Description:
Machine generated contents note: -- 1. Introduction 1.1. Acoustic space -- 1.2. The audiovisual litany -- 1.3. Immersion is the new orthodoxy -- 1.4. The confusion of immanence and immersion 2. Immersive Phenomenology 2.1. The lived and the embodied: phenomenological conditions of the immersive -- 2.2. Husserl: phenomenological (sound) objects -- 2.3. Merleau-Ponty: immersion and embodiment -- 2.4. Henry: phenomenology and affective immanence 3. Immanent Thought 3.1. Kant: the immanence of critique -- 3.2. Hegel: absolute immanence -- 3.3. Deleuze: transcendental empiricism and the space of immanence -- 3.4. Badiou: immanence and the infinite 4. Writing out Sound 4.1. Recording technology, writing and exteriority -- 4.2. Realising Derrida -- 4.3. Badiou: the dis-qualification of writing -- 4.4. Digitisation and Infinite Exchange 5. Sound, Concept and Idea 6. Conclusion: Immanence contra Immersion -- 7. Bibliography -- Index