> Verlagsreihe
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Orchestral performance practices in the nineteenth century size, proportions, and seating by Daniel J. Koury
Rochester, NY [u.a.]: Univ. of Rochester Pr., 2010
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Opera for a new republic the Zeitopern of Krenek, Weill, and Hindemith Susan C. Cook
Ann Arbor, Mich., [u.a.]: UMI Research Press, 1988
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The performance of the basso continuo in Italian Baroque music Tharald Borgir
Ann Arbor, Mich.: UMI Research Pr., 1987
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Handel tercentenary collection; [based on papers presented at a conference held at the Royal Society of Arts, London in July 1985] ed. by Stanley Sadie
Ann Arbor, Mich. [u.a.]: UMI Research Pr., 1987
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Roger Sessions and his music
Ann Arbor, Mich.: UMI Research Pr., 1985
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Style and structure in the praeludia of Dietrich Buxtehude
Ann Arbor, Mich.: UMI Research Pr., 1985
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Schoenberg and the God-idea the opera Moses and Aron
Ann Arbor, Mich.: UMI Research Pr., 1985
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Hugo Wolf's Lieder and extensions of tonality Deborah J. Stein
Ann Arbor [u.a.]: UMI Research Pr., 1985
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Viennese harmonic theory from Albrechtsberger to Schenker and Schoenberg by Robert W. Wason
Ann Arbor [u.a.]: UMI Research, c 1985
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Essays on J. S. Bach by Gerhard Herz
Ann Arbor, Mich.: UMI Research Pr., 1985
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The instrumental music of Carl Philipp Emanuel Bach by David Schulenberg
Ann Arbor, Mich.: UMI Research Press, 1984
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Opera seria and the evolution of classical style 1755 - 1772
Ann Arbor, Mich.: UMI Research Pr., 1984
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The secular madrigals of Filippo di Monte, 1521-1603 Brian Mann
Ann Arbor, Mich.: UMI Research Press, 1983
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The crumhorn its history, design, repertory, and technique by Kenton Terry Meyer
Ann Arbor, Mich.: UMI Research Press, 1983
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Essays in performance practice by Frederick Neumann
Ann Arbor, Mich.: UMI Research Pr., 1982
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Francis Poulenc his artistic development and musical style by Keith W. Daniel
Ann Arbor, Mich. [u.a.]: UMI Research Pr, 1982
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Compositional origins of Beethoven's opus 131 by Robert Winter
Ann Arbor, Michigan: UMI Research Press, 1982
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The French cantata a survey and thematic catalog by Gene E. Vollen
Ann Arbor, Mich.: UMI Research Pr., 1982
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Schoenberg's twelve-tone harmony the suite op. 29 and the compositional sketches by Martha M. Hyde
Ann Arbor, Mich.: UMI Research Pr., 1982
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American popular stage music 1860 - 1880 by Deane L. Root
Ann Arbor: UMI Research Press, 1981
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Vespers at S[ain]t Mark's 1 by James H. Moore
Ann Arbor, Mich.: UMI Research Pr., 1981
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Vespers at S[ain]t Mark's 2 by James H. Moore
Ann Arbor, Mich.: UMI Research Pr., 1981
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Valerio Dorico music printer in sixteenth-century Rome by Suzanne G. Cusick
Ann Arbor, Michigan: UMI Research Press, 1981
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Henry Cowell's new music, 1925 - 1936 the society, the music editions, and the recordings Rita H. Mead
Ann Arbor: UMI Research Press, 1981
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Passacaglio and Ciaccona from guitar music to Italian keyboard variations in the 17th century Richard Hudson
Ann Arbor, Mich.: UMI Research Press, 1981
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The origins of modern musical criticism French and Italian music, 1600-1750 by Georgia Cowart
Ann Arbor, Mich.: UMI Research Press, c1981
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Opera without drama currents of change in Italian opera, 1675-1725 by Robert S. Freeman
