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Media type:
Book
Title:
African art, interviews, narratives
:
bodies of knowledge at work
Contains:
Introduction: the work of interviews
/ Carol Magee and Joanna Grabski
Talking to people about art
/ Patrick McNaughton
Ghostly stories: interviews with artists in Dakar and the productive space around absence
/ Joanna Grabski
Can the artist speak?: Hamid Kachmar's subversive redemptive art of resistance
/ Joseph Jordan
Photography, narrative inventions, and (cross) cultural representations
/ Carol Magee
Narrating the artist: Seyni Camara and the multiple constructions of the artistic persona
/ Silvia Forni
Interview: Akinbode Akinbiyi
/ Akinbode Akinbiyi
Interweaving narratives of art and activism: Sandra Kriel's heroic women
/ Kim Miller
Politics of narrative at the African burial ground in New York City: the final monument
/ Andrea E. Frohne
Who owns the past?: constructing an art history of a Malian masquerade
/ Mary Jo Arnoldi
Framing practices: artists' voices and the power of self-representation
/ Christine Mullen Kreamer
Undisciplined knowledge
/ Allan deSouza and Allyson Purpura.
Description:
Joanna Grabski and Carol Magee bring together a compelling collection that shows how interviews can be used to generate new meaning and how connecting with artists and their work can transform artistic production into innovative critical insights and knowledge. The contributors to this volume include artists, museum curators, art historians, and anthropologists, who address artistic production in a variety of locations and media to question previous uses of interview and provoke alternative understandings of art
Joanna Grabski and Carol Magee bring together a compelling collection that shows how interviews can be used to generate new meaning and how connecting with artists and their work can transform artistic production into innovative critical insights and knowledge. The contributors to this volume include artists, museum curators, art historians, and anthropologists, who address artistic production in a variety of locations and media to question previous uses of interview and provoke alternative understandings of art