• Media type: Book; Still Image; Exhibition Catalogue; Illustrated Book
  • Title: African modernism in America
  • Contains: Art from Africa of our time: African modernism in America, 1947-1967 / Perrin M. Lathrop -- Sam Joseph Nitro, Skunder Boghossian, and modern African art in turbulent times / Kate Cowcher -- Negro, mind: Jacob Lawrence processes the diaspora / Paul C. Taylor -- Ladi Kwali: Ceramics, art, and modernism between African and American, 1961-1972 / Ozioma Onuzulike -- African art at Fisk University: Charles S. Johnson, Aaron Douglas, and David C. Driskell / Nikoo Paydar -- Interview with David C. Driskell / Jamaal B. Sheats -- The politics of selection: Maria Magdalena Compos-Pons, Ndidi Dike, and Perrin M. Lathrop -- Artists -- Afterword: Modern art in the age of Pan-Africanism / Chika Okeke-Agula.
  • Contributor: Lathrop, Perrin M. [Editor]
  • Corporation: American Federation of Arts ; Fisk University ; Mildred Lane Kemper Art Museum ; The Phillips Collection ; Taft Museum of Art
  • Published: New York: American Federation of Arts, 2022
  • Extent: 223 Seiten; 28 cm
  • Language: English
  • ISBN: 9781885444110; 1885444117
  • RVK notation: LO 94030 : allgemein
    LO 91990 : Afrikanische Kunst in der Diaspora / im Ausland
  • Keywords: USA > Künstler > Afrikaner > Geschichte 1947-1967
  • Origination:
  • Footnote: Seite [224]: This catalogue is published on the occasion of the exhibition "African Modernism in America"... Exhibition itinerary: Fisk University Galleries, Fisk University, Nashville, TN, October 7, 2022-February 11, 2023; Mildred Lane Kemper Art Museum ... St. Louis, MO, March 10-August 6, 2023; The Phillips Collection, Washington, DC, October 7, 2023-January 7, 2024; Taft Museum of Art, Cincinnati, OH, February 10-May 19, 2024
    Includes bibliographical references (pages 207-209) and index
  • Description: Between 1947 and 1967, institutions such as the Harmon Foundation, the Museum of Modern Art, New York, and historically Black colleges and universities collected and exhibited works by many of the most important African artists of the mid-twentieth century, including Ben Enwonwu (Nigeria), Gerard Sekoto (South Africa), Ibrahim El-Salahi (Sudan), and Skunder Boghossian (Ethiopia). The inventive and irrefutably contemporary nature of these artists? paintings, sculptures, and works on paper defied typical Western narratives about African art being isolated in a ?primitive? past. Providing an unprecedented examination of the complex connections between modern African artists and American patrons amid the interlocking histories of civil rights, decolonization, and the Cold War, this fascinating volume reveals a transcontinental network of artists, curators, and scholars that challenged assumptions about African art in the United States and encouraged American engagement with African artists as contemporaries

copies

(0)
  • Status: Loanable