Issues
2010 - 2019
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
2000 - 2009
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
1990 - 1999
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
1970 - 1979
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
1960 - 1969
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
1950 - 1959
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
- Status: Place order for use in library, no dispatch by interlibrary loan; delivery of photocopies possible
-
> Ordering possible ‒ please log in
> Issues
-
70(2006), 1, Seite 38 - 43:
Improvisational Drawing - Allan Servoss by Linda S. Price
2006
-
70(2006), 1, Seite 26 - 31:
Finding Realism Through Abstraction - Frank LaLumia by Molly Siple
2006
-
69(2005), 1, Seite 32 - 37:
Measure Against the Brightest Spot - Paul M. Hamilton by M. Stephen Doherty
2005
-
69(2005), 1, Seite 38 - 43:
Creative Landscapes - Nancy Silvia by Elizabeth Forst
2005
-
69(2005), 1, Seite 44 - 49:
A Moment of Magic the Monotypes of Robert Pelegrin by Christopher Willard
2005
-
69(2005), 3, Seite 18 - 23:
Coping Through Art - Ronni Wadler by Linda S. Price
2005
-
69(2005), 3, Seite 28 - 33:
Small Sketches Lead to Big Ideas - Glenn Rudderow by Anne R. Fabbri
2005
-
69(2005), 2, Seite 16 - 25:
On Location Around the World - Julian Barrow by M. Stephen Doherty
2005
-
69(2005), 2, Seite 40 - 45:
A Peaceable Kingdom the Paintings of R. Kenton Nelson by John A. Parks
2005
-
69(2005), 5, Seite 14 - 19:
Arriving at an Image - Robert Bauer by M. Stephen Doherty
2005
-
69(2005), 3, Seite 34 - 39:
A Timeless Brush - Glenn Harrington by John A. Parks
2005
-
69(2005), 9, Seite 18 - 23:
At the Intersection of Poetry & Drawing - Kenneth Procter by Bob Bahr
2005
-
69(2005), 9, Seite 30 - 37:
Statements About What We See - Jeffrey R. Watts by M. Stephen Doherty
2005
-
69(2005), 9, Seite 50 - 55:
Cutting a Masterful Figure - Paul G. Oxborough by John A. Parks
2005
-
69(2005), 9, Seite 56 - 61:
Choosing Subjects That Inspire - Jennifer Friend by James A. Metcalfe
2005
-
69(2005), 4, Seite 58 - 64:
Ideas into Images - Bill Starke by M. Stephen Doherty
2005
-
69(2005), 5, Seite 20 - 27:
The Value of Solid Drawing - James Daniel by M. Stephen Doherty
2005
-
69(2005), 5, Seite 46 - 51:
Andrew Lattimore - Choice Morsels by John A. Parks
2005
-
69(2005), 5, Seite 52 - 59:
Rhea Gary - An Artist Saving Louisiana's Wetlands by John R. Kemps
2005
-
69(2005), 5, Seite 60 - 65:
Moments Frozen in Time - Sheryl Luxenburg by M. Stephen Doherty
2005
-
69(2005), 12, Seite 24 - 29:
A Bold Approach - Clayton J. Beck by John A. Parks
2005
-
69(2005), 6, Seite 36 - 41:
Stuart Luke Gatherer - Modern Narratives by John A. Parks
2005
-
69(2005), 6, Seite 36 - 41:
The Allure of Oil Pastels - Mary Ann Currier by Bob Bahr
2005
-
69(2005), 7/8, Seite 64 - 71:
Capturing Traditional Dress in Guatemala - Winifred Godfrey by Bob Bahr
2005
-
69(2005), 10, Seite 32 - 37:
Into the Light - Christopher McCall by Meredith E. Lewis
2005
-
69(2005), 10, Seite 44 - 49:
Fearless Painter - Mikel Glass by John A. Parks
2005
-
69(2005), 2, Seite 34 - 39:
More Than Words Can Say the Letterform Paintings of Alan Peckolick by Lynne Moss Perricelli
2005
-
69(2005), 11, Seite 46 - 51:
Inspired by Historic Landscapes - Jeff Fioravanti by Jacqueline Tobin
2005
-
69(2005), 11, Seite 52 - 57:
