Accardi - A Desire for Contradiction by Marcia E. Vetrocq
2005
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93(2005), 9, Seite 156 - 163:
A Heap of Smithson by Carter Ratcliff
2005
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93(2005), 9, Seite 164 - 167:
The Shape of Energy Max Gimblett's gestural canvases draw on Abstract Expressionism and traditional Zen painting by Thomas McEvilley
2005
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92(2004), 6, Seite 150 - 159:
Catching Up With Bontecou by Michael Duncan
2004
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92(2004), 2, Seite 70 - 73:
MacConnel Unbound by David Pagel
2004
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92(2004), 2, Seite 90 - 94:
Mindful living Thai artist Montien Boonma created objects and installations as forms of meditation and prayer by Janet Koplos
2004
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92(2004), 2, Seite 96 - 103, 135:
James Rosenquist at Full Scale the travelling retrospective reveals the importance of formal issues in Rosenquist's work by Richard Kalina
2004
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92(2004), 2, Seite 114 - 117:
Louisiana Blend profane and sacred images share the stage in Douglas Bourgeois's paintings by Isabelle Loring Wallace
2004
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92(2004), 3, Seite 112 - 115:
Humorist of the Everyday Martin Parr's photographa revel in the absurdities of consumer culture by Janet Koplos
2004
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92(2004), 3, Seite 116 - 119:
Designing Women recent works by Cheryl Goldsleger present a feminist take on architectural history by Jerry Cullum
2004
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92(2004), 5, Seite 82 - 87:
Diaspora and Its Quandaries - Frédéric Brenner by Max Kozloff
2004
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92(2004), 5, Seite 124 - 129, 174:
Mortal Coils Kiki Smith brings a pronounced physicality to the mediums of print and multiples by Faye Hirsch
2004
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92(2004), 5, Seite 130 - 133:
Zucker's Color Constructions by Stephen Westfall
2004
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92(2004), 5, Seite 140 - 143:
A House of Parts Slovenian artist and social activist Marjetica Potrc... by Eleanor Heartney
2004
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92(2004), 5, Seite 146 - 149:
Roberto Juarez - Conjuring Elsewhere by Paula Harper
2004
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92(2004), 5, Seite 150 - 151:
Dove Bradshaw - Between Science and Poetry by Janet Koplos
2004
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92(2004), 9, Seite 41:
Leon Golub (1922-2004) Raphael Rubinstein
2004
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92(2004), 10, Seite 152 - 155, 192:
Watching the Skies Luca Buvoli and Holly Zausner... by Raphael Rubinstein
2004
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92(2004), 1, Seite 42 - 47:
Sutherland's Belated Homecoming by David Ebony
2004
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92(2004), 1, Seite 51 - 53:
Sullivan's Movements by Ken Carpenter
2004
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92(2004), 1, Seite 84 - 87, 135:
In the Cut the films of Finnish artist Ilppo Pohjola explore sensory overload and gender mutability by Marcia E. Vetrocq
2004
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92(2004), 6, Seite 96 - 105:
The Mask Behind the Face - August Sander by Leo Rubinfien
2004
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92(2004), 6, Seite 160 - 163:
A Painter in Midcurrent - John Currin by Raphael Rubinstein
2004
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92(2004), 6, Seite 170 - 171, 193:
Full-Throttle Abstract - Julie Mehretu by Faye Hirsch
2004
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92(2004), 2, Seite 110 - 113:
Becoming Transparent in his sculptural "drawings", Christopher Wilmarth joined minimalist forms with symbolist poetics by Roger Boyce
2004
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92(2004), 3, Seite 82 - 91, 141:
Philip Guston - Some Thoughts by Raphael Rubinstein
2004
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92(2004), 3, Seite 96 - 99:
Quaytman's Crossing remembering Harvey Quaytman's lifelong exploration of geometric abstraction by Lilly Wei
2004
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92(2004), 4, Seite 122 - 123, 151:
Rudy Burckhardt in Town & Country by Stephen Westfall
2004
