Description:
Frontmatter -- CONTENT -- Art and Global Migration. Theories, Practices, and Challenges / Dogramaci, Burcu / Mersmann, Birgit -- Migratory Challenges for Art Production and Art History -- Toward a Migratory Turn / Dogramaci, Burcu -- From Global Turbulences to Spaces of Conviviality / Papastergiadis, Nikos / Trimboli, Daniella -- The Migrant Image / Nail, Thomas -- Immigrants, Refugees and the Arts / Martiniello, Marco -- Aesthetics and Art Practices of Migration -- Close Encounters / Bal, Mieke -- Fuocoammare and the Aesthetic Rendition of the Relational Experience of Migration / Dasgupta, Sudeep -- Paths Walked Twice / Gutberlet, Marie-Hélène -- Women, Art, Migration and Diaspora / O'Neill, Maggie -- Migratory Networks. Objects and Actors on the Route -- On Nomadic Textile Forms - The Aesthetic of Nomadic Textiles / Haehnel, Birgit / Reichstein, Sascha -- Cosmopolitan Nodes and Vectors / Lee, Rachel -- Photodocumentaries of Global Migration / Mersmann, Birgit -- Climates of Displacement / Demos, T. J. -- Places, Spaces, and Boundaries of Migration -- The Place of Faith / James-Chakraborty, Kathleen -- The Migratory Living Room / Dogramaci, Burcu -- Of Inner Cities and Outer Space / Pinther, Kerstin -- Histories and Memories of Migration -- Memory. Belonging. Engaging. / Bublatzky, Cathrine -- Migration, Dispossession, Post-Memorial Recuperations / Juneja, Monica -- Migration on Display / Ulz, Melanie -- Exhibiting Voids / Lanz, Francesca / Whitehead, Christopher -- Beyond Migration. Post-migratory Concepts and Strategies -- When Migration Turns from the Spectacular to the Ordinary / Moslund, Sten Pultz -- Migration and Postmigration as New Frameworks for Art Theory / Petersen, Anne Ring -- Postmigrant Practices of Living as Resistance / Yildiz, Erol -- The Postmigrant Condition in Fashion, Culture and Fashion Theory / Gaugele, Elke -- IMAGE CREDITS -- BIOGRAPHIES OF THE AUTHORS -- INDEX
How can we think of art history as a discipline that moves process-based, performative, and cultural migratory movement to the center of its theoretical and methodical analyses? With contributions from internationally renowned experts, this manual, for the first time, provides answers as to what consequences the interaction of migration and globalization has on research in the field of the science of art, on curatory practice, and on artistic production and theory. The objective of this multi-vocal anthology is to open up an interdisciplinary discourse surrounding the increased focus on the phenomenon of migration in art history
Wie lässt sich eine Kunstgeschichte denken, die prozessuale, performative und transkulturelle Wanderungsbewegungen ins Zentrum ihrer theoretischen und methodischen Analysen rückt? Mit Beiträgen international ausgewiesener Experten gibt das Handbuch erstmals Antworten darauf, welche Konsequenzen das Zusammenwirken von Migration und Globalisierung für die kunstwissenschaftliche Forschung, die kuratorische Praxis sowie die künstlerische Produktion und Theorie hat. Ziel der vielstimmigen Anthologie ist es, einen interdisziplinären Diskurs zum "migratory turn" in der Kunstgeschichte zu eröffnen