> Ausgaben
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7(2023), 1, Seite 1-18:
Between canon and coincidence Martin Berger
2023
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6(2022), 1, Seite 1-14:
Multiple suppliers in permeable spaces ethnographic collecting at the end of the nineteenth century Manuela Fischer
2022
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6(2022), 1, Seite 1-18:
The Nuremberg ivory at Dumbarton Oaks Iñigo Salto Santamaría
2022
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6(2022), 1, Seite 1-9:
The Gilbert Collection: the quest for the best Alice Minter
2022
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6(2022), 1, Seite 1-11:
From museum objects to trading goods: the ethnographic doublet Beatrix Hoffmann-Ihde
2022
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volume 6, number 1 (2022):
Museums trading on the art market guest editor: Helene Tello
Berlin: Forum Kunst und Markt, [2022]
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5(2021), 1, Seite 1-13:
"I'll be your mirror" cultural studies and/as art market studies Paul Melton
2021
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5(2021), 1, Seite 1-14:
Through a screen, darkly exploring media representations of the art market during 2010-2019 Claudia S. Quinones Vila
2021
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5(2021), 1, Seite 1-13:
Art forgers and the deconstruction of genius Jeffrey Taylor
2021
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volume 5, number 1 (2021):
Representing the art market guest editor: Paul Melton
Berlin: [Forum Kunst und Markt], [2021]
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4(2020), 2, Seite 1-13:
Enamels "ancient" and "rare" the "Summer Palace" market in imperial England Kate Hill
2020
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4(2020), 2, Seite 1-13:
The reconstruction of the art collection of Felix Ganz (1869-1944) project report by Nathalie Neumann, Adam Ganz
2020
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volume 4, number 2 (2020):
Asian art: the formation of collections guest editors: Alexander Hofmann, Christine Howald, Nick Pearce
Berlin: [Forum Kunst und Markt], [2020]
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4(2020), 1, Seite 1-15:
Zing-Foumban-Paris: tracing a Mumuye mask from Nigeria to France Alexandre Girard-Muscagorry
2020
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4(2020), 2, Seite 1-15:
Recently identified Asian objects from the Eduard & Margarete Fuchs collection project report by Ulrich Weitz
2020
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4(2020), 1, Seite 1-12:
Violence, globalization and the trade in "ethnographic" artefacts in nineteenth-century Sudan Zoe Cormack
2020
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4(2020), 1, Seite 2-6:
"Art objects are made to travel" interview with Jean Roudillon y Maureen Murphy
2020
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4(2020), 2, Seite 1-15:
A Nestorian misadventure Frits Holm and the Chinese Nestorian stele Nick Pearce
2020
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4(2020), 2, Seite 1-13:
The looting of the Winter Palace in Peking in 1900-1901 Niklas Leverenz
2020
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4(2020), 2, Seite 1-15:
The Princessehof collection of Chinese ceramics from the former Dutch East Indies Eline van den Berg
2020
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volume 4, number 1 (2020):
Africa: trade, traffic and collections guest editor: Felicity Bodenstein
Berlin: [Forum Kunst und Markt], [2020]
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4(2020), 1, Seite 1-12:
Colonial expeditions and collecting the context of the "Togo-Hinterland" expedition of 1894/1895 Jan Hüsgen
2020
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4(2020), 2, Seite 1-14:
Art historical and provenance research in a case study of Huangchao Liqi Tushi Haoyang Zhao
2020
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4(2020), 1, Seite 1-8:
Africa: trade, traffic, collections Felicity Bodenstein
2020
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3(2019), 2, Seite 1-13:
The circulation of Zurbarán and Murillo's paintings in the New World Akemi Luisa Herráez Vossbrink
2019
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3(2019), 2, Seite 1-10:
Interview: Luisa Elena Alcalá in conversation with Pilar Diez del Corral Corredoira
2019
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3(2019), 1, Seite 1-25:
Licensing and relegation a totalitarian trade regime and dealers' tactics Caroline Flick
2019
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3(2019), 1, Seite 1-16:
Reconstructing the Soviet canon strategies for collecting under Perestroika Marina Maximova
2019
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3(2019), 1, Seite 1-17:
Private influence, public goods, and the future of art history Kathryn Brown
2019
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3(2019), 1, Seite 1-14:
The art market and politics the case of the Sigg collection Nicola Foster
2019
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3(2019), 1, Seite 1-18:
Moralizing the art market a socioeconomic perspective on art auctions on the floor and online Ronit Milano
2019
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volume 3, number 2 (2019):
The global art market under the Spanish Empire 1500-1800 guest editor: Pilar Diez del Corral
Berlin: Forum Kunst und Markt, [2019]
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2(2018), 3, Seite 1-16:
Finance, taxes and provenance a German museum acquisition of Chinese antiquities in 1935 Ilse von zur Mühlen
2018
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2(2018), 3, Seite 1-9:
Well-advised by friends Philipp F. Reemtsma's East-Asian collection Silke Reuther
2018
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2(2018), 3, Seite 1-15:
Genesis of an auction sale category Sotheby's inaugural auction of "contemporary Chinese art" Anita Archer
2018
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volume 2, number 4 (2018):
Artist on the market guest editor: Sarah Salomon
Berlin: Forum Kunst und Markt, [2018]