For the Love of Brush and Paint - Ed Bronstein by Bill Scott
2005
-
69(2005), 4, Seite 14 - 23:
The Power of Design - Sam Vokey by Linda S. Price
2005
-
69(2005), 4, Seite 30 - 35:
Walking in Deep Woods the Landscapes of Jean K. Stephens by James A. Metcalfe
2005
-
69(2005), 12, Seite 42 - 47:
Glazing Oil Colors on an Absorbent Surface - Eric Armusik by M. Stephen Doherty
2005
-
69(2005), 12, Seite 54 - 59:
A Modern Take on a Traditional Subject - John Morra by John A. Parks
2005
-
69(2005), 6, Seite 20 - 27:
Timeless in Bronze - Howard Sabin by Christopher Willard
2005
-
69(2005), 6, Seite 28 - 35:
Botanical Watercolors on Vellum - Kate Nessler by M. Stephen Doherty
2005
-
69(2005), 7/8, Seite 14 - 19:
Painter of Quiet Moments - Richard Piloco by John A. Parks
2005
-
69(2005), 2, Seite 46 - 51:
Rough, Dirty, and Dangerous Pastels - Robert Barnes by John A. Parks
2005
-
69(2005), 4, Seite 41 - 49:
Compose According to Organic Principles - Glenn Priest by M. Stephen Doherty
2005
-
69(2005), 7/8, Seite 28 - 35:
Big Brushes Big Shapes - Joseph Bohler by M. Stephen Doherty
2005
-
69(2005), 7/8, Seite 58 - 63:
Emerging Artist - Aaron Westerberg by M. Stephen Doherty
2005
-
68(2004), 8, Seite 18 - 25:
Painting with Purpose by Arthur Egeli
2004
-
68(2004), 8, Seite 50 - 55:
Capturing a Distinct Light - Peter Loftus by Christopher Willard
2004
-
68(2004), 9, Seite 26 - 33:
Painting On-Site on a Large Scale by Andrew Paquette
2004
-
68(2004), 9, Seite 52 - 55:
Learning by Doing - Stan Miller by M. Stephen Doherty
2004
-
68(2004), 3, Seite 20 - 25:
Paintings that Dance with Light and Color oil painter John Asaro by Molly Siple
2004
-
68(2004), 5, Seite 18 - 25:
The Figure as Landscape - Wade Reynolds by M. Stephen Doherty
2004
-
68(2004), 6, Seite 54 - 59:
Painter of Smog - Stephanie Sanchez by Ryon Harms Ojeda
2004
-
68(2004), 11, Seite 30 - 37:
Interpreting and Conveying Mood en Plein Air - Molly Martin by Peggy Arenz
2004
-
68(2004), 7, Seite 18 - 25:
Still Lifes with Magic and Mystery - Scott Fraser by M. Stephen Doherty
2004
-
68(2004), 3, Seite 26 - 33, 69:
Old Influences, New Approaches Maine artist Joel Babb by Stephen May
2004
-
68(2004), 3, Seite 40 - 47:
Joseph Paquet by M. Stephen Doherty
2004
-
68(2004), 4, Seite 50 - 55:
Building Paintings and Sculptures on Solid Structures Florida artist Edward Jonas by M. Stephen Doherty
2004
-
68(2004), 4, Seite 68 - 75:
The Challenges and Rewards of Creating Public Art Tennessee sculptor Alan LeQuire by M. Stephen Doherty
2004
-
68(2004), 5, Seite 46 - 51:
Drawing the Hard Truths of Life New York artist John Ruggeri by John A. Parks
2004
-
68(2004), 9, Seite 34 - 39:
Finding rhythm in a landscape - Paula Lawson by Mark G. Mitchell
2004
-
68(2004), 10, Seite 20 - 27:
Composing to Capture Ambience - Peter Poskas by Linda S. Price
2004
-
68(2004), 10, Seite 40 - 47:
Building a Career by Exploring Subjects and Styles - Andrew Denman by Elizabeth Forst
2004
-
68(2004), 11, Seite 24 - 29:
Captivated by the Dance - Gerald Morgan by M. Stephen Doherty
2004
-
68(2004), 11, Seite 44 - 51:
Still Lifes That Look Timeless - Darrell Brown by John R. Kemp
2004
-
68(2004), 12, Seite 26 - 33:
Combining Trompe l'oeil with Collage - Gary T. Erbe by Bonnie Iris
2004
-
68(2004), 1, Seite 52 - 60:
Nine Ideas for Improving Paintings - Steve Huston by M. Stephen Doherty
2004
-