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92(2004), 5, Seite 144 - 145, 175:
Alabama Assemblage Lonnie Holley's outdoor installation in Birmingham... by Raphael Rubinstein
2004
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92(2004), 10, Seite 156 - 157, 191:
Urban Meditations Jane Freilicher's painterly cityscapes continue their subtle evolution by Vincent Katz
2004
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92(2004), 10, Seite 158 - 163, 193:
Philosophy in the Land ecology and mythology meet in the earth art and drawings of Agnes Denes by Thomas McEvilley
2004
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92(2004), 10, Seite 164 - 167:
Bliss Over All Austrian sculptor Elmar Trenkwalder... by Anne Rochette and Wade Saunders
2004
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92(2004), 1, Seite 70 - 75, 115:
Formalism's Poetic Frontier Polly Apfelbaum's colorful floor pieces engage painting, sculpture and installation art by Stephen Westfall
2004
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92(2004), 1, Seite 88 - 91:
Fields of Dream - Warren Rohrer by Miriam Seidel
2004
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92(2004), 6, Seite 164 - 169:
Chakaia Booker - Material Matters by Matthew Guy Nichols
2004
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92(2004), 2, Seite 54 - 65:
In Dreams Begin Responsibilities - Bas Jan Ader by Wade Saunders
2004
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92(2004), 2, Seite 104 - 109, 143:
Painting, Working, Talkinge Michael Amy interviews James Rosenquist Michael Amy
2004
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92(2004), 3, Seite 92 - 95:
Funk Renaissance the latest fim installation from Britain's Isaac Julien... by Calvin Reid
2004
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92(2004), 4, Seite 100 - 103:
Restoration Play - Paul Kos by Jonathan Gilmore
2004
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92(2004), 4, Seite 114 - 119:
Drawing with Light a look back at Keith Sonnier's groundbreaking installation art by Richard Kalina
2004
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92(2004), 5, Seite 106 - 111:
In Mockbee's Memory a traveling show about the late architect Samuel Mockbee... by Daniel Belasco
2004
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92(2004), 8, Seite 98 - 103:
Five (Not So Easy) Pieces - Joan Jonas by Lilly Wei
2004
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92(2004), 9, Seite 108 - 115:
Northern Lights the installations of Olafur Eliasson draw on the artist's Icelandic-Danish roots by Carol Diehl
2004
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92(2004), 9, Seite 116 - 123, 168:
Farber on Farber Manny Farber's restless career as a painter and film critic... by Leah Ollman
2004
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92(2004), 9, Seite 124 - 127:
A Flatland of Forms Thomas Nozkowski's abstract paintings... by Cary Levine
2004
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92(2004), 10, Seite 94 - 101:
Frank Gehry, Public Artist by Joseph Giovannini
2004
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92(2004), 11, Seite 108 - 113, 149:
Beyond Translation the pan-European videos of Anri Sala... by Ossian Ward
2004
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92(2004), 11, Seite 124 - 127:
David Ireland - The Alchemist this artist's transformation of everyday materials is highlighted in a major retrospective by Peter Selz
2004
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92(2004), 3, Seite 104 - 111:
Eye in the Sky Yvonne Jacquette paints expansive aerial views of cities around the world by Robert Berlind
2004
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92(2004), 8, Seite 112 - 117:
From Tortured Youth to Enchanted Sage Lucas Samaras's transformative self-portraits are at the center of his art by Sue Taylor
2004
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92(2004), 8, Seite 118 - 121:
The Underside of Innocence fairy tales and fatality inspire the new work of Swiss sculptor Not Vital by Nancy Princenthal
2004
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92(2004), 9, Seite 128 - 133, 191:
Erró's History a rare U. S. showing of this European painter's politicized and Pop-inflected art by Tom McDonough
2004
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92(2004), 9, Seite 134 - 139, 169:
Flirtations with Evidence the archive-based work of the Atlas Group/Walid Raad blends fact and fiction by Janet A. Kaplan
2004