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2(2018), 1, Seite 1-13:
The American dressing academy a venue for early American caricature prints Allison Stagg
2018
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2(2018), 1, Seite 1-5:
Interview with Sebastian Baden Andrea Meyer, Susanne Meyer-Abich
2018
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2(2018), 2, Seite 1-13:
A review stories of wheels within wheels - looted art at documenta 14 Eleonora Vratskidou
2018
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2(2018), 2, Seite 1-13:
Rodin's sculpture in Japan and the economics of translocation David Martin Challis
2018
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2(2018), 1, Seite 1-16:
Modern Art Galleries in Paris and Berlin c.1890-1933 types, policies and modes of display Malcolm Gee
2018
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2(2018), 1, Seite 1-12:
Artist-run galleries differentiating three models in current contemporary art markets Anne Luther
2018
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2(2018), 1, Seite 1-5:
Conference Report the art fair by Helene Bosecker, Susanne Meyer-Abich
2018
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2(2018), 2, Seite 1-22:
An Art World Insider Austen Henry Layard and the nineteenth-century European art trade Cecilia Riva
2018
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2(2018), 2, Seite 1-13:
"A past that won't pass" Stalin's Museum sales in a transformed global context Waltraud M. Bayer
2018
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2(2018), 2, Seite 1-7:
A reflection translocations and changes in perspective Gidena Mesfin Kebede
2018
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2(2018), 4, Seite 1-13:
Contrived resemblance - Delaroche and Napoleon Lisa Hackmann
2018
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2(2018), 4, Seite 1-11:
Under control: Sol LeWitt and the market for conceptual art Martin Hartung
2018
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2(2018), 3, Seite 1-16:
On the relevance and potential of auction catalogues as sources for art market research on Asian art Britta Bommert
2018
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2(2018), 2, Seite 1-22:
An art world insider Austen Henry Layard and the nineteenth-century european art trade Cecilia Riva
2018
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2(2018), 2, Seite 1-13:
"A past that won't pass" Stalin's museum sales in a transformed global context Waltraud M. Bayer
2018
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2(2018), 3, Seite 1-15:
The trade in Far Eastern art in Berlin during the Weimar Republic (1918-1933) Patrizia Jirka-Schmitz
2018
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2(2018), 3, Seite 1-10:
East Asian art in the Gurlitt Collection tracing the relationship of objects and actors Nathalie Neumann
2018
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volume 1, number 2 (2018):
Exhibiting art for sale guest editor: Andrea Meyer
Berlin: Forum Kunst und Markt, [2018]
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volume 2, number 3 (2018):
Asian art: markets, provencance, history guest editors: Christine Howald, Alexander Hofmann
Berlin: Forum Kunst und Markt, [2018]
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2(2018), 2, Seite 1-13:
Rodin's sculpture in Japan and the economics of translocation David Martin Challis
2018
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2(2018), 2, Seite 1-13:
A review: stories of wheels within wheels - looted art at documenta 14 Eleonora Vratskidou
2018
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2(2018), 2, Seite 1-4:
[Rezension von: Fredrik Hagen and Kim Ryholt, The antiquities trade in Egypt 1880-1930] by Sebastian Willert
2018
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2(2018), 3, Seite 1-16:
On the relevance and potential of auction catalogues as sources for art market research on Asian art Britta Bommert
2018
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volume 2, number 2 (2018):
Translocations and the art market guest editor: Bénédicte Savoy
Berlin: Forum Kunst und Markt, [2018]
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2(2018), 2, Seite 1-7:
Reflection: translocations and changes in perspective by Gidena Mesfin Kebede and Susanne Meyer-Abich
2018
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volume 1, number 2 (2017):
Theories of the art market: data - value - history guest editors: Lukas Fuchsgruber, Thomas Skowronek
Berlin: Forum Kunst und Markt, [2017]
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1(2017), 1, Seite 20-33:
"Invaluable Masterpieces" the Price of Art at the Musée Napoléon Bénédicte Savoy
2017
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1(2017), 2, Seite 1-14:
The vicissitudes of taste the market for pop Titia Hulst
2017
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1(2017), 2, Seite 1-19:
Circulation and the art market Béatrice Joyeux-Prunel
2017
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1(2017), 1, Seite 6-20:
Marketing favours formal and informal criteria for pricing Albrecht Dürer‘s works between 1500 and 1650 Anja Grebe
2017
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1(2017), 1, Seite 47-67:
Art Price Economics in the Netherlands during World War II Jeroen Euwe and Kim Oosterlinck
2017
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1(2017), 1, Seite 68-82:
On the price of priceless goods sociological Observations on and around Art Basel Franz Schultheis
2017
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1(2017), 2, Seite 1-14:
Reflections on provenance research values-politics-art markets Johannes Gramlich
2017
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1(2017), 2, Seite 1-25:
Anamorphosis of unexpected results on the epistemological culture of art market visualizations Thomas Skowronek
2017
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volume 1, number 1 (2017):
The pricing of art - makers, markets, museums guest editor: Dorothee Wimmer
Berlin: Forum Kunst und Markt, [2017]
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1(2017), 2, Seite 1-4:
[Rezension von: Michael Hutter, The rise of the joyful economy] Léa Saint-Raymond
2017