• Media type: Book
  • Title: Critical vices : the myths of postmodern theory
  • Contains: Marinett, Boccioni and electroacoustic poetry: futurism and after -- The limits of intertextuality: Barthes, Burroughs, Gysin, Culler -- Postmodernity, métaphore marquée and the myth of the trans-avant-garde -- Baudrillard's Amérique and the "abyss of modernity" -- Jameson's complaint: video art and the intertextual "time-wall" -- Postmodernism and the multimedia sensibility: Heiner Müller's Hamletmachine and the art of Robert Wilson -- Baudrillard, Modernism, Postmodernism -- "Apocalyptic"? "negative"? "Pessimistic"?: Baudrillard, Virilio, and technoculture -- Baudrillard, Giorno, Viola and the technologies of radical illusion
  • Contributor: Zurbrugg, Nicholas [Other]; Burt, Warren [Other]
  • imprint: Amsterdam: G+B Arts International, 2000
  • Published in: Critical voices in art, theory and culture
  • Extent: 255 S.
  • Language: English
  • ISBN: 9057010623; 9057010224
  • RVK notation: LH 64840 : Gesammelte Aufsätze einzelner Kunsthistoriker bzw. Kunstschriftsteller ab Todesjahr 1801
    EC 5070 : Literaturgeschichtliche Richtungen
  • Keywords: Postmoderne
    Baudrillard, Jean > Postmoderne > Intertextualität
  • Origination:
  • Footnote: Includes bibliographical references (p. 207-234) and index

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  • Status: To be used in the library, interlibrary loan possible