• Media type: E-Article
  • Title: Black Sea variations: Arrian's Periplus
  • Contributor: Rood, Tim
  • imprint: Cambridge University Press (CUP), 2011
  • Published in: The Cambridge Classical Journal
  • Language: English
  • DOI: 10.1017/s1750270500001305
  • ISSN: 1750-2705; 2047-993X
  • Keywords: Literature and Literary Theory ; Linguistics and Language ; Language and Linguistics ; Classics
  • Origination:
  • Footnote:
  • Description: <jats:p>Comme tous les Grecs, il n'a pas pu ne pas embellir ce qu'il a touché. On retrouve en lui cet éminent esprit d'une race privilégiée qui dans les sujets les plus arides fait pénétrer l'art et même la poésie. … même en quittant … le Périple d'Arrien, nous pouvons dire comme Fuséli en quittant les marbres du Parthénon: ‘Ah! les Grecs, les Grecs, c'étaient des dieux.’ H. Chotard, <jats:italic>Le Périple de la Mer Noire par Arrien</jats:italic></jats:p><jats:p>Arrian's <jats:italic>Periplus maris Euxini (Circumnavigation of the Euxine)</jats:italic> is an ambitious and unusual work. Written in the 130s AD in the form of a letter to the emperor Hadrian, who had himself visited the Black Sea a few years earlier, it was a literary complement to a report Arrian made in Latin, as governor of Cappadocia, on Rome's military position in the Black Sea. It is also unusual in its form: unlike most <jats:italic>periploi</jats:italic>, which are marked by continuity of movement and by a highly repetitive style, it is discontinuous both in its spatial movement and in its narrative style.</jats:p>