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Referenced in:
Saxon Bibliography (Sächsische Bibliografie)
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2010 - 2019
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2000 - 2009
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> Issues
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54(2021), 336, Seite 114-127:
Beyond Physics in conversation with Pan Daijing Andrea Lissoni
2021
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54(2021), 336, Seite 130-141:
I understand things, but in my way dialogue with Simone Forti by Patrick Steffen
2021
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54(2021), 335, Seite 70-80:
The Sensual Spiral in conversation with Fatima Al Qadiri Andrea Lissoni
2021
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54(2021), 335, Seite 81-95:
Jenna Gribbon Behind Her Scene Jenna Gribbon
2021
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54(2021), 335, Seite 98-112:
Intimate Dislocations on Lydia Ourahmane's Barzakh by Carlos Kong
2021
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54(2021), 336, Seite 64-83:
Systemic Errors of Collective Intelligence: a Conversation with Agnieszka Kurant by Noam Segal
2021
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54(2021), 336, Seite 170-175:
The Age of Love Chapter III the Cure of the Mind: on Taloi Havini's Answer to the Call by Chus Martínez
2021
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54(2021), 336, Seite 50-63:
Materialist Invisibility: Art as Organic Development in Pamela Rosemkranz's Work by Nicolas Bourriaud
2021
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54(2021), 336, Seite 98-111:
Urgency or The Thick of Time a graphic narrative by Chitra Ganesh
2021
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54(2021), 334, Seite 82-96:
Julie Mehretu: On Black Abstraction, Futurity and Opacity as a Space of Liberation by JaBrea Patterson-West
2021
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54(2021), 334, Seite 46-65:
Anne Imhof In Three Acts, an Improvisation: Hunter Writer Lover by Benjamin Piekut
2021
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54(2021), 334, Seite 66-80:
Helen Marten: Whispered Circuitry, Drunken Quality by Alex Bennett
2021
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54(2021), 334, Seite 128-144:
Prediction in the Era of Digital Stupidity: Hito Steyerl by Noam Segal
2021
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53(2020), 329, Seite 64-71:
Love and the Paraliterary on Barbara Kruger's 'Picture/Readings by William J. Simmons
2020
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53(2020), 329, Seite 80-87:
Jordan Wolfson TRUTH / LIE / MEDITATION / SUBCONSCIOUS Introduction by Gea Politi
2020
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53(2020), 330, Seite 40-49:
Keeping it Alive Oscar Murillo by Peter Benson Miller
2020
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53(2020), 330, Seite 98-105:
Emily Mae Smith: A Broom of One's Own by Natasha Hoare
2020
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53(2020), 329, Seite 72-79:
Arthur Jafa Face It: The "Affective Proximity" of Imagery by Paola Malavassi
2020
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53(2020), 331, Seite 54-63:
Olafur Eliasson: Planetary Metabolism and the Charismatic Landscapes of the Cryosphere by Elise Hunchuk
2020
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53(2020), 331, Seite 22-33:
Rest as Revolution The Speculative Nature of Lynette Yiadom-Boakye's Figurations by JaBrea Patterson-West
2020
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53(2020), 329, Seite 96-101:
Exilic Glamour: Alice Channer by Noam Segal
2020
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53(2020), 331, Seite 44-53:
Tomás Saraceno - How to Entangle the Universe in a Spider Web by Stefanie Hessler
2020
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53(2020), 331, Seite 84-91:
Genesis Breyer P-Orridge by Jane Ursula Harris
2020
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53(2020), 331, Seite 34-43:
Post-Catastrophic Romance on Neïl Beloufa's www.screen-talk.com by Carlos Kong
2020
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53(2020), 329, Seite 28-37:
"Bananas are a contemporary mirror" Maurizio Cattelan in conversation with Virgil Abloh
2020
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53(2020), 329, Seite 54-62:
Sherrie Levine: A Matter of Indiscernibility by Eleonora Milani
2020
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53(2020), 330, Seite 50-59:
Dana Schutz: Weathering the Storm by Lexington Davis
2020
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53(2020), 330, Seite 70-79:
Jana Euler: Contextual Painting in Times of Global Groundlessness by Ingrid Luquet-Gad
2020
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53(2020), 333, Seite 44-63:
How to Become a Medium: Seismic Transmission with Nora Turato by Adam Jasper
2020
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53(2020), 333, Seite 64-80:
Cindy Sherman: Goodbye, Little Yellow Bird; or, A Cage of Gold by William J. Simmons
2020
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53(2020), 332, Seite 146-159:
Yona Friedman a Case Study from Radicalism to Idiocracy by François Roche
2020
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53(2020), 332, Seite 98-105:
The Anticipatory Role of Germano Celant by Pascale Krief
2020
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53(2020), 332, Seite 54-57:
Desiring Machines the Exhibition as Automaton in Philippe Parreno's Work by Zoe Stillpass
2020
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53(2020), 332, Seite 46-51:
Designed to Be Animated Some Insights in Philippe Parreno's Animism by Emanuele Coccia
2020
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53(2020), 332, Seite 58-63:
Space as Time / Time as Space Philippe Parreno's Delivered Time by Dorothea von Hantelmann
2020
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53(2020), 332, Seite 64-79:
Liliane Lijn Reinventing the Archetype by Ciara Moloney
2020
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53(2020), 332, Seite 106-111:
Germano Celant Companion to Art by Terry Smith
2020
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53(2020), 332, Seite 113-128:
Ian Wilson There was a discussion by Luca Cerizza
2020
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52(2019), 325, Seite 94-101:
Making it Together Laure Prouvost's Earthbound Commons by Lillian Davies
2019
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52(2019), 325, Seite 60-67:
Figures of Speech Yto Barrada's grammars of resistance by Peter Benson Miller
2019
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52(2019), 325, Seite 68-83:
A Telephone and a Maze Peter Halley's Alchemical Abstractions by Elena Sorokina
2019
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52(2019), 325, Seite 84-93:
In the Light and the Darkness of the Self and the Other Simone Fattal by Ala Younis
2019
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52(2019), 324, Seite 48-55:
Artificial Centuries$Hate and the City in Gary Indiana's Criticism by Eli Diner
2019
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52(2019), 325, Seite 46-53:
Not an Additional Sunstance but the Body Feeling Itself an interview with Ghislaine Leung by Jacob Korczynski
2019
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52(2019), 326, Seite 66-71:
Eco-Tripping Ant Farm's Environmental Media by Felicity D. Scott
2019
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52(2019), 326, Seite 72-77:
Between Two Bookends Ecology and the Work of Mark Dion by Ruth Erickson
2019
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52(2019), 326, Seite 78-85:
On Being a "Deviation Amplifying System" Dora Budor in conversation with Elena Filipovic
2019
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52(2019), 326, Seite 86-91:
Transformation, Immortality and the Abject in Ivana Bašić's Sculptures by Stefanie Hessler
2019
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52(2019), 326, Seite 92-97:
"The Life of Matter is Already an Artistic Practice" Metamorphosis and Alchemy in the Work of Bianca Bondi by Emanuele Coccia
