Serielle Formationen 1967/2017: Re-Inszenierung der ersten deutschen Ausstellung internationaler min… - SLUB Dresden

Medientyp: Buch; unbewegtes Bild; Ausstellungskatalog

Titel: Serielle Formationen 1967/2017 : Re-Inszenierung der ersten deutschen Ausstellung internationaler minimalistischer Tendenzen ; Daimler Contemporary Berlin 3. Juni - 5. November 2017

Paralleltitel: Serielle Formationen 1967/2017 : re-staging of the first german exhibition of international tendencies in minimalism

Beteiligte: Wiehager, Renate [Veranstalter:in]; Henrich, Nadine Isabelle [Veranstalter:in]; North, Meredith [Veranstalter:in]; Maenz, Paul [Veranstalter:in]; Roehr, Peter [Veranstalter:in]; Brüggebors, Nadine [Verfasser:in von ergänzendem Text]; Ganzenberg, Christian [Verfasser:in von ergänzendem Text]; Schikowski, Frederik [Verfasser:in von ergänzendem Text]

Körperschaft: Daimler Contemporary ; Daimler Contemporary

Erschienen: Köln: Snoeck Verlagsgesellschaft, [2017]

Umfang: 239 Seiten; Illustrationen; 32 cm

Sprache: Deutsch; Englisch

ISBN: 9783864422157

RVK-Notation: LH 65827 : Kunst nach 1945 (verschiedene Richtungen)
LH 67558 : Strukturalismus, Postmoderne, Dekonstruktivismus

Schlagwörter: Minimal Art > Geschichte 1958-1978
Ausstellung Serielle Formationen
Frankfurt am Main > Kunstbetrieb > Serielle Kunst > Geschichte 1960-1970

Entstehung:

Anmerkungen: Text deutsch und englisch

Beschreibung: In 1967, Peter Roehr and Paul Maenz curated the exhibition 'Serial Formations' at University of Frankfurt?s studio gallery, one of the first ever exhibitions on Minimal Art in Germany. Within the framework of the exhibition series 'Minimalism in Germany', launched in 2005, Daimler Art Collection is attempting to re-stage this historically significant presentation. At that time, it had comprehensively summarized current international minimalist trends, and juxtaposed them with positions by German artists. The selection criterion for the 62 works in total by 48 artists was the principle of serial order as a visual aspect of images and objects. The concepts they were based on, however, could be quite diverse and even contradictory. The European Zero movement was represented, as well as American Minimal and Concept Art, aspects of Nouveau Réalisme, Pop and Op Art ? Paul Maenz wrote in the accompanying catalog, 'the ambition of 'Serielle Formationen' was to inform and to identify the differences between seemingly similar art phenomena'. The unique feature of the publication on the current exhibition in Berlin is the complete reprint of the, now very sought-after, original catalog, which is an excellent example of early conceptual book design

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Serielle Formationen 1967/2017

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Zentralbibliothek – Magazin

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