> Verlagsreihe
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25:
A concordance to "The malcontent" 1 by James X. Ward
Salzburg: Inst., 1972-1999
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26:
A concordance to "The malcontent" 2 by James X. Ward
Salzburg: Inst., 1972-1999
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82:
A concordance to the dramatic works of Thomas Dekker 5 Springs - Zulziman by V. A. Small, R. P. Corballis, & J. M. Harding
Salzburg: Inst., 1972-1999
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82:
A concordance to the dramatic works of Thomas Dekker 1 & [and] - Curral by V. A. Small, R. P. Corballis, & J. M. Harding
Salzburg: Inst., 1972-1999
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90:
The moral world of John Ford's drama Ian Robson
Salzburg: Inst., 1972-1999
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92:
The sparrow and the flea the sense of providence in Shakespeare and Montaigne Serena Jourdan
Salzburg: Inst., 1972-1999
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88:
The theatre of fine devices the visual drama of John Webster Samuel Schuman
Salzburg: Inst., 1972-1999
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96:
Repentance and retribution in early English drama James A. Reynolds
Salzburg: Inst., 1972-1999
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94,4:
A mad world my masters and three farces and a comedy of the eighteenth century Marston Stevens Balch
Salzburg: Inst., 1972-1999
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91:
Comic justice in Shakespeare's comedies 1 Irene R. Makaryk
Salzburg: Inst., 1972-1999
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95,1:
Jacobean miscellany 1 Yet I'll venture / T. F. Wharton
Salzburg: Inst., 1972-1999
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91:
Comic justice in Shakespeare's comedies 2 Irene R. Makaryk
Salzburg: Inst., 1972-1999
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85:
A Game of Chess by Thomas Middleton a textual ed. based on the manuscripts written by Ralph Crane Milton A. Buettner
Salzburg: Inst., 1972-1999
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97:
The structure of John Webster's plays by Anthony E. Courtade
Salzburg: Inst., 1972-1999
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84:
John Websters Tragödienstil als Ausdruck der Leidenschaftlichkeit Lothar Lutze
Salzburg: Inst., 1972-1999
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99:
Supernatural intervention in The Tempest and Sakuntala Mandakranta Bose
Salzburg: Inst., 1972-1999
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79:
Studies in attribution Middleton and Shakespeare MacD. P. Jackson
Salzburg: Inst., 1972-1999
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89:
The English prodigal son plays a theatrical fashion of the sixteenth and seventeenth centuries by Alan R. Young
Salzburg: Inst., 1972-1999
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78:
Plutarch revisited a study of Shakespeare's last Roman tragedies and their source David C. Green
Salzburg: Inst., 1972-1999
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80:
John Marston, dramatist themes and imagery in the plays Ejner Jensen
Salzburg: Inst., 1972-1999
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86:
Julius Caesar and its source David C. Green
Salzburg: Inst., 1972-1999
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83:
A critical old-spelling edition of Thomas Dekker's Blurt, Master Constable (1602) by Thomas Leland Berger
Salzburg: Inst., 1972-1999
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81:
Some vanity of mine art 1 by Catherine M. Shaw
Salzburg: Inst., 1972-1999
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70,2,3:
A concordance to the works of John Webster 2,3 Nono - Roote / prepared by Richard Corballis and J.M. Harding prepared by Richard Corballis
Salzburg: Inst., 1972-1999
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76:
Recent Research on Ben Jonson [Mitarb.] Renu Juneja
Salzburg: Inst., 1972-1999
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68:
Dramatic imagery in the plays of John Webster by Susan H. McLeod
Salzburg: Inst., 1972-1999
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41:
Religion and the artifice of Jacobean and Caroline drama by Peter F. Mullany
Salzburg: Inst., 1972-1999
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75:
The revenge of Bussy d'Ambois by George Chapman. Ed. by Robert J. Lordi
Salzburg: Inst., 1972-1999
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74:
The ego-king an archetype approach to Elizabethan political thought and Shakespeare's Henry VI plays by James T. Henke
Salzburg: Inst., 1972-1999
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66:
Les images chez John Webster 1 Isabel M. Damisch
Salzburg: Inst., 1972-1999
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67:
Les images chez John Webster 2 Isabel M. Damisch
Salzburg: Inst., 1972-1999
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71:
Image pattern and moral vision in John Webster by Floyd Lowell Goodwyn
Salzburg: Inst., 1972-1999
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73:
The tragicomic construction of Cymbeline and The Winter's Tale Caesarea Abartis
Salzburg: Inst., 1972-1999
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69:
Disguise and role-playing in Ben Jonson's Drama by Peter Hyland
Salzburg: Inst., 1972-1999
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43:
The tragic vision of life in "Hamlet" and "King Lear" Jagodish Purkayastha
Salzburg: Inst., 1972-1999
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63:
A critical edition of Massinger and Field's "The fatal dowry" by Carol Bishop
Salzburg: Inst., 1972-1999
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62:
The gentleman of Venice James Shirley. Ed. by Wilson F. Engel
Salzburg: Inst., 1972-1999
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60:
Fletcher without Beaumont a study of the independent plays of John Fletcher Mary Cone
Salzburg: Inst., 1972-1999
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61:
From man to dragon a study of Shakespeare's Coriolanus by Leigh Holt
Salzburg: Inst., 1972-1999
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51:
Rome and Romans according to Shakespeare by Michael Platt
Salzburg: Inst., 1972-1999
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64:
Time, space, and structure in "King Lear" by Mathilda M. Hills
Salzburg: Inst., 1972-1999
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17:
Contrasts in the representation of death by Sophocles, Webster and Strindberg by Winifred Kittredge Eaton
Salzburg: Inst., 1972-1999
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36:
Thomas Heywood's The fair maid of the west 1 Ed., with an introd. and notes, by Brownell Salomon
Salzburg: Inst., 1972-1999
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31:
George Chapman : Aspects of decadence in early seventeenth century drama 1 by Leonard Goldstein
Salzburg: Inst., 1972-1999
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50:
Serious and tragic elements in the comedy of Thomas Dekker by Peggy F. Shirley
Salzburg: Inst., 1972-1999
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31:
George Chapman : Aspects of decadence in early seventeenth century drama 2 by Leonard Goldstein
Salzburg: Inst., 1972-1999
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54:
The comic elements in Ben Jonson's drama 1 eingereicht von Ingeborg Maria Sturmberger
Salzburg: Inst., 1972-1999
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55:
The comic elements in Ben Jonson's drama 2 eingereicht von Ingeborg Maria Sturmberger
Salzburg: Inst., 1972-1999
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52:
Dommage qu'elle soit und P('tis pity she's a whore) de John Ford 1 par Lucette Andrieu
Salzburg: Inst., 1972-1999
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37:
Swordplay and the Elizabethan and Jacobean stage by Robert E. Morsberger
Salzburg: Inst., 1972-1999
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40:
Renaissance dramatic bowdy (exclusive of Shakesepare) 2 by James T. Henke
Salzburg: Inst., 1972-1999
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35:
Satire in Jacobean tragedy by Joseph Henry Stodder
Salzburg: Inst., 1972-1999
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6:
The shares of Fletcher, Field and Massinger in twelve plays of the Beaumont and Fletcher canon 1 by Bertha Hensman
Salzburg: Inst., 1972-1999
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6:
The shares of Fletcher, Field and Massinger in twelve plays of the Beaumont and Fletcher canon 2 by Bertha Hensman
Salzburg: Inst., 1972-1999
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33:
John Marston's theatrical drama by John Scott Colley
Salzburg: Inst., 1972-1999
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39:
Renaissance dramatic bowdy (exclusive of Shakesepare) 1 by James T. Henke
Salzburg: Inst., 1972-1999
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16:
Character in relation to action in the tragedies of Georges Chapman by Derek Crawley
Salzburg: Inst., 1972-1999
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11:
The Devil and John Webster by Muriel West
Salzburg: Inst., 1972-1999
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45:
Musical terms as rhetoric the complexity of Shakespeare's dramatic style by Tommy Ruth Waldo
Salzburg: Inst., 1972-1999
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48:
Moral Perspective in Webster's major tragedies by Joseph Henry Stodder
Salzburg: Inst., 1972-1999
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8:
George Chapman: action and contemplation in his tragedies by Peter Bement
Salzburg: Inst., 1972-1999
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21:
The tragic vision of John Ford by Tucker Orbison
Salzburg: Inst., 1972-1999
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38:
The language of The Revenger's tragedy by Daniel Jonathan Jacobson
Salzburg: Inst., 1972-1999
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44:
Opposing Absolutes conviction and convention in John Ford's plays by Florence Ali
Salzburg: Inst., 1972-1999
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28:
A study of Thomas Middleton's tragicomedies by Carolyn Asp
Salzburg: Inst., 1972-1999
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34:
The most unvaluedst purchase women in the plays of Thomas Middleton by Caroline Lockett Cherry
Salzburg: Inst., 1972-1999
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9:
Deception in the John Webster plays an analytical study by William E. Mahaney
Salzburg: Inst., 1972-1999
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14:
Massinger's imagery by Francis D. Evenhuis
Salzburg: Inst., 1972-1999
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13:
A critical edition of Love's hospital by George Wilde by Jay Louis Funston
Salzburg: Inst., 1972-1999
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29:
The lust motif in the plays of Thomas Middleton by Barbara Joan Baines
Salzburg: Inst., 1972-1999
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15:
The revenge motive in Websterean tragedy by Melvin Seiden
Salzburg: Inst., 1972-1999
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10:
John Webster a classified bibliography by William E. Mahaney
Salzburg: Inst., 1972-1999
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7:
The relationship of renaissance concepts of honour to Shakespeare's problem plays by Alice Shalvi
Salzburg: Inst., 1972-1999
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12:
John Webster: Politics and tragedy by Robert P. Griffin
Salzburg: Inst., 1972-1999
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22:
Unity in Ben Jonson's early comedies by Mary C. Williams
Salzburg: Inst., 1972-1999
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1:
John Webster's imagery and the Webster canon by Sanford Sternlicht
Salzburg: Inst., 1972-1999
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2:
Tragedy and the Jacobean temper the major plays of John Webster by Richard Bodtke
Salzburg: Inst., 1972-1999