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92(2004), 9, Seite 140 - 143, 171:
Artschwager Pinxit since the early 1960s, Richard Artschwager has created paintings of rich ambiguity by Roni Feinstein
2004
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92(2004), 9, Seite 144 - 147:
Moving Pictures Jon Kessler's recent New York show was an etravaganza of do-it-yourself technology by Stephanie Cash
2004
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92(2004), 10, Seite 138 - 143:
Rediscovering Ana Mendieta by Eleanor Heartney
2004
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92(2004), 10, Seite 144 - 147:
Circuitries of Color a pioneer of the postwar avant-garde in Japan, Atsuko Tanaka... by Janet Koplos
2004
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92(2004), 10, Seite 148 - 151, 191:
Seeing Hammersley Whole the octogenarian Frederick Hammersley was rediscovered... by Arden Reed
2004
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92(2004), 11, Seite 114 - 119, 150:
The World According To Solakov storytelling pervades Nedko Solakov's encyclopedic installations... by Sarah McFadden
2004
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91(2003), 9, Seite 106 - 111: Ill. (farb.):
Nature According to Knechtel the painted tableau of Tom Knechtel... by Michael Duncan
2003
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91(2003), 11, Seite 58 - 63:
Hadid in America - a Lightness of Beeing by Joseph Giovannini
2003
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91(2003), 1, Seite 62 - 65, 119:
Fabian Marcaccio - Paintant's Progress by Nancy Princenthal
2003
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91(2003), 1, Seite 66 - 73:
Dunham's Demonology phallic killers run amok in Carroll Dunham's festiveley hued compositions by Faye Hirsch
2003
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91(2003), 1, Seite 74 - 79:
Trouble in Paradise Jack Pierson wrests a melancholic beauty from photographs and cast-off objects by David Ebony
2003
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91(2003), 12, Seite 88 - 93, 119:
Reciprocal Debts a traveling exhibition examines the ceramic sculpture Noguchi made during visits to Japan... by Janet Koplos
2003
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91(2003), 5, Seite 132 - 137:
In a Silent Season the art of Cuban-born Enrique Martinez Celaya... by Leah Ollman
2003
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91(2003), 10, Seite 114 - 119:
Mapping a Better World Newton and Helen Mayer Harrison make environmental art that is both utopian and pragmatic by Eleanor Heartney
2003
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91(2003), 10, Seite 120 - 123:
Beyond Easy Pleasures Wolf Kahn's modernist-inflected paintings hint at deeper meanings by Robert Berlind
2003
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91(2003), 11, Seite 122 - 129:
Working Things Out Donald Judd's pre-Minimalist years were the starting point of a recent exhibition by Richard Kalina
2003
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91(2003), 11, Seite 142 - 147, 177:
Following the Money Mark Lombardi used pen, pencil and paper to elegantly map hidden networks of politics and finance by Zan Lin
2003
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91(2003), 11, Seite 148 - 153:
Hartley's Indicative Objects a recent exhibition spotlighted the still lifes of Marsden Hartley... by Robert Berlind
2003
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91(2003), 1, Seite 92 - 95:
Winkfield's Vocations by Lance Esplund
2003
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91(2003), 1, Seite 96 - 99:
Stitches in Time a sense of duration pervades Oliver Herring's knitted-Mylar sculptures and Chaplinesque videos by Janet Koplos
2003
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91(2003), 12, Seite 80 - 83:
Mutability and Metaphor radiant clouds of color typify the work of abstract painter Natvar Bhavsar by Carter Ratcliff
2003
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91(2003), 2, Seite 88 - 95:
Edwin Dickinson - Waking Visions by Robert Berlind
2003
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91(2003), 3, Seite 106 - 109, 151:
Doug Ohlson's Fields of Meaning by Carter Ratcliff
2003
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91(2003), 9, Seite 88 - 93: Ill. (farb.):
Mix-Master artist and experimental musician Christian Marclay... by Carol Diehl
2003
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91(2003), 4, Seite 108 - 113:
Monochrome Math Bernar Venet stencils complex equations onto his solid-ground paintings by Thomas McEvilley
2003
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91(2003), 4, Seite 118 - 123:
Unfolding the Grid for his modular compositions, French painter Claude Viallat favors unconventional supports by Raphael Rubinstein
2003
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91(2003), 4, Seite 124 - 129:
Bloom's Way by Michael Duncan
2003
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91(2003), 1, Seite 88 - 91:
Fabricating the Here and Now Win Knowlton's steel-mesh sculptures by Carter Ratcliff
2003
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91(2003), 12, Seite 96 - 97:
Nothing in Isolation mixing architecture and nature in a new installation, Judy Pfaff found order and disorder in both by Janet Koplos
2003
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91(2003), 5, Seite 100 - 103:
White, Hot & Cool Jo Baer's austere early canvases... by Carol Diehl
2003
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91(2003), 5, Seite 104 - 111, 157:
The Adventures of Jo Baer an outspoken painter recounts the twists and turns of her varied career by Judith E. Stein
2003
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91(2003), 5, Seite 120 - 123, 158:
The Art of Public Disturbance controversial African-American artist William Pope.L by Barbara Pollack
2003
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91(2003), 5, Seite 124 - 131:
Frank Moore's Ecology of Loss by Faye Hirsch
2003
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91(2003), 6, Seite 84 - 89:
Requiems for a Lost Future? Al Held's grandly scaled, geometric canvases invite awe and speculation by Joe Fyfe
2003
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91(2003), 6, Seite 90 - 97, 137:
Sculpture as Theater New York's Dia Center is showing Rosemarie Trockel's thematically linked videos on "moving walls" by Joan Simon
2003
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91(2003), 6, Seite 98 - 103:
Julian LaVerdiere's Imperial Designs by Marcia E. Vetrocq
2003
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91(2003), 6, Seite 104 - 107, 137:
Yun-Fei Ji - Moral Vistas by Robert Knafo
2003
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91(2003), 6, Seite 108 - 113, 137:
Gego's Galaxies - Setting Free the Line Venezuelan artist Gertrude Goldschmidt by Robert Storr
2003
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91(2003), 6, Seite 114 - 115, 143:
Trenton Doyle Hancock - Full Immersion by Nancy Princenthal
2003
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91(2003), 2, Seite 84 - 87, 127:
Chen Zhen's Legacy by Eleanor Heartney
2003
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91(2003), 2, Seite 96 - 99:
When Bubbles Burst Roland Flexner literally breathes his intricate ink drawings into existence by Raphael Rubinstein
2003
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91(2003), 2, Seite 100 - 103:
Obsessive Congregations looking back at Alfonso Ossorio's over-the-top assemblages by Jonathan Gilmore
2003
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91(2003), 3, Seite 110 - 113:
The Everyday of Yesterday Alex Hay's oversized versions of ordinary objects by Nancy Princenthal
2003
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91(2003), 7, Seite 58 - 61:
A Day at the Races Tom Sachs's casually megalomaniacal installation... by Tom McDonough
2003
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91(2003), 7, Seite 74 - 79, 105:
John Coplans - Exposures by Edward Leffingwell
2003
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91(2003), 10, Seite 90 - 95, 147:
Diller + Scofidio - Critical Structures a recent Whitney Museum show featured installations, models... by Tom McDonough
2003
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91(2003), 10, Seite 96 - 99:
Franz West's Corporeal Comedy by Robert Storr
2003
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91(2003), 10, Seite 100 - 103:
Materialist Tara Donovan's labor-intensive installations involve vast accumulations of everyday stuff by Lilly Wei
2003
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91(2003), 10, Seite 110 - 113, 167:
Carlo Maria Mariani's Eternal Cities by David Ebony
2003
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Canalettoś Nephew
2002
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90(2002), 9, Seite 114 - 119:
Orchestrated Obsessions - Rona Pondick Rona Pondick introduces a new group of (mostly) stainless-steel sculptures by Janet Koplos
2002
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90(2002), 6, Seite 102 - 105:
Fast and Cool Gianni Piacentino's streamlined sculptures by Marcia E. Vetrocq
2002
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90(2002), 6, Seite 116 - 119:
Found Abstraction Philip Taaffe by Brooks Adams
2002
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90(2002), 5, Seite 92 - 97:
Illuminating the New China Cai Guo-Qiang by Eleanor Heartney
2002
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90(2002), 5, Seite 124 - 127:
Cyborgs and Karaoke Lee Bul by Frank Hoffmann
2002
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90(2002), 5, Seite 134 - 143:
Giacometti's Thin Figures Dead Men Walking by Laurie Wilson
2002
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90(2002), 1, Seite 66 - 75, 121:
Gerhard Richter - The Day Is Long a candid discussion with the noted German painter about his art and career by Robert Storr
2002
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90(2002), 1, Seite 98 - 101:
Alma Thomas's Late Blossoms by Joe Fyfe
2002
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90(2002), 2, Seite 104 - 107:
Nests, Wounds and Blossoms nothing is held back in Joan Snyder's emotionally loaded abstractions by Carol Diehl
2002
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90(2002), 3, Seite 92 - 95, 159:
Our Miss Brooks Romaine Brooks's cross-gendered portraits ... by Michael Duncan
2002
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90(2002), 10, Seite 130 - 135, 173:
Eija-Liisa Ahtila Is NOt Going Crazy by Marcia E. Vetrocq
2002
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90(2002), 11, Seite 122 - 127:
Westermann's Way by Michael Duncan
2002
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90(2002), 11, Seite 130 - 139:
Vessels and Vacancies the current Eva Hesse retrospective... by Sue Taylor
2002
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90(2002), 12, Seite 82 - 87:
Hélio Oiticica - Myth of the Outlaw by Edward Leffingwell
2002
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90(2002), 12, Seite 88 - 97:
Expressing the Abstract Joan Mitchell never forsook her commitment to gesture by Richard Kalina
2002
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90(2002), 12, Seite 98 - 101:
About a Boy Mary Kelly's latest installation ponders the tale of a displaced Albanian toddler by Edward Leffingwell
2002
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90(2002), 7, Seite 66 - 73:
Metropolitan Master - John Koch by Kenneth E. Silver
2002
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90(2002), 9, Seite 96 - 103, 147:
Newman's Perennial Now what can we learn from the first Barnett retrospective in three decades? by Carter Ratcliff
2002
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90(2002), 9, Seite 120 - 123:
LeDray's Dream Objects by Ken Johnson
2002
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90(2002), 4, Seite 116 - 121:
Toward Volume David Smith by Robert Taplin
2002
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90(2002), 4, Seite 126 - 131:
Shadow Play Kunié Sugiura's photograms of living things... by Janet Koplos
2002
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90(2002), 10, Seite 124 - 129:
Figuring Larry Rivers by Joe Shannon
2002
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90(2002), 10, Seite 148 - 151:
Seeing and Believing British artist Mark Wallinger... by Carol Kino
2002
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90(2002), 10, Seite 152 - 155:
Boy Story collagist and painter Steve Gianakos has been hitting raw cultural nerves since the 1970s by William R. Valerio
2002
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90(2002), 7, Seite 56 - 61:
The Many Lives of Asger Jorn by Tom McDonough
2002
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90(2002), 7, Seite 62 - 65:
Spoerri's Habitat by Judith E. Stein
2002
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90(2002), 7, Seite 74 - 77:
The Painting Game Susan Rothenberg's recent canvases... by Nancy Princenthal
2002
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90(2002), 2, Seite 84 - 89:
Wayne's World charting Wayne Thiebaud's career from Pop pioneer to California landscape painter by Edward Leffingwell
2002
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90(2002), 2, Seite 108 - 113:
A Journey to China sculptor Ah Xian explores Chinese themes from the perspective of exile by Roni Feinstein
2002
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90(2002), 2, Seite 114 - 119:
Coney Island Apocalypse Arnold Mesches's turbulent paintings combine private memories and world history by Eleanor Heartney
2002
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90(2002), 3, Seite 102 - 105:
Attack of the Abstract Greenbergian abstraction meets California noir in the digital art of Jeremy Blake by Sarah Valdez
2002
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90(2002), 3, Seite 106 - 109:
Looking Good the videos of Burt Barr. by Lilly Wei
2002
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90(2002), 3, Seite 110 - 117, 140 - 141:
Perfect Uncertainty paradoxes abound in Robert Adams's photographs of the American West by Leo Rubinfien
2002
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90(2002), 3, Seite 118 - 121:
Seeing Beneath the Surface Kathleen Gilje's re-creations of iconic paintings by Linda Nochlin
2002
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90(2002), 4, Seite 102 - 109:
Outside the Comfort Zone Leon Golub remains a disturbing painter by Thomas McEvilley
2002
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90(2002), 4, Seite 110 - 115, 161:
A World of Sound Janet Cardiff's art explores the dimension of sound by Aruna D'Souza
2002
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90(2002), 10, Seite 116 - 123, 191:
Fact and Fable - Juan Muñoz by David Ebony
2002
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90(2002), 10, Seite 136 - 141:
Taking the Long View Roni Horn's allusive serial art makes use of pairings, sequences and minute composional shifts by Nancy Princenthal
2002
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89(2001), 1, Seite 64 - 73:
A Fighter by His Trade realism and romanticism have long coexisted in Paul Georges's allegorical paintings by Brooks Adams
2001
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Smithson and the American Landscape by Philip Leider
2001
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89(2001), 12, Seite 106 - 109:
Portraits and a Marriage the intertwined lives of painter Sylvia Sleigh and critic Lawrence Alloway by Richard Kalina
2001
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89(2001), 9, Seite 124 - 129:
Mother's Milk Janine Antoni by Nancy Princenthal
2001
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89(2001), 9, Seite 130 - 133:
Visionary in the Basement outsider artist Eugene Von Bruenchenhein... by David Ebony
2001
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89(2001), 9, Seite 140 - 143:
Art's Willing Captive Tehching Hsieh by Jill Johnston
2001
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89(2001), 10, Seite 148 - 153:
America the Transient Jane Dickson's recent pictures by Chris Kraus
2001
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89(2001), 3, Seite 114 - 121:
Mary Frank and the Search for Self by Aruna D'Souza
2001
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89(2001), 5, Seite 136 - 143:
Surface Histories the photography of James Welling by David Joselit
2001
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89(2001), 2, Seite 90 - 99:
Lee Krasner - Front and Center a recent traveling retrospective examined Lee Krasner's complex career... by Paul Brach
2001
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89(2001), 2, Seite 104 - 109, 159:
The Plight of Matter combining unusual materials and procedures, Brazilian artist Nuno Ramos has gained broad attention in his homeland... by David Ebony
2001
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89(2001), 2, Seite 118 - 123:
Ugo Mulas - The New York Portraits by Marcia E. Vetrocq
2001
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89(2001), 2, Seite 124 - 129:
Heide Fasnacht - Exploded View by Nancy Princenthal
2001
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Toledo's metamorphoses by Christian Viveros-Fauné
2001
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89(2001), 7, Seite 60 - 69, 113:
Fahlström Afresh the late Oyvind Fahlström's timely art is reexamined in the fist U. S. retrospective in nearly 20 years by Raphael Rubinstein
2001
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89(2001), 7, Seite 80 - 85:
Fleshed Out Lisa Yuskavage by Carey Lovelace
2001
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89(2001), 7, Seite 86 - 93, 113:
Rules of the Game since Italian artist Alighiero Boetti died in 1994, his sprawling oeuvre has come into clearer focus by Marcia E. Vetrocq
2001
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89. 2001, 3. - S. 88 - 95:
Transcendent Offerings Wolfgang Laib by Carol Diehl
2001
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89(2001), 4, Seite 112 - 119:
The Pleasure of Pure Seeing - Bridget Riley by Carol Kino
2001
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89(2001), 5, Seite 154 - 159:
The Ventriloquist Philipp Thomas by Raphael Rubinstein
2001
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89(2001), 10, Seite 128 - 135:
In the Real World Venturi and Gehry by Tom McDonough
2001
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89(2001), 10, Seite 136 - 143, 189:
Islamic Counterpoints Shirin Neshat by Amei Wallach
2001
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89(2001), 4, Seite 92 - 97:
Pictures from an Inquisition - Masami Teraoka by Eleanor Heartney
2001
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89(2001), 4, Seite 98 - 111, 157:
Marcel & Maria did Duchamp's affair with Brazilian sculptor Maria Martins inspire his final work? by Francis M. Naumann
2001
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89(2001), 4, Seite 120 - 125:
The Serious Slapstick of Martin Kersels by Michael Duncan
2001
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89(2001), 4, Seite 126 - 129, 159:
Into the Mystic occult traditions inform the dreamlike images that Spanish artist Remedios Varo painted during her Mexican exile by Sue Taylor
2001
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89(2001), 1, Seite 86 - 89:
Stasis and Agitation Ursula von Rydingsvard's rough-hewn sculptures can evoke primal responses by Janet Koplos
2001
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89(2001), 1, Seite 98 - 101, 141:
Jason Rhoades - Pipe Dreams this chaos-loving artist lately fashioned an installation from miles of polished aluminium tubing by Nancy Princenthal
2001
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89(2001), 6, Seite 76 - 85:
Making Things Clear Andreas Gursky by Edward Leffingwell
2001
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89(2001), 6, Seite 86 - 91:
Touched into Being the drawings of self-taught artist James Castle... by Stephen Westfall
2001
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89(2001), 6, Seite 92 - 99, 138:
Roman Signer's Acts of Wonder by Gregory Volk
2001
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89(2001), 6, Seite 110 - 115:
In the Realm of the Superflat Takashi Murakami's cartoon-inspired art employs rampant formal invention by Raphael Rubinstein
2001
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89(2001), 6, Seite 116 - 121, 143:
A Pilgrim's Project the peripatetic Abraham David Christian fashions sculptures and drawings of quiet tactility by Janet Koplos
2001
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88(2000), 9, Seite 112 - 117:
The Dream Life of Objects Cornelia Parker by Nancy Princenthal
2000
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88(2000), 9, Seite 130 - 133:
In Concert Charlton and Tremlett by Marcia E. Vetrocq
2000
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88(2000), 3, Seite 94 - 97:
Floating in gender Nirwana Jenny Saville's massive paintings of equally massive nudes ... by Linda Nochlin
2000
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88(2000), 4, Seite 128 - 133:
Watching the Skies science has long fascinated abstract artist Dorothea Rockburne by Lilly Wei
2000
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88(2000), 4, Seite 140 - 143:
Extensions of the Ordinary in the 30 years since he emerged as one of the leaders of Japan's Mono-ha movement, Kishio Suga has worked in an enormous variety of forms and materials to express a simple - and profound - sense of universal connectedness by Janet Koplos
2000
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88(2000), 10, Seite 134 - 137:
Transparent Scenarios architecture is one of the many preoccupations of Chicago-based artist Inigo Manglano-Ovalle by Michael Rush
2000
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88(2000), 10, Seite 158 - 161:
The Ghost in the Machine Elizabeth King uses film, video and photography to contextualize her puppetlike sculptures by Leah Ollman
2000
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88(2000), 5, Seite 122 - 127:
Thomas Schütte Heroic Measures by Nancy Princenthal
2000
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88(2000), 12, Seite 74 - 85, 132 - 133, 135:
The Poetry of Plain Seeing Walker Evans transmuted his deep misgivings about American society into classic photographs of everyday life by Leo Rubinfien
2000
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88(2000), 12, Seite 86 - 91, 134:
Shaw's Carnival of the Mind in his search for expressive images, painter Jim Shaw ransacks thrift stores, pop culture and his own psyche by Michael Duncan
2000
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88(2000), 12, Seite 102 - 109, 131:
Eros in Spanish Harlem a travelling retrospective reminds us that New York painter Alice Neel was often inspired by politics and sex by Raphael Rubinstein
2000
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88(2000), 6, Seite 86 - 89:
Essential Light the skies of Michelle Stuart by Joseph Ruzicka
2000
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88(2000), 6, Seite 104 - 111:
Keeping Up with Conner by Michael Duncan
2000
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88(2000), 2, Seite 102 - 107:
Arikha's Arcadia thirty years ago, Arikha abandoned abstraction for a figurative style of "painterly drawing" by Barbara Rose
2000
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88(2000), 11, Seite 118 - 127:
Means and Ends Sol LeWitt's distinctive oeuvre is surveyed in a 35-year retrospective arriving soon at the Whitney Museum by Richard Kalina
2000
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88(2000), 11, Seite 134 - 139, 183:
Relics of the Material Age David Bunn's installations reveal the haunting poetics of library card catalogues by Leah Ollman
2000
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88(2000), 11, Seite 158 - 161: Ill. (farb.):
Arthur Carles - Colors in Concert the paintings of this early American modernist are emerging from decades of neglect by Miriam Seidel
2000
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88(2000), 5, Seite 134 - 139, 177:
Wynne's Dream Logic from diverse objects, images and appropriated literary texts, Rob Wynne fashions quirkily poetic installations by Elisabeth Kley
2000
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88(2000), 5, Seite 144 - 147:
An Esthetic of Anticipation the photographs of Angela Grauerholz conjure up enigmatic events and atmospheric spaces by Terrie Sultan
2000
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88(2000), 1, Seite 82 - 87:
Three to Get Ready: James Turrell an interim report on three new bodies of work by the artist... by Brooks Adams
2000
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88(2000), 1, Seite 96 - 101:
Ofili's Glittering Icons the intensely decorative Paintings of Chris Ofili... by Lynn MacRitchie
2000
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88(2000), 3, Seite 98 - 103:
The Colours of India Raghubir Singh by P. C. Smith
2000
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88(2000), 3, Seite 104 - 117, 143:
Not Lost, Not Found Bill Bollinger by Wade Saunders
2000
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88(2000), 11, Seite 140 - 143:
Judy Fox Figures in Limbo by Carol Diehl
2000
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87(1999), 9, Seite 94 - 99, 138 Ill. (farb.):
From Zero to Infinity a recent MOMA exhibition surveyed Sigmar Polke's quirky, Pop-influenced drawings of the 1960s and '70s by Raphael Rubinstein
1999
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87(1999), 11, Seite 128 - 133:
The Not-So-Happy Hours of Patrick Caulfield by Barry Schwabsky
1999
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87(1999), 12, Seite 76 - 83:
Robert Irwin's Doors of Perception a meditative scrim-and-light installation transforms space in the Dia Center by Carol Diehl
1999
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87(1999), 10, Seite 132 - 137, 177:
Investigations of a Dog the photographer Daido Moriyama by Leo Rubinfien
1999
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87(1999), 9, Seite 100 - 103, 137:
From Bauhaus to Jim's House with modest materials and low-tech processes, Jim Isermann fashions objects ... by Michael Duncan
1999
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87(1999), 9, Seite 104 - 109, 138:
A Painter in Metal veteran sculptor Robert Murray ... by David Raskin
1999
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87(1999), 10, Seite 142 - 147:
Helène Aylon Deconstructing the Torah by Robert Berlind
1999
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87(1999), 11, Seite 114 - 121:
Watercourse Way Pat Steir's lyrical waterfall paintings of the last decade... by G. Roger Denson
1999
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87(1999), 11, Seite 122 - 127:
Graciela Iturbide's Primal Scenarios by Max Kozloff
1999
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(1992), 4, Seite 55:
Report from Dresden a city reborn David Galloway
1992