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Media type:
Book
Title:
Institutions and patronage in Renaissance music
Contains:
Systems of institutional and individual patronage.Anmerkungen zur Benefizialkarriere des Johannes Ockeghem
/ Adalbert Roth
Systems of institutional and individual patronage. Anmerkungen zur Benefizialkarriere des Johannes Ockeghem / Adalbert Roth -- The education of choristers in England during the 16th century / Jane Flynn -- Renaissance women as patrons of the music : the North-Italian courts / William F. Prizer -- Patronage and innovation in instrumental music in the 15th century / Keith Polk -- Part II : Courts and chapels. Composers at church and court in 15th-century Brussels / Barbara Haggh -- The internationalization of the Italian papal chapels in the early quattrocento / John Nadas -- La musica, la cappelle e il ceremoniale alla corte aragonese di Napoli / Gianluca d'Agostino -- Ritual and regulations : the organization of the Castilian royal chapel during the reign of the Catholic monarchs / Tess Knighton -- Der "taegliche Dienst" der Muenchner Hofkapelle im 16 Jahrhundert / Franz Koerndle -- Music and patronage at the court of Rudolf II / Robert Lindell -- Part III : Churches, orders, guilds, confraternities. Change and continuity in the Reformation period : church music in north German towns, 1500-1600 / Joachim Kremer -- Le pratiche della musica nelle chiese e nelle confraternite di Roma nel cinquecento / Noel O'Regan -- Far una bella procession : music and ceremony at the Venetian scuole grandi / Jonathan E. Glixon -- Part IV : Composers. Protector, imo versus pater : Francesco Zabarella's patronage of Johannes Ciconia / Anne Hallmark -- After Burgundy : rethinking Binchois' years in Soignies / Sean Gallagher -- Zur sozialen Stellung europaeischer Renaissance-Musiker am Bespiel Orlando di Lassos / Horst Leuchtmann -- Part V Spaces. Spaces for court music / Jose Manuel Barbeito -- Magnificence as civic image : music and ceremonial space in early modern Venice / Iain Fenlon
The education of choristers in England during the 16th century
/ Jane Flynn
Renaissance women as patrons of the music : the North-Italian courts
/ William F. Prizer
Patronage and innovation in instrumental music in the 15th century
/ Keith Polk
Courts and chapels.Composers at church and court in 15th-century Brussels
/ Barbara Haggh
The internationalization of the Italian papal chapels in the early Quattrocento
/ John Nadas
La musica, la cappelle e il ceremoniale alla corte aragonese di Napoli
/ Gianluca d'Agostino
Ritual and regulations : the organization of the Castilian royal chapel during the reign of the Catholic monarchs
/ Tess Knighton
Der "tägliche Dienst" der Münchner Hofkapelle im 16 Jahrhundert
/ Franz Körndle
Music and patronage at the court of Rudolf II
/ Robert Lindell
Churches, orders, guilds, confraternities.Change and continuity in the Reformation period : church music in north German towns, 1500-1600
/ Joachim Kremer
Le pratiche della musica nelle chiese e nelle confraternite di Roma nel Cinquecento
/ Noel O'Regan
Far una bella procession : music and ceremony at the Venetian scuole grandi
/ Jonathan E. Glixon
Composers.Protector, imo versus pater : Francesco Zabarella's patronage of Johannes Ciconia
/ Anne Hallmark
After Burgundy : rethinking Binchois' years in Soignies
/ Sean Gallagher
Zur sozialen Stellung europaeischer Renaissance-Musiker am Bespiel Orlando di Lassos
/ Horst Leuchtmann
Spaces.Spaces for court music
/ Jose Manuel Barbeito
Magnificence as civic image : music and ceremonial space in early modern Venice
/ Iain Fenlon.
Description:
The practice and composition of music require patronage and institutional support, and they require it in a different fashion from that found in other forms of art. This collection of essays brings together the most recent and important contributions by leading scholars in the field to this crucial aspect of Renaissance musical culture. The articles approach the topic from a number of perspectives and consider the institutions and individuals engaged in supporting music; the systems of employment, benefices and sponsorship put in place to facilitate the support; and where, how and why music was sung and played. Taken together, these articles enable conclusions to be drawn about the interests of patrons and about the social and artistic status of musicians and composers within the courtly and urban context. - Publisher