2019
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52(2019), 326, Seite 98-103:
The Process Behind Joan Jonas's New Oceanic Work by Joan Jonas and David Gruber
2019
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52(2019), 327, Seite 42-49:
Adjacency Luke Willis Thompson's Poethics of Care by Tina Campt
2019
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52(2019), 327, Seite 78-85:
Sharing space Meriem Bennani on Teleportation, Babycouple Adults, and Postcolonial Morocco by Olivian Cha
2019
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52(2019), 324, Seite 40-47:
No Time or Nothing Less Than Time Rosalind Nashashibi's Recent Continuums of Kinship and Displacement by Quinn Latimer
2019
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52(2019), 324, Seite 56-61:
Language of Mud on Tamara Henderson's Womb Life Aaron Weldon
2019
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52(2019), 324, Seite 81-92:
Etel Adnan Hans-Ulrich Obrist ; ... [und 2 weitere]
2019
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52(2019), 327, Seite 62-69:
The Machinery of Identity: Candice Breitz$Hby Kimberly Bradley
2019
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52(2019), 327, Seite 86-93:
When Body Horror Meets Fairy Tale the Films of Marianna Simnett by Jane Ursula Harris
2019
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52(2019), 328, Seite 59-63:
The (In)Animate World of Rebecca Horn by Lynette Roth
2019
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52(2019), 328, Seite 88-95:
Fantasies and Dissonance a Conversation with Anne Beab by Maria Elena Buszek
2019
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52(2019), 328, Seite 96-101:
Marta Minujín's The Parthenon of Books a Living Elevation of Social and Cultural Relations by Pierre Bal-Blanc
2019
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52(2019), 328, Seite 42-49:
"I'm nothing, I'm no one, I'm everyone, I'm dead!" Aria Dean in conversation with Andrea Bellini
2019
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52(2019), 328, Seite 50-57:
Negative Space, Objects in the Absence of Performance in conversation with Brendan Fernandes Ryan Josey
2019
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52(2019), 328, Seite 74-81:
Jimmy Robert: Reworking Performativity by Eleonora Milani
2019
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51(2018), 322, Seite 48-53:
The Mask and the Motor the Vagaries of Geography and History in the Work of Raul Guerrero by Eli Diner
2018
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51(2018), 322, Seite 60-67:
Scene of a Scene Fact anf Fiction in the Artof Tobias Kaspar by Julia Moritz
2018
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52(2018/19), 323, Seite 44-49:
Where Art Can Work Interview with Tania Bruguera by Agnieszka Gratza
2018
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52(2018/19), 323, Seite 50-57:
What You Have, When You Have It on Landscape and the Figural in the Sculpture of Tau Lewis Tiana Reid
2018
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52(2018/19), 323, Seite 58-63:
An Impossible Language on Amy Sillman's New Paintings Kerstin Stakemeier
2018
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51(2018), 322, Seite 42-47:
Rebellious Inversions Tony Cokes's 1988 video Black Celebration (A Rebellion Against the Commodity) by Yaniya Lee
2018
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51(2018), 322, Seite 68-79:
I Love Long Durations Texts by Nora N. Khan and Charlemagne Palestine
2018
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51(2018), 322, Seite 80-87:
The Other Side of the Story Minimalism in the Rasheed Araeen's Work$Hby Luca Cerizza
2018
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52(2018/19), 323, Seite 64-71:
Cauleen Smith the Art of Giving by Fanta Sylla
2018
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52(2018/19), 323, Seite 72-79:
Planned Obsolescense? Antek Walczak and the Medium of Painting by Thomas Duncan
2018
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52(2018/19), 323, Seite 80-96:
Judy Chicago Géraldine Gourbe, Viki D. Thompson Wylder, William J. Simmons, Stephanie Seidel
2018
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51(2018), 321, Seite 58-65:
The Way Men Never See Women the Rediscovered Paintings of Luchita Hurtado by Catherine Wagley
2018
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51(2018), 320, Seite 42-61:
Under Female Competence Text by Kerstin Stakemeier, Jutta koether and Quinn Latimer
2018
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51(2018), 318, Seite 28-35:
Feminist Forms on the fleeting-yet-emphatic multimedia art of Cecilia Vicuña Julia Bryan-Wilson
2018
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51(2018), 318, Seite 36-41:
Signature Styles on Emil Michael Klein's canny abstraction Daniel Horn
2018
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51(2018), 318, Seite 42-49:
Mass Freedom on the fashion-for-everyone of Telfar Kevin McGarry
2018
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51(2018), 318, Seite 56-63:
At Home In Art Cristina Guadalupe Galván talks to home-based artist Alison Knowles Cristina Guadalupe Galván
2018
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51(2018), 319, Seite 74-79:
Savage Space Anna Uddenberg's heterotopic forms by David Andrew Tasman
2018
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51(2018), 321, Seite 90-95:
The Everyday Right Outside the Door Eric N. Mack Jessica Bell Brown
2018
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51(2018), 320, Seite 36-41:
Symbolic Violence/Physical Violence Yngve Holen's new body of work Rose Painting, 2018 by Michele D'Aurizio
2018
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51(2018), 319, Seite 30-35:
Art is like a Vampire by Maurizio Cattelan and Marta Papini
2018
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51(2018), 319, Seite 36-43:
To Be the ever malleable materials of Margaret Honda by Tenzing Barshee
2018
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51(2018), 319, Seite 62-67:
Self-Abstractions Juan Antonio Olivares' 3-D animation Moléculas, 2017 by Stephanie Seidel
2018
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51(2018), 320, Seite 28-35:
The Key Word Here is System by Attilia Fattori Franchini
2018
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51(2018), 320, Seite 70-75:
Kopfkino Julia Phillips' sculptures beyond the binary by Nana Adusei-Poku
2018
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51(2018), 320, Seite 82-87:
Death Defying Alexandra Pirici's materiality-burdened performances by Wendy Vogel
2018
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51(2018), 318, Seite 2227:
Capital Feels: Affect and Allegory on the proleptic videos of Mwlanie Gilligan Eli Diner
2018
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51(2018), 319, Seite 68-73:
Material Soul photography and corpereality in the work of Josh Tonsfeldt by Thomas Duncan
2018
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51(2018), 319, Seite 80-87:
Inside Joke the captivating and inscrutable sculptures of Michael E. Smith by Eli Diner
2018
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50(2017), 315, Seite 56-61:
Les mots et les images on the enigmatic art of Rodrigo Hernández Amy Zion
2017
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50(2017), 313, Seite 40-47:
No Gods, No Masters on Roberto Cuoghi as autodidact Charlottte Laubard
2017
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50(2017), 313, Seite 68-73:
Zines in Vitrines on Raymond Pettibon as an outsider-as-insider Eli Diner
2017
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50(2017), 314, Seite 48-53:
Would that I might reach myself before all others on the art of Maria Lai Barbara Casavecchia
2017
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50(2017), 314, Seite 54-59:
Nightmares in Oil on the demons in the paintings of Jill Mulleady Ciara Moloney
2017
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50(2017), 312, Seite 44-49:
Art in the Age of AR in conversation with Paul Pfeiffer Alex Estorick
2017