68(2004), 9, Seite 18 - 25:
Matching a Personality to a Painting Process - Patton Wilson by M. Stephen Doherty
2004
-
68(2004), 2, Seite 54 - 61:
Jay Brooks by Alan Singer
2004
-
68(2004), 10, Seite 34 - 39:
Seeing Shapes First - Jonathan Hotz by Peggy Arenz
2004
-
68(2004), 7, Seite 44 - 49:
Creating Dynamic Tension - Max Mason by Linda S. Price
2004
-
67(2003), 12, Seite 46 - 53:
Battle of the Muses - Christopher Winter Pugliese by M. Stephen Doherty
2003
-
67(2003), 8, Seite 20 - 27:
Boot Camp with Nelson Shanks by M. Stephen Doherty
2003
-
67(2003), 2, Seite 46 - 51:
Two-Dimensional to Three-dimensional ...illustrator Lawrence Alan Noble...transformed himself into a sculptor by Karen Frankel
2003
-
67(2003), 12, Seite 34 - 39:
Living landscapes - Ron Rencher by Mark G. Mitchell
2003
-
67(2003), 5, Seite 22 - 27, 75:
Sherrie McGraw on Drawing by Peggy Arenz
2003
-
67(2003), 5, Seite 46 - 52:
Narrative Noir Edgar Jerins tells unsettling stories in charcoal by Michael J. Burlingham
2003
-
67(2003), 7, Seite 18 - 25:
The Promise of Jeremy Lipking by Molly Siple
2003
-
67(2003), 7, Seite 36 - 43:
Robert L. Wogrin by Tom Jenkins
2003
-
67(2003), 7, Seite 56 - 61, 76:
Master of Many Media - John Wilson by Diane Cochrane
2003
-
67(2003), 9, Seite 18 - 25:
Learning to Paint More than the Obvious - Frank M. Serrano by M. Stephen Doherty
2003
-
67(2003), 3, Seite 50 - 55, 94:
Lessons in Storytelling Paula Rego stages her vision with masterful drawing, a fertile imagination, and great conviction by John A. Parks
2003
-
67(2003), 8, Seite 28 - 33:
Blurring Boundaries - Margaret Casagrande by Lisa Hoashi
2003
-
67(2003), 8, Seite 52 - 57:
Painting a Kansas Prairie Burn-off - Louis Copt by Don Lambert
2003
-
67(2003), 8, Seite 58 - 63, 76:
Defining the Subject with the Background - Mel Leipzig by Anne R. Fabbri
2003
-
67(2003), 9, Seite 48 - 53, 75 - 76:
Paintin the Sacred Landscape Florida artist Leslie Neumann by Lynne Moss Perricelli
2003
-
67(2003), 1, Seite 42 - 47:
The Character of Reality - Gregory Paquette's Drawings by Karen Frankel
2003
-
67(2003), 10, Seite 28 - 33:
Prepare to Draw with Momentum - Deane G. Keller by M. Stephen Doherty
2003
-
67(2003), 10, Seite 46 - 51, 76:
Identifying with the Past - Dennis Sheehan by Lori W. Simons
2003
-
67(2003), 4, Seite 28 - 33, 74 - 75:
Lingering Light ...Keith Wicks' oil paintings are more expressions of color than of form by Peggy Arenz
2003
-
67(2003), 4, Seite 66 - 71:
Following a Dream a recent tragedy takes the life of aspiring painter Tom Lubchenco by Lisa Hoashi
2003
-
67(2003), 12, Seite 22 - 27, 71 - 72:
The Music of Painting - John N. Booth by Joseph C. Skrapits
2003
-
67(2003), 6, Seite 22 - 29:
A Classical Approach to Southwestern Subjects oil painter Kirk Richards... by Linda M. Gosman
2003
-
67(2003), 6, Seite 48 - 53:
Complex Simplicity Daniel Adel by Linda S. Price
2003
-
67(2003), 1, Seite 22 - 29:
The Quality of Light - Master Colorist Susan Sarback by Mary Carroll Moore
2003
-
67(2003), 1, Seite 36 - 41, 74 - 75:
Photo Finish - Acrylic Painter Tom Fawkes by Michael P. Kinch
2003
-
67(2003), 2, Seite 40 - 45:
The Subject of Light ...New York artist Robert Seyffert by George Howell
2003
-
67(2003), 3, Seite 28 - 33:
Filling Empty Space Sherry Zvares Sanabria... by Madelyn Rosenberg
2003
-
67(2003), 3, Seite 38 - 43, 94:
The Road to Dinan for David Buckley Good, a trip to France became a chance... by Linda M. Gosman
2003
-
66(2002), 7, Seite 66 - 72:
Larger Than Life arresting narratives intensify the figurative work of emerging artist Caleb O'Connor by Linda M. Gosman
2002
-
66(2002), 2, Seite 20 - 27, 74:
Stone Roberts by Michael J. Burlingham
2002
-
66(2002), 5, Seite 22 - 31:
An Update on the Masters - Robert Liberace by M. Stephen Doherty
2002
-
66(2002), 5, Seite 45 - 51:
Figurative Speaking the drawings of Karen Murtaugh Elting by Jeanne Mackin
2002
-
66(2002), 6, Seite 44 - 51:
Studies Deserving Study - Clive Head by John A. Parks
2002
-
66(2002), 8, Seite 34 - 41, 74 - 75:
The Poetics of Realism - Sharon Allicotti by E. Lynne Moss
2002
-
66(2002), 8, Seite 48 - 53, 76 - 77:
Paint Out, Paint In Don Durborow moves freely between working in his studio and on location by Kathleen Bryant
2002
-
66(2002), 8, Seite 66 - 72:
Mastering the Fundamentals illustrator-turned-artist Morgan Weistling by Ann Kalayil Abrams
2002
-
66(2002), 10, Seite 46 - 51, 75:
Portraits without Formulas - New York Artist David Beynon Pena by M. Stephen Doherty
2002
-
66(2002), 3, Seite 40 - 45, 68:
Taming the Beast - Ephraim Rubenstein by Kathleen Baxter
2002
-
66(2002), 4, Seite 36 - 43, 72 - 74:
Joseph McGurl by M. Stephen Doherty
2002
-
66(2002), 4, Seite 44 - 49, 74 - 75:
Cape Light - Del-Bourree Bach by Elizabeth Forst
2002
-
66(2002), 4, Seite 56 - 61, 76:
The Zen of Luminosity John Brandon Sills by Linda M. Gosman
2002
-
66(2002), 3, Seite 28 - 35:
The Art of Cyrus Afsary by Peggy Arenz
2002
-
66(2002), 7, Seite 50 - 57, 75:
Coming Home - Jerry Greenberg by Donna Tennant
2002
-
66(2002), 9, Seite 18 - 27:
Scott Burdick and the Value of Drawing by M. Stephen Doherty
2002
-
66(2002), 9, Seite 28 - 33:
Between Raw and Rendered - Bonnie Hofkin by Catherine Noonan
2002
-
66(2002), 9, Seite 34 - 41:
Surrendering Control - Michael Markowitz by Elizabeth Forst
2002
-
66(2002), 10, Seite 18 - 24:
Crafting a Painting - Jacob A. Pfeiffer by Karen Stanger Johnston
2002
-
66(2002), 10, Seite 52 - 57, 75 - 76:
Rediscovering Norman Rockwell by Henry Adams
2002
-
66(2002), 10, Seite 60 - 69:
Versatile Casein John Molnar uses casein paints to capture endangered landscapes by M. Stephen Doherty
2002
-
66(2002), 11, Seite 22 - 29, 74 - 75:
The Nature of Abstraction the monotype process helps Joellyn Duesberry navigate between pure realism and abstract form by Ruthe Thompson
2002
-
66(2002), 11, Seite 42 - 47, 77:
Soaring to New Heights Henry Wingate found his place ... by Linda M. Gosman
2002
-
66(2002), 11, Seite 30 - 35, 76:
Drawing the Unobserved colored-pencil artist Jeffrey Smart Baisden... by James A. Metcalfe
2002
-
66(2002), 1, Seite 18 - 25, 74:
Matt Smith by Peggy Arenz
2002
-
66(2002), 1, Seite 36 - 41:
Tangible Beauty by Stacey Geary
2002
-
66(2002), 1, Seite 50 - 55, 75:
Structure in a Complicated World Carla Markwart by M. Stephen Doherty
2002
-
66(2002), 1, Seite 58 - 63:
Figures in a Soft Light Ron Hicks by John A. Parks
2002
-
66(2002), 2, Seite 46 - 51:
When One Media Isn't Enough Eva Carson by Kathleen Baxter
2002
-
66(2002), 2, Seite 52 - 57:
Coast to Coast - Jim Mott by Alan Singer
2002
-
66(2002), 4, Seite 22 - 29:
Painting to Remember - Lawrence Valenza by Michael J. Burlingham
2002
-
66(2002), 8, Seite 22 - 29, 74:
Reid P. Galey by Peggy Arenz
2002
-
