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Medientyp:
Buch
Titel:
The elements of modern architecture
:
understanding contemporary buildings
Enthält:
IntroductionSarabhai House, 1951-55, Ahmedabad, India
/ Le Corbusier
Canova Museum, 1955-57, Possagno, Treviso, Italy
/ Carlo Scarpa
Sydney Opera House, 1957-73, Sidney Australia
/ Jørn Utzon
Solomon R. Guggenheim Museum, 1943-59, New York, USA
/ Frank Lloyd Wright
Leicester Engineering Building, 1959-63, Leicester, England
/ Stirling & Gowan
Salk Institute for Biological Studies, 1959-66, La Jolla, California, USA
/ Louis Kahn
Louisiana Museum of Modern Art, 1956-58, Humlebaek, Denmark
/ Jørgen Bo and Wilheim Wohlert
Yoyogi National Gymnasium, 1961-64, Tokyo, Japan
/ Kenzo Tange
Seinäjoki Town Hall
/ 1958-65, Seinäjoki, Ostrobothnia, Finland / Alvar Aalto
St Mary's Cathedral, 1961-64, Tokyo, Japan
/ Kenzo Tange
Hedmark Museum, 1967-79, Hamar, Norway
/ Sverre Fehn
Indian Institute of Management, 1963-74, Ahmedabad, India
/ Louis Kahn
Bagsvaerd Church, 1974-76, Bagsvaerd, Copenhagen, Denmark
/ Jørn Utzon
Milan House, 1972-75, Cidade Jardim, Sāo Paolo, Brazil
/ Marcos Acayaba Arquitectos
HSBC Office Building, 1979-86, Hong Kong, China
/ Foster Associates
Neue Staatsgalerie, 1977-84, Stuttgart, Germany
/ James Stirling, Michael Wilford & Associates
House at Martha's Vineyard, 1984-88, Martha's Vineyard, Massachusetts, USA
/ Steven Holl Architects
Church on the Water, 1985-88, Tomamu, Hokkaido, Japan
/ Tadao Ando Architect & Associates
Lloyd's of London Office Building, 1978-86, London, England
/ Richard Rogers
Arab World Institute, 1981-87, Paris, France
/ Jean Nouvel
Barcelona Museum of Contemporary Art, 1987-95, Barcelona, Spain
/ Richard Meier
Vitra Fire Station, 1990-93, Weil am Rhein, Germany
/ Zaha Hadid
Lord's Media Centre, 1994-99, London, England
/ Future Systems
Menara UMNO, 1995-98, Penang, Malaysia
/ Kenneth Yeang, T.R. Hamzah & Yeang
Dancing Building, 1992-96, Prague, Czech Republic
/ Frank O. Gehry & Associates, Vlado Mlunić
Eastgate, 1991-96, Harare, Zimbabwe
/ Pearce Partnership
Thermal Baths in Vals, 1986-96, Vals, Switzerland
/ Peter Zumthor
Guggenheim Museum Bilbao, 1991-97, Bilbao, Spain
/ Frank O. Gehry & Associates
ESO Hotel, 1998-2002, Cerro Paranal, Chile
/ Auer+Weber
Arthur and Yvonne Boyd Education Centre, 1996-99, New South Wales, Australia
/ Murcutt Lewin Lark
Jewish Museum Berlin, 1988-99, Berlin, Germany
/ Daniel Libeskind
Quadracci Pavilion, 1994-2001, Milwaukee, Wisconsin, USA
/ Santiago Calatrava
B2 House, 1999-2001, Büyükhüsun, Ayvacik, Turkey
/ Han Tumertekin
Caixa Forum, 2001-03, Madrid, Spain
/ Herzog de Meuron
New Museum, 2001-07, New York, USA
/ SANAA (Kazuyo Sejima and Ryue Nishizawa
Scottish Parliament Building, 1998-2002, Edinburgh, Scotland
/ EMBT, RMJM
Yokohama Port Terminal, 1995-2002, Yokohama, Japan
/ Foreign Office Architects
Modern Art Museum of Fort Worth, 1996-2002, Fort Worth, Texas, USA
/ Tadao Ando Architect & Associates
Kunsthaus Graz, 2000-3, Graz, Austria
/ Spacelab Cook Fournier, ARGE Kunsthaus
Linked Hybrid, 2003-9, Beijing, China
/ Steven Holl Architects
Santa Caterina Market, 1997-2005, Barcelona, Spain
/ EMBT
Southern Cross Station, 2001-6, Melbourne, Australia
/ Grimshaw Architects, Jackson Architecture
Meiso no Mori Crematorium, 2004-9, Kakamigahara, Gifu, Japan
/ Toyo Ito & Associates
Civil Justice Center, 2001-7, Manchester, England
/ Denton Corker Marshall
Green School, 2005-7, Bandung, Bali, Indonesia
/ Green School PT Bambu
Mimesis Museum, 2007-9, Paju Book City, Republic of Korea
/ Álvaro Siza, Castanheira & Bastai, Jun Sung Kim
Julliard School & Alice Tully Hall, 2003-9, New York, USA
/ Diller Scofidio + Renfro, FXFOWLE
41 Cooper Square, 2004-9, New York, USA
/ Morphosis Architects
Oslo Opera House, 2002-8, Oslo, Norway
/ Snøhetta
MAXXI, 1998-2009, Rome Italy
/ MAXXI Zaha Hadid.
Beschreibung:
"Dissects fifty of the world's modern masterpieces, constructed from 1950 to the present, through specially commissioned freehand drawings that reveal the principles and details of what makes a building meaningful and enduring. Starting from its site, each work is analyzed through its surroundings, use of natural light, volumes and massing; its program and circulation; and its details, fenestration and ornamentation, showing the reader how the building works as a cohesive whole."--Back cover