Ann Arbor, Mich.: UMI Research Press, 1981
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German music theory in the early 17th century the treatises of Johannes Lippius by Beniti V. Rivera
Ann Arbor, Mich.: Research Press, 1980
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Francesco Corbetta and the Baroque Guitar 1 by Richard T. Pinnell
Ann Arbor, Mich.: UMI Research Press, 1980
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Francesco Corbetta and the Baroque Guitar 2 by Richard T. Pinnell
Ann Arbor, Mich.: UMI Research Press, 1980
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Louise Farrenc, 1804-1875 composer, performer, scholar by Bea Friedland
Ann Arbor, Mich.: UMI Research Press, 1980
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Italian manuscript sources of the 17th century keyboard music Alexander Silbiger
Ann Arbor, Mich.: UMI Research Pr., 1980
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Liszt's Sonata in B Minor a study of autograph sources and documents by Sharon Winklhofer
Ann Arbor, Mich.: UMI Research Press, 1980
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Niccolò Jommelli the last years, 1769-1774. by Marita P. McClymonds
Ann Arbor, Mich.: Umi Research Pr., 1980
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Courtly pastimes The frottole of Marchetto Cara. By William F. Prizer
Ann Arbor, Mich.: UMI Reseach Pr., 1980
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Ton und Wort the Lieder of Richard Strauss Barbara A. Petersen
Ann Arbor, Mich.: UMI Research Pr., 1980
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Italian opera in London 1760 - 1800 by Frederick C. Petty
Ann Arbor, Mich.: UMI Research Pr., 1980
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A history of musical Americanism by Barbara A. Zuck
Ann Arbor, Mich.: UMI Research Press, 1980
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The creative process in the autograph musical documents of Hector Berlioz c. 1818 - 1840 by D. Kern Holoman
Ann Arbor, Michigan: umi RESEARCH PRESS, 1980
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The organ preludes of Johann Sebastian Bach By George B. Stauffer
Ann Arbor, Mich.: UMI Research Press, 1980
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Theories of chromatic and enharmonic music in late 16th century Italy by Karol Berger
Ann Arbor, Mich.: UMI Research Press, 1980
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Heinrich August Marschner 1795-1861 ; his life and stage works by A. Dean Palmer
Ann Arbor,Mich.: UMI Research Pr., 1980
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The bass viol in French Baroque chamber music Julie Anne Sadie
Ann Arbor, Mich.: UMI Research Press, 1980
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Music and text in the works of Arnold Schoenberg the critical years, 1908 - 1922 by Alan Philip Lessem
[Ann Arbor, Mich.]: UMI Research Press, 1979
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French harpsichord music of the 17th century 1 Commentary by Bruce Gustafson
Ann Arbor, Mich.: Umi Research Pr., 1979
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French harpsichord music of the 17th century 2 Catalog inventories 1 - 36 by Bruce Gustafson
Ann Arbor, Mich.: Umi Research Pr., 1979
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French harpsichord music of the 17th century 3 Catalog inventories 37 - 68 by Bruce Gustafson
Ann Arbor, Mich.: Umi Research Pr., 1979
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John Taverner Tudor composer David S. Josephson
Ann Arbor, Mich.: UMI Research Press, 1979
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The life and works of Francesco Maria Veracini by John Walter Hill
Ann Arbor, Mich.: UMI Research Press, 1979
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The genesis of Schumann's Dichterliebe a source study by Rufus E. Hallmark
Ann Arbor, Mich.: UMI Research Press, 1979
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The operas of Johann Adolf Hasse by Frederick L. Millner
[Ann Arbor, Mich.]: UMI Research Press, 1979
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Jean-Baptiste de Lully and his tragédies lyriques by Joyce Newman
[Ann Arbor, Mich.]: UMI Research Press, 1979
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The comic intermezzo a study in the history of eighteenth-century italian opera by Charles E. Troy
Ann Arbor, Mich.: UMI Research Press, 1979