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50(2017), 313, Seite 54-59:
Broadening the Spectrum in conversation with the all-encompassing fashion designer Grace Wales Bonner Hans Ulrich Obrist
2017
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50(2017), 312, Seite 24-29:
Spheres of Illusion on the images and objects of Oliver Payne Eli Diner
2017
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50(2017), 312, Seite 38-43:
Take Care in conversation with Anna-Sophie Berger Laura McLean-Ferris
2017
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50(2017), 312, Seite 50-57:
Between Seeing and Touching on the transitional paintings of Sadie Benning Olivian Cha
2017
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50(2017), 313, Seite 48-53:
Sublime Churchy Subjects on the tragicomic narratives of Evelyn Taocheng Wang Tess Edmonson
2017
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50(2017), 314, Seite 66-71:
The Object of the City on the art of Patrick Jackson Eli Diner
2017
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50(2017), 316, Seite 38-43:
From Pygmalion to Ping Body on art and AI in the work of Leonel Moura and Stelarc Edward A. Shanken
2017
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50(2017), 315, Seite 48-55:
Like a Hologram in conversation with Pier Paolo Calzolari Chiara Parisi
2017
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50(2017), 315, Seite 62-69:
Slaves to Meaning in conversation with Pope.L Jibade-Khalil Huffman
2017
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50(2017), 315, Seite 70-77:
Always Meant to Be Worn on the fashion of Rei Kawakubo Jeremy Lewis
2017
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50(2017), 312, Seite 30-37:
Centering the American World on the dissenting art of Jimmie Durham Jennifer Piejko
2017
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50(2017), 314, Seite 78-83:
A Taste for Absence on summoning and disappearance in the art of Yan Xing Boliang Shen
2017
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49(2016), 310, Seite 48-55:
Learning is Problem Solving in conversation with Kerry James Marshall
2016
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49(2016), 310, Seite 62-67:
Only in Compositional Terms on the sound art of Samson Young Zhenhua Li
2016
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49(2016), 310, Seite 68-75:
Conflicts of Interest on the work of Jean-Luc Moulène Laura McLean-Ferris
2016
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49(2016), 310, Seite 42-47:
Desperate Things on the work of Dora Budor Boško Blagojević
2016
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49(2016), 306, Seite 36-43:
The Eternal: Far More like a Ruffle on a Dress than Some Idea on the designs of Issey Miyake Emily Segal
2016
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49(2016), 308, Seite 44-49:
How Can One Exist Among Others? on the art of Mélanie Matranga Myriam Ben Salah
2016
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49(2016), 306, Seite 30-35:
Bitter Pills on the ceramic works of Marina Pinsky Sebastian Black
2016
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49(2016), 307, Seite 94-97:
Yu Ji by Jo-ey Tang
2016
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49(2016), 306, Seite 60-65:
Sculpture as Slap in conversation with Charles Harlan Carol Bove
2016
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49(2016), 306, Seite 66-73:
The Liz Taylor Series Kathe Burkhart
2016
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49(2016), 307, Seite 50-53:
Zhang Ding by Travis Jeppesen
2016
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49(2016), 307, Seite 54-57:
Jin Shan by Azure Wu
2016
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49(2016), 307, Seite 70-73:
Li Qing by Michele D'Aurizio
2016
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49(2016), 307, Seite 90-93:
Tang Dixin by Xin Wang
2016
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49(2016), 308, Seite 72-79:
The Most Relative Media on the art of Martine Syms Eli Diner
2016
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49(2016), 306, Seite 44-49:
The Architecture of Entrapment in conversation with Diller + Scofidio Kyong Park. With an introduction by Eli Diner
2016
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48(2015), 301, Seite 72-79:
Plastic Spiritualism and Nice Hair on the art of Alex Da Corte Laura McLean Ferris
2015
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48(2015), 301, Seite 94-103:
On Greer Lankton's queer experience of the world Andrew Durbin
2015
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48(2015), 302, Seite 65-71:
Problems of Reputation in conversation with Charles Gaines Martine Syms
2015
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48(2015), 302, Seite 78-83:
Caring, Caring on the art of Bradley Kronz Boško Blagojević
2015
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48(2015), 302, Seite 106-111:
Cults, Choreography and the Eschatology of Maizidian on the art of Tianzhuo Chen Robin Peckham
2015
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48(2015), 302, Seite 112-116:
The Impalpable Citadel on the art of Claudio Parmiggiani Sylvain Amic
2015
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48(2015), 303, Seite 44-47:
Betty Tompkins - Fuck Paintings (1969-74) by william J. Simmons
2015
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48(2015), 303, Seite 48-55:
Hyperreal, if You Like Lauren Cornell
2015
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48(2015), 303, Seite 64-67:
Franz Gertsch Johanna I (1983-84) Johanna II (1986) by Eva Kenny
2015
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48(2015), 303, Seite 68-71:
Nathalie Du Pasquier Molto grigio con blu (2002) by Marco Tagliafierro
2015
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48(2015), 303, Seite 88-91:
Wang Xingwei "Old Lady" Series (2010-12) bx Philip Tinari
2015
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48(2015), 303, Seite 92-95:
Lisa Ruyter John Collier: Fort Kent, Maine (vicinity). Salvage drive for scrap metal at 4:30 p.m. (2014) by Mohammad Salemy
2015
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48(2015), 305, Seite 48-53:
Circle the Wagons in conversation with Dena Yago Laura McLean-Ferris
2015
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48(2015), 305, Seite 60-65:
North by Southwest on the landscape paintings of Lawren Harris Steve Kado
2015
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48(2015), 304, Seite 60-65:
It Looked Like a Universe on the videos of Rachel Rose Beau Rutland
2015
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48(2015), 304, Seite 74-81:
Self-Portrait, and Self on the art of Frances Stark Eli Diner
2015
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48(2015), 303, Seite 88-95:
A Tear in the Fabric of Reality on the art of Heman Chong Ruba Katrib
2015
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48(2015), 304, Seite 102-107:
Property Relations on the art of Cameron Rowland Kari Rittenbach
2015
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48(2015), 300, Seite 74-79:
Leo, 35, 60, 179 on the almost exclusively autobiographic art of Leonilson by Jacopo Crivelli Visconti
2015
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48(2015), 300, Seite 60-65:
Echoes of Touch Erika Verzutti talks about sharing the experience of making by Michele D'Aurizio
2015
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48(2015), 300, Seite 40-45:
Her Other Selves on Anna Maria Maiolino's art of becoming by Michael Asbury
2015
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47(2014), 295, Seite 70-77:
Everyday Instability on the notion of the personal within Lutz Bacher's curiously-received art by Beau Rutland
2014
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47(2014), 295, Seite 78-83:
Peter Schuyff from Flash Art International, no. 123, summer 1985 by Michael Kohn
2014
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47(2014), 295, Seite 84-89:
Networks of Influence process and collaboration in the recent work of Ryan Trecartin by Jarrett Gregory
2014
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47(2014), 297, Seite 52-59:
An Ecstatic Unity the daily celebration of life and love in the work of Dorothy Iannone by Karen Archey
2014
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47(2014), 298, Seite 63-68:
Sonic a portfolio by Hedi Slimane
2014
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47(2014), 298, Seite 77-82:
Fashion is the Weather on Nicolas Gesquière Eric N. Mack
2014
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47(2014), 294, Seite 84-91:
Fetish Eyeballs staring at our frailty with Amy Yao by Noura Wedell
2014
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47(2014), 297, Seite 82-89:
Portrait of the Artist as a Young Washing Machine Francesco Vezzoli seen as if he was... by Maurizio Cattelan
2014
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47(2014), 294, Seite 60-65:
Every Rough Edge Is Gone Joel Kyack talks about how to translate energy into art and go from desire to action by Laura Owens
2014
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47(2014), 294, Seite 72-76:
Sterling Ruby by Gea Politi
2014
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47(2014), 297, Seite 60-65:
Finding Things Out on waiting, honesty and hope in Ruairiadh's O'Connell's artistic process by Darren Flook
2014
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47(2014), 297, Seite 90-95:
Taking Part in the World the disjointed, ritualistic and obsessive activities "taking place" in Fang Lu's videos by edward Sanderson
2014
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47(2014), 298, Seite 83-86:
Crimea/Kids a portfolio by Gosha Rubchinskiy
2014
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47(2014), 296, Seite 94-99:
Love at Work Inez & Vinoodh's movement between identities and professional positions by Dena Yago
2014
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47(2014), 296, Seite 100-107:
Eye Contact the internalized contradictions of a generation embodied ny Jordan Wolfson's work by Richard Birkett
2014
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47(2014), 299, Seite 68-75:
Communication is the Enemy Neil Beloufa talks about participation and resistance in his artistic practise by Maurizio Cattelan
2014
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47(2014), 299, Seite 82-87:
Liquid Hells on the insistence of intimacy in the performances of Anne Imhof by Tobias Madison
2014
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46(2013), 290, Seite 100-105:
Galettene: cake or sex or all three ... the true [?] story of Gelitin by Liam Gillick
2013
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46(2013), 290, Seite 106-111:
The forensic evidence of failure Andra Ursuta makes powerful work even when she admits to not having any "good ideas" by Maurizio Cattelan
2013
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46(2013), 291, Seite 86-89:
After the floods Barnaby Furnas's aqueous fever dreams prove that history painting still matters by Alexi Worth and Nicola Trezzi
2013
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46(2013), 291, Seite 104-107:
Being hated is one of my jobs Aida Makoto talks about his provocative collision of Western culture and Japanese tradition by David Elliott
2013
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46(2013), 292, Seite 70-75:
It takes a lot to do a little the richly reductive world of fernanda Gomes by Laura McLean-Ferris
2013
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46(2013), 292, Seite 76-79:
Measuring our own memory Marisa Merz's incisive approach to the ineffable by Chiara Parisi
2013
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46(2013), 292, Seite 96-100:
What are you thinking about? Ron Mueck's exquisitely evocative archetypes of humanity by Grazia Quaroni
2013
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46(2013), 293, Seite 70-73:
Ancestral figures revisited Nikhil Chopra's multiple personas invite audiences to join him as he remixes reality by Rajesh Punj
2013
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46(2013), 292, Seite 92-95:
Learning How to Live Ali Kazma talks about using video as a tool for exploring authentic experience by Firat Arapoğlu
2013
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46(2013), 293, Seite 54-59:
The future is an empty space David Maljkovic's canny reinvention of socialist modernism for the 21st century by Nick Aikens
2013
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46(2013), 293, Seite 60-64:
Pulsing from the bottom up RoseLee Goldberg on Performa and the Performance Art Renaisssance by Gianni Jetzer
2013
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46(2013), 289, Seite 86-89:
Domino effect an insightful overview of Adriana Lara's practice by Sarina Basta
2013
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46(2013), 289, Seite 70-75:
Cool School interview with Alex Katz, Flash Art international no. 159, 1991 by Jerry Saltz
2013
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46(2013), 288, Seite 84-86:
Johanna Billing I'm gonna live anyhow till I die Melissa Gronlund
2013
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46(2013), 288, Seite 50-52:
Charles Ray using time Umberta Genta
2013
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46(2013), 288, Seite 70-74:
Allan Sekula & Bruno Serralongue new history Hou Hanru
2013
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46(2013), 288, Seite 76-79:
Hanne Darboven I inscribe, but I describe nothing Miriam Schoofs
2013
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46(2013), 288, Seite 88-91:
Mladen Stilinović work is desease Nataša Vasiljević
2013
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46(2013), 288, Seite 56-60:
Seung-Taek Lee Mr. Wind Hans Ulrich Obrist
2013
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46(2013), 288, Seite 66-68:
Imran Qureshi traditional, abstract and site-specific Lucy Rees
2013
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46(2013), 288, Seite 80-83:
Rodney Graham mise en abyme Matthew Shields
2013
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46(2013), 288, Seite 46-49:
Llyn Folkes once upon a time there was a mouse... Maurizio Cattelan
2013
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45(2012), 282, Seite 72-77:
Freefall - The Work of Matthew Day Jackson David Tompkins
2012
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45(2012), 282, Seite 104-106:
Zhang Yu - One Finger Zen Blake Carter
2012
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45(2012), 282, Seite 114-117:
Shirin Neshat Wangechi Mutu - Going Live RoseLee Goldberg
2012
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45(2012), 282, Seite 122-126:
Ilya & Emilia Kabakov - The Palace of Projects Charles A. Riley
2012
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45(2012), 282, Seite 100-103:
Ik-Joong Kang - Creativity Cannot Exist without Uncertainty Nicola Trezzi
2012
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45(2012), 282, Seite 118-120:
Intense Proximity - Interview with Okwui Enwezor Rahma Khazam
2012
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45(2012), 282, Seite 92-95:
T.V. Santhosh - The Silent Warrior Kanchi Mehta
2012
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45(2012), 282, Seite 64-68:
Cady Noland - Silencer Bozidar Brazda, Josephine Meckseper, Nicola Trezzi
2012
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45(2012), 282, Seite 96-98:
Haegue Yang - Domestification Heidi Zuckerman Jacobson
2012
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45(2012), 284, Seite 92-94:
Gede Mahendra Yasa a painting universe Lucy Rees
2012
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45(2012), 286, Seite 82-85:
Haroon Mirza - Acoustic Space Linda Yablonsky
2012
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45(2012), 286, Seite 90-92:
Tracy Emin I love you, will you marry me? Umberta Genta
2012
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45(2012), 286, Seite 100-102:
Avner Ben-Gal used screws for sale Ory Dessau
2012
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45(2012), 285, Seite 70-73:
Ali Banisadr wakes up, writes, paints, listens, looks, studies, travels, remembers, compares, creates, assimilates Nicola Trezzi