66(2002), 12, Seite 32 - 39, 72:
Camille Przewodek by M. Stephen Doherty
2002
-
66(2002), 12, Seite 52 - 57, 74:
Detailing Intricacles - James Mateer by Linda M. Gosman
2002
-
66(2002), 12, Seite 64 - 70:
Getting Physical - Linoleum Prints - Karen Whitman by Ruthe Thompson
2002
-
65(2001), 1, Seite 24 - 29, 78 - 79:
Ken Davies - Abstract Realist by Michael J. Burlingham
2001
-
65(2001), 3, Seite 30 - 37:
Across Time and Space portraits by Valori Fussell by Elizabeth Forst
2001
-
65(2001), 4, Seite 22 - 27:
A Still Life Colorado artist Daniel Sprick by Dorothy Spears
2001
-
65(2001), 4, Seite 66 - 72:
Portrait Painting Michael Shane describes the early years of his career by M. Stephen Doherty
2001
-
65(2001), 5, Seite 40 - 45:
Capturing Richness Layer by Layer colored-pencil artist Anita Orsini by Ann Kalayil
2001
-
65(2001), 5, Seite 72 - 78:
Musings on Drawings a lifelong passion for drawing has defined my career as an artist and teacher by Sigmund Abeles
2001
-
65(2001), 6, Seite 26 - 31:
The Pursuit of Beautyfe Alan Larkin by Karen Frankel
2001
-
65(2001), 6, Seite 18 - 25:
The Sense of Still Life Mary Joan Waid's pastels of sensuous flowers... by E. Lynne Moss
2001
-
65(2001), 7, Seite 28 - 33, 77 - 76:
The Master Principles Ted Seth Jacobs offers classical instruction in a style he terms "restructured realism" by Kathleen Baxter
2001
-
65(2001), 12, Seite 20 - 27, 71 - 72:
Subtle Beauties T. Allen Lawson by Peggy Arenz
2001
-
65(2001), 12, Seite 28 - 33:
Expanding on Light Versus Dark James Brantley by Kathleen Baxter
2001
-
65(2001), 12, Seite 48 - 55:
Painting Figures in Interiors & Landscapes George Van Hook by M. Stephen Doherty
2001
-
65(2001), 6, Seite 38 - 43, 74 - 75:
A Subtle Dramatist Ronald N. Sherr's portraits posess a stylish formality but still remains alive and intimate by John A. Parks
2001
-
65(2001), 9, Seite 50 - 55, 82 - 83:
A Modern, Classical Realism Boston artist Ken Budd by James A. Metcalfe
2001
-
65(2001), 10, Seite 40 - 47:
Layers of Clarity and Ambiguity oil painter Alice Dalton Brown by M. Anne Diggory
2001
-
65(2001), 11, Seite 34 - 39, 74:
Katherine Alexander by Madelyn Rosenberg
2001
-
65(2001), 1, Seite 58 - 63:
Mixed Messages Wisconsin artist Charles Dwyer by Pat Van Gelder
2001
-
65(2001), 1, Seite 34 - 39:
Daniel E. Greene the Invention of Dramatic Scenes by M. Stephen Doherty and Michael J. Burlingham
2001
-
65(2001), 5, Seite 24 - 29, 80 - 81:
Drawing the Spiritual Element an emotional connection to light and shadow led California artist Steve Huston to paint and draw the human form by Christine Proskow
2001
-
65(2001), 7, Seite 18 - 23, 74 - 75:
Layers of Experience Carol Guzman creates still lifes that translate experience into image by Peggy Arenz
2001
-
65(2001), 8, Seite 28 - 33:
Lifelike Still Life Sonya Fairbanks by E. Lynn Moss
2001
-
65(2001), 8, Seite 34 - 39, 75:
Landscapes with Soul Thomas Sullivan by Margaret Kelly Trombly
2001
-
65(2001), 8, Seite 58 - 63:
Athmosphere and Form in the Landscape Joyce A. Lee by Peggy Arenz
2001
-
65(2001), 10, Seite 20 - 27:
Thomas Kinkade Shares His Light by M. Stephen Doherty
2001
-
65(2001), 10, Seite 54 - 59, 83 - 84:
Planning and Painting Ann Hanson's Western oil paintings by Peggy Arenz
2001
-
65(2001), 4, Seite 28 - 33:
Setting the Mood Esther Engelman by E. Lynne Moss
2001
-
65(2001), 5, Seite 52 - 57