2012
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45(2012), 285, Seite 74-79:
Bas Jan Ader a little bit like Elvis Petrick Steffen
2012
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45(2012), 285, Seite 80-83:
A Space in Between Sarah Charlesworth & Sara VanDerBeek
2012
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45(2012), 285, Seite 88-90:
Ciprian Mureşan - Another Story Florence Derieux
2012
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45(2012), 284, Seite 52-56:
Takashi Murakami superflat to Ssupernatural Massimiliano Gioni
2012
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45(2012), 284, Seite 58-61:
Jacob Kassay$room tone Matthew Lyons
2012
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45(2012), 286, Seite 78-81:
Richard Serra - Absurd Tenacity Michelle White
2012
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45(2012), 286, Seite 86-89:
Nicholas Hlobo writing in space Hans Ulrich Obrist
2012
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45(2012), 286, Seite 74-77:
John Henderson - Self-Representation interview Maurizio Cattelan
2012
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45(2012), 285, Seite 66-69:
Yayoi Kusama - Tenacious Beauty Reuben Keehan
2012
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45(2012), 284, Seite 62-66:
Eleanor Antin Judy Chicago proto feminists at work Glenn Phillips and Patrick Steffen
2012
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45(2012), 284, Seite 68-70:
Tomory Dodge explosions, failures, mistakes Brett Cody Rogers
2012
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45(2012), 284, Seite 84-86:
Liu Ding stressing value to its breaking point Edward Sanderson
2012
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45(2012), 284, Seite 88-91:
Liu Wei reality integrity Iona Whittaker
2012
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45(2012), 284, Seite 96-98:
Ohad Meromi in the making Joshua Simon
2012
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45(2012), 283, Seite 52-55:
Helen Marten - A Little Bit Naked Maurizio Cattelan
2012
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45(2012), 287, Seite 98-100:
Diango Hernández omission versus addition Jade Niklai
2012
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45(2012), 283, Seite 76-78:
Öyvind Fahlström - World Making Annika Öhrner
2012
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45(2012), 283, Seite 80-82:
Sanja Iveković - Dolce Violenza Roxana Marcoci
2012
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45(2012), 287, Seite 74-76:
Uli Sigg - The Ambassador of Chinese Contemporary Art interview Bharti Lalwani
2012
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45(2012), 287, Seite 86-89:
Ronald Ventura culture compression Lucy Rees
2012
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45(2012), 287, Seite 90-92:
Lee Mingwei & Charwei Tsai the art of ephemeral$Veeranganakumari Solanki
2012
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45(2012), 287, Seite 58-61:
Robert Irwin phenomenological reduction Robin Clark
2012
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45(2012), 287, Seite 62-65:
Liam Gillick I always wondered what I would be like Florence Bonnefous
2012
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45(2012), 287, Seite 82-85:
Bharti Kher the macabre and the beautifully grotesque Kanchi Mehta
2012
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45(2012), 283, Seite 56-59:
Edward Kienholz - All-American Yawp Franklin Sirmans
2012
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45(2012), 283, Seite 68-71:
Henrik Olesen - Straight History & Counter Algorithms Matthew Schum
2012
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45(2012), 287, Seite 78-80:
Ziad Antar tout a par Christine Macel
2012
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44(2011), 278, Seite 110-115:
Thomas Hirschhorn the spectre of evaluation Matthew Schum
2011
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44(2011), 278, Seite 116-120:
Christian Boltanski something personal Chiara Bertola
2011
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44(2011), 278, Seite 128-132:
Lygia Clark body double Felipe Scovino
2011
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44(2011), 278, Seite 138-141:
Sherrie Levine difference and repetition Kay Heymer
2011
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44(2011), 278, Seite 142-145:
Goshka Macuga antimateria Grant Watson
2011
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44(2011), 279, Seite 66-69:
Terence Koh when the personal ist political Agustín Pérez Rubio
2011
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44(2011), 279, Seite 70-73:
Jules de Balincourt le talisman Nicola Trezzi
2011
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44(2011), 279, Seite 80-83:
Robert Barry - Conceptual Radio Peter Eleey
2011
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44(2011), 279, Seite 84-88:
Site of Engagement conversation Glenn Ligon and Adam Pendleton
2011
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44(2011), 279, Seite 90-93:
Simon Fujiwara absorbed theatricality Martin Clark
2011
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44(2011), 279, Seite 94-98:
Ian Hamilton Finlay nature revisited Prudence Carlson
2011
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44(2011), 280, Seite 60-63:
Enrico David - Between Head and Tail Rita Selvaggio
2011
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44(2011), 280, Seite 64-67:
John Latham so what can we say to have gone on? Elisa Kay
2011
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44(2011), 280, Seite 68-72:
Kerstin Brätsch - Vendo Tuto Maurizio Cattelan
2011
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44(2011), 280, Seite 74-78:
Gerhard Richter - Coincidentia Oppositorum Hans Ulrich Obrist
2011
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44(2011), 280, Seite 80-84:
André Butzer - I Will Always Be a Colorist John Newsom
2011
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44(2011), 280, Seite 96-99:
Ayşe Erkmen - Something Connects Basak Senova
2011
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44(2011), 280, Seite 100-103:
Djordje Ozbolt - Koksen, Jahcometti and Christianity by Subodh Gupta with an introduction by Sarah McCrory
2011
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44(2011), 281, Seite 62-66:
Katharina Grosse, Frank Nitsche - Picture Spatiality Viktor Neumann
2011
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44(2011), 281, Seite 68-73:
Lynda Benglis - Figures Alma Ruiz and Patrick Steffen
2011
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44(2011), 281, Seite 78-81:
Ragnar Kjartansson - A Simple Act of Forgiveness Markús Pór Andrésson
2011
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44(2011), 281, Seite 82-85:
Cyprien Gaillard - Fragments Susanne Pfeffer
2011
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44(2011), 276, Seite 58-60:
Franz Erhard Walther close encounters of three kinds Peter Halley
2011
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44(2011), 276, Seite 80-83:
Heimo Zobernig magical, sinister and fragmentary Sabine Folie
2011
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44(2011), 276, Seite 84-87:
Jutta Koether the inside job Kim Gordon
2011
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44(2011), 276, Seite 68-71:
Pablo Bronstein - Sprezzatura Catherine Wood
2011
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44(2011), 277, Seite 106-108:
Katja Strunz - Zeittraum Gesine Borcherdt
2011
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44(2011), 277, Seite 102-105:
Jorge Macchi the stranger Alejandra Aguado
2011
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44(2011), 277, Seite 110-112:
Scientific Dreams interview Navid Nuur Christine Macel
2011
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44(2011), 276, Seite 62-66:
Art & Language the unfinished legacy Fernando Francés
2011
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44(2011), 277, Seite 78-81:
Keith Sonnier light and space Karlyn De Jongh
2011
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43(2010), 273, Seite 80-83:
Rachel Harrison - Nü-Idioms Sam Pulitzer
2010
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43(2010), 274, Seite 92-95:
Apichatpong Weerasethakul in-between state Florence Derieux
2010
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43(2010), 275, Seite 84-87:
Susan Hefuna corporeal map Bettina Mathes
2010
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43(2010), 273, Seite 92-94:
Jan Merta - Common Enemy Daniel Pitín
2010
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43(2010), 274, Seite 68-69:
Julia Stoschek private chronology Anna Gritz
2010
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43(2010), 275, Seite 60-63:
Taryn Simon redundancy and absurdity Jenny Schlenzka
2010
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43(2010), 275, Seite 64-67:
Fabio Mauri remembering Laura Cherubini
2010
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43(2010), 275, Seite 68-72:
Braco Dimitrijević Louvre is my studio, street is my museum Hans Ulrich Obrist
2010
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43(2010), 273, Seite 84-87:
Run, Sodomy and the Lush the incredible adventures of Paul McCarthy and his motley crew Massimiliano Gioni
2010
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43(2010), 274, Seite 74-77:
Blinky Palermo Look at me! Vanessa Joan Müller
2010
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43(2010), 274, Seite 84-87:
Julian Schnabel in the process, beyond language Edward Rubin
2010
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43(2010), 274, Seite 88-91:
Elad Lassry take a break Maurizio Cattelan
2010
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43(2010), 274, Seite 104-106:
Lars Laumann cinéma verité Aimee Walleston
2010
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43(2010), 273, Seite 68-71:
Franz West Versus His Fans Darsie Alexander
2010
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43(2010), 273, Seite 72-74:
Brigitte Kowanz - Manifested Forms Rainer Fuchs
2010
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43(2010), 273, Seite 88-90:
Damien Hirst - Diamonds Are Forever Michele Robecchi
2010
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43(2010), 274, Seite 96-98:
Shirin Neshat women without men Lina Bertucci
2010
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43(2010), 274, Seite 100-103:
Ján Mančuška homo politicus Vít Havránek
2010
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43(2010), 275, Seite 74-77:
Tadeusz Kantor the big demiurge Heike Munder
2010
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43(2010), 275, Seite 88-91:
Huma Bhabha mystic truths Matthew Day Jackson
2010
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43(2010), 270, Seite 42-44:
Diego Perrone and Simone Berti Samuele Menin
2010
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43(2010), 270, Seite 46-49:
Tacita Dean slowness' panegyric Massimiliano Gioni
2010
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43(2010), 270, Seite 50-54:
Hans Haacke the power that artists have Sam Durant
2010
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43(2010), 270, Seite 60-62:
Kirstine Roepstorff it's not the eye of the needle Detta von Jouanne
2010
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43(2010), 270, Seite 68-71:
Matthew Day Jackson mens et manus Bill Arning
2010
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43(2010), 270, Seite 72-74:
Nedko Solakov and the rest of the world Vladiya Mihaylova
2010
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43(2010), 271, Seite 70-74:
Michelangelo Pistoletto inside and outside the mirror Giancarlo Politi and Helena Konova
2010
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43(2010), 271, Seite 76-79:
Annette Kelm a precise, wideranging scavenger Lisa Oppenheim
2010
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43(2010), 272, Seite 80-83:
Gerwald Rockenschaub it is what it is - the ambivalence of possibilities Linda Klösel
2010
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43(2010), 271, Seite 80-84:
Sterling Ruby sincerely hostile João Ribas
2010
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43(2010), 272, Seite 98-100:
Josephine Meckseper American still life Monika Szewczyk
2010
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43(2010), 271, Seite 86-89:
Standing Figures conversation Aaron Curry Thomas Houseago Thomas Houseago and Aaron Curry
2010
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43(2010), 271, Seite 96-98:
Mandla Reuter revitalizing, rearticulating, rethinking Adam Carr
2010
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43(2010), 271, Seite 90-92:
Oscar Tuazon formal concerns, utopian concepts Sonia Campagnola
2010
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43(2010), 272, Seite 76-79:
Ann Craven painting to its bare essence Sarina Basta
2010
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42(2009), 264, Seite 82-84:
Fia Backström Lines in the Sand Anthony Huberman
2009
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42(2009), 264, Seite 86-88:
Markus Schinwald Body Talk Raimar Stange
2009
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42(2009), 264, Seite 92-93:
Tris Vonna-Michell special project Tris Vonna Michell
2009
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42(2009), 264, Seite 90-91:
Tino Sehgal Economics of Progress Maurizio Cattelan
2009
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42(2009), 265, Seite 52-55:
Marlene Dumas Yes We Can Rainald Schumacher
2009
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42(2009), 265, Seite 56-59:
Dan Graham Being and Nothingness Violaine Boutet de Monvel
2009
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42(2009), 265, Seite 60-63:
Adel Abdessemed in the Name of the Father Massimiliano Gioni
2009
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42(2009), 264, Seite 66-68:
Steven Parrino Rat Fink David Robbins
2009
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42(2009), 264, Seite 70-72:
Aaron Young Warhol's Child Hans Ulrich Obrist
2009
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42(2009), 266, Seite 102-104:
Bruce Nauman from Studio to City Paola Nicolin
2009
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42(2009), 266, Seite 106-108:
André Cadere promenades and refrains Magda Radu
2009
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42(2009), 266, Seite 110-112:
Guy Ben-Ner feeling lure Maurizio Cattelan
2009
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42(2009), 267, Seite 38-43:
Ferran Adrià eating thought Maurizio Cattelan
2009
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42(2009), 267, Seite 44-47:
Chris Burden Face the dragon head-on Sonia Campagnola and Valentina Sansone
2009
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42(2009), 267, Seite 48-50:
Ulla von Brandenburg curtain call Katerina Gregos
2009
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42(2009), 267, Seite 52-54:
Olivia Plender I'll give you television Robert Stasinski
2009
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42(2009), 267, Seite 66-69:
Artur Ż̇mijewski let's get rid of art Valentina Sansone
2009
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42(2009), 268, Seite 54-57:
Hernan Bas something a bit off Maurizio Cattelan
2009
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42(2009), 268, Seite 60-62:
Michal Helfman a movement in transformation Yael Bergstein
2009
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42(2009), 268, Seite 70-73:
Carlo Mollino sex at the speed of architecture João Ribas
2009
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42(2009), 268, Seite 74-76:
Victor Man ring of fire Neville Wakefield
2009
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42(2009), 268, Seite 78-81:
Roman Ondák measuring the universe Klaus Bisenbach
2009
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42(2009), 268, Seite 82-84:
Luke Fowler the paradox of clarity Ellen Mara De Wchter
2009
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42(2009), 269, Seite 36-39:
Yeondoo Jung handling the audience RoseLee Goldberg
2009
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42(2009), 269, Seite 48-51:
Adrian Ghenie - Rise & Fall Magda Radu
2009
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42(2009), 269, Seite 52-54:
Athanasios Argianas Frames of Reference Cgris Sharp
2009
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42(2009), 269, Seite 56-59:
Marcel Broodthaers Take the Risk with Me Barry Barker
2009
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42(2009), 265, Seite 72-74:
Seb Patane Chain Reaction Catherine Wood
2009
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41(2008), 261, Seite 170-173:
Matthew Barney the artist as a young athlete Francesco Bonami
2008
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41(2008), 261, Seite 174-177:
Larry Clark in youth is pleasure Mike Kelley
2008
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41(2008), 261, Seite 220-223:
Killing Me Softly a conversation with Maurizio Cattelan Giancarlo Politi and the Readers of Flash Art
2008
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41(2008), 261, Seite 228-230:
Wilhelm Sasnal there are no rules Andrea Bellini
2008
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41(2008), 261, Seite 160-163:
Reinhard Mucha the behavior of historical works Christoph Schenker
2008
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41(2008), 261, Seite 210-213:
Vanessa Beecroft skin trade Helena Kontova and Massimiliano Gioni
2008
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41(2008), 261, Seite 214-216:
Deimantas Narkevicius against monumentality Hans Ulrich Obrist
2008
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41(2008), 261, Seite 148-151:
Gerhard Richter an angel vanishes Walter Grasskamp
2008
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41(2008), 261, Seite 164-167:
Peter Halley at the end of history Giancarlo Politi
2008
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41(2008), 261, Seite 182-185:
Damien Hirst life's like this then it stops Adrian Dannatt
2008
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41(2008), 261, Seite 206-209:
Francesco Vezzoli group portrait with a lady Helena Kontova and Massimiliano Gioni
2008
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41(2008), 261, Seite 231-233:
Kutlug Ataman - Atom Egoyan ...and the world will be as one Gea Politi
2008
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41(2008), 261, Seite 156-159:
Jeff Koons luxury and desire Giancarlo Politi
2008
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41(2008), 258, Seite 92-94:
Eli Broad a promising joint venture Sonia Campagnola
2008
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41(2008), 258, Seite 108-109:
Shilpa Gupta participating by default Suman Gopinath
2008
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41(2008), 258, Seite 128-131:
Francesco Vezzoli right you are (if you think you are) Helena Kontova
2008
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41(2008), 258, Seite 132-135:
Babette Mangolte being right in the middle of it Lina Bertucci
2008
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41(2008), 260, Seite 96-99:
Carla Accardi to dig deep Hans Ulrich Obrist
2008
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41(2008), 262, Seite 104-109:
Cy Twombly - White Talent Laura Cherubini
2008
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41(2008), 262, Seite 110-113:
Paul Chan some things just stick in your mind Maurizio Cattelan
2008
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41(2008), 262, Seite 114-117:
Omer Fast new magic realism Chen Tamir
2008
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41(2008), 262, Seite 118-121:
Rudolf Stingel moving pictures Gary Murayari
2008
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41(2008), 263, Seite 52-54:
Robert Ryman the "how" and the "what" Suzanne Hudson
2008
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41(2008), 263, Seite 60-62:
Cecily Brown the aura of an expanded painter Nicola Trezzi
2008
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41(2008), 263, Seite 64-67:
Pipiloti Rist cubic meters Klaus Biesenbach
2008
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41(2008), 259, Seite 112-114:
Cezary Bodzianowski Please Use Stairs Adam Szymczyk
2008
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41(2008), 262, Seite 84-86:
Mike Nelson leverage of space Michele Robecchi
2008
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41(2008), 263, Seite 68-70:
Wong Hoy Cheong wrapping up history Hou Hanru
2008
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41(2008), 259, Seite 102-105:
Matthew Monahan I was a God Adorned with Gold Maurizio Cattelan
2008
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41(2008), 259, Seite 106-110:
Larry Clark The Tulsa Kid Paul McCarthy
2008
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41(2008), 260, Seite 100-105:
Gino De Dominicis perfect living object Laura Cherubini
2008
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41(2008), 260, Seite 132-133:
Norman Rosenthal interviews Matthew Stone Norman Rosenthal
2008
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40(2007), 252, Seite 78-81:
Seth Price - Prima Linea Maurizio Catelan
2007
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40(2007), 252, Seite 82-85:
Mark Grotjahn Big Nose Baby and the Moose Jan Tumlir
2007
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40(2007), 252, Seite 86-88:
Gordon Mata-Clark Stairway to Heaven Ted Castle
2007
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40(2007), 252, Seite 104-105:
John Kørner - Performing Colors Angela Rosenberg
2007
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40(2007), 253, Seite 106-109:
Eric Wesley - Let's Do a Trade Sonia Campagnola
2007
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40(2007), 253, Seite 112-115:
Jannis Kounellis - Man and Myth Andrea Bellini
2007
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40(2007), 254, Seite 106-107:
Andro Wekua being at one with one's self Daniel Baumann
2007
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40(2007), 256, Seite 106-110:
Peter Coffin a heap of language Maurizio Catelan
2007
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40(2007), 256, Seite 112-114:
Mario Garcia Torres rehearsing history, back and forth Martijn van Nieuwenhuyzen
2007
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40(2007), 257, Seite 74-76:
Maurizio Cattelan no cakes for special occassions Helena Kontova
2007
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40(2007), 255, Seite 116-119:
Giulio Paolini - A Normal Life Andrea Bellini
2007
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40(2007), 252, Seite 106-107:
Robert Kusmirowski a 20th Century History Katerina Gregos
2007
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40(2007), 253, Seite 86-89:
Willoughby Sharp interview with the mythic publisher of the '70s cult magazine Avalanche Andrea Bellini
2007
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40(2007), 253, Seite 94-97:
Francesca Woodman - Some Disordered Interior Geometries Elizabeth Janus
2007
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40(2007), 253, Seite 98-101:
Monica Bonvicini - Destroy She Says Massimiliano Gioni
2007
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40(2007), 254, Seite 108-110:
Shadows on the Façade an interview with Andro Wekua Maurizio Cattelan
2007
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40(2007), 254, Seite 112-116:
Terence Koh - Banks Violette two of a kind Terence Koh, Banks Violette
2007
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40(2007), 254, Seite 122-124:
Isa Genzken - Fuck the Bauhaus Andreas Schlaegel
2007
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40(2007), 254, Seite 126-128:
Robert Gober the remorse of conscience Henry Schwartz
2007
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40(2007), 256, Seite 86-88:
Hellenic Contemporary the modern identity of Greek Art Katerina Gregos
2007
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40(2007), 257, Seite 92-94:
Marcin Maciejowski painting the good, love and culture Max Henry
2007
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40(2007), 255, Seite 108-110:
Clemens von Wedemeyer "Looking into the dark pool under the screen..." Jens Asthoff
2007
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40(2007), 255, Seite 112-114:
Mika Rottenberg - Long Hair Lover Merrily Kerr
2007
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40(2007), 252, Seite 100-103:
New Tendency Notes and Memories on Kinetic Art by One of its Protagonists Getulio Alviani
2007
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40(2007), 253, Seite 110-111:
Maaike Schoorel - Magic Eyes Pablo Lafuente
2007
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40(2007), 257, Seite 80-83:
Jirí Kovanda the faint breeze of the everyday Vít Havránek
2007
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40(2007), 257, Seite 84-87:
Yvonne Rainer - Isaac Julien learning how to wear it RoseLee Goldberg
2007
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39(2006), 247, Seite 58-60:
Trisha Donnelly - She Said Hans Ulrich Obrist
2006
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39(2006), 248, Seite 86-88:
Thoralf Knobloch the hunther-gatherer Raimar Stange
2006
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39(2006), 249, Seite 74-77:
Gedi Sibony - Made of Raw Material Philippe Vergne
2006
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39(2006), 249, Seite 82-84:
Takashi Murakami a Japanese character Andrea Bellini and Chiara Leoni
2006
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39(2006), 249, Seite 90-91:
Yan Lei - Colors Beatrice Leanza
2006
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39(2006), 250, Seite 74-77:
Michae͏̈l Borremans I am an Avant-GardeArtist Luk Lambrecht
2006
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39(2006), 251, Seite 86-88:
Vanessa Beecroft South Sudan Neville Wakefield
2006
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39(2006), 251, Seite 100-102:
Victor Man a Painter in Love With His Subjects Simona Nastac
2006
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39(2006), 251, Seite 104-107:
Brice Marden This is What Things Are About Robert Mahoney
2006
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39(2006), 246, Seite 90-93:
Felix Gonzalez-Torres - All the Time in the World Robert Nickas
2006
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39(2006), 247, Seite 66-67:
Dietmar Lutz - Painting Movie Making Pablo Lafuente
2006
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39(2006), 247, Seite 68-70:
Gianni Motti - Clarity Pact Marco Scotini
2006
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39(2006), 247, Seite 78-81:
Dorothy Iannone a revolutionary life Maurizio Cattelan
2006
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39(2006), 247, Seite 88-90:
Anri Sala long sorrow and other stories Stefano Boeri
2006
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39(2006), 247, Seite 92-96:
Martin Kippenberger an artist doesn't have to be new, an artist has to be good Jutta Koether
2006
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39(2006), 248, Seite 110-112:
Graham Little - Surface Beauty Eliza Williams
2006
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39(2006), 249, Seite 70-73:
Anselm Reyle - Painting as Objet Trouvé Jens Asthoff
2006
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39(2006), 250, Seite 78-80:
Sterling Ruby long live the amorphous law Richard Hawkins
2006
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39(2006), 250, Seite 100-103:
Cerith Wyn Evans - Optical Machines Francesco Manacorda
2006
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39(2006), 251, Seite 70-73:
Christian Holstad I Am an Outsider Who Got Let It Maurizio Cattelan
2006
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39(2006), 251, Seite 74-77:
Fischli and Weiss between Ssectacular and ordinary Claire Bishop and Mark Godfrey
2006
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39(2006), 251, Seite 78-80:
Dominique Gonzalez-Foerster Plans to Escape Hans Ulrich Obrist
2006
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39(2006), 251, Seite 82-84:
Nathalie Djurberg Naughty by Nature Ali Subotnick
2006
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39(2006), 246, Seite 58-60:
Damián Ortega - My Architect Rodrigo Moura
2006
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39(2006), 246, Seite 62-66:
Katarzyna Kozyra in Art Dreams Come True Hanna Wróblewska
2006
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39(2006), 246, Seite 80-83:
Tim Hawkinson - Epic Time Christopher Miles
2006
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39(2006), 247, Seite 62-64:
Kelley Walker - Printed Matter Vincent Pécoil
2006
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39(2006), 248, Seite 90-94:
Kutlug Ataman & Atom Egoyan and the world will be as one Gea Politi
2006
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39(2006), 250, Seite 108-110:
Lali Chetwynd a cautionary tale Aaron Moulton
2006
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39(2006), 251, Seite 96-98:
Mircea Cantor a Future World Alessandro Rabottini
2006
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39(2006), 246, Seite 54-56:
Eve Sussman the Rape of the Sabine Women Katerina Gregos
2006
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39(2006), 248, Seite 114-117:
Gino De Dominicis making mind and matter proceed together Carolyn Christov-Bakargiev
2006
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38(2005), 243, Seite 84 - 87:
Wilhelm Sasnal - New Ruins Simone Neuenschwander
2005
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38(2005), 243, Seite 88 - 90:
There Are No Rules an interview with Wilhelm Sasnal Andrea Bellini
2005
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38(2005), 243, Seite 92 - 94:
Hans Schabus - Dig Your Own Hole Sonia Campagnola
2005
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38(2005), 243, Seite 96 - 100:
John Currin an interview by the readers of Flash Art Giancarlo Politi
2005
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38(2005), 243, Seite 106 - 109:
Teresa Margolles - Primordial Substances Pascal Beausse
2005
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38(2005), 240, Seite 84 - 91:
Jeff Koons - an interview by the readers of "Flash Art" Giancarlo Politi
2005
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38(2005), 240, Seite 96 - 99:
Allora & Calzadilla - The Monstrous Dimension of Art Yates McKee
2005
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38(2005), 240, Seite 108 - 110:
Hernan Bas - Meet Me at the Cemetery Gates Sarah Douglas
2005
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38(2005), 245, Seite 83:
Viktor Alimpiev - A Sliding Look at the Horizon Antonio Geusa
2005
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38(2005), 241, Seite 68 - 70:
Paul Chan - Where Form Ends and Content Begins Andrea Bellini
2005
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38(2005), 241, Seite 72 - 75:
Mark Manders - Frozen Moments Hans Rudolf Reust
2005
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38(2005), 242, Seite 128 - 131:
Moser & Schwinger - the Theater and Its Double Gea Politi
2005
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38(2005), 244, Seite 112 - 113:
Valeri Koshlyakov - Cities of Ruins Olesya Turkina
2005
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38(2005), 244, Seite 118 - 120:
Anatoly Osmolovsky any ideal form freezes on the brink of catastrophe David Riff
2005
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38(2005), 240, Seite 92 - 95:
John Bock - A Man in Space Michele Robecchi
2005
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38(2005), 240, Seite 100 - 103:
Marc Bijl - United Statements Katerina Gregos
2005
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38(2005), 241, Seite 84 - 86:
Tantalizing Memory - Inside the Mind of Ed Ruscha Fred Fehlau
2005
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38(2005), 241, Seite 102 - 107:
Yang Fudong - Beyond Reality Yuko Hasegawa
2005
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38(2005), 242, Seite 100 - 103:
Thomas Demand - Limited Moves But Unlimited Possibilities Andrea Bellini
2005
- 38(2005), 242, Seite 112 - 115: Martin Creed - Philosophical Remarks Pablo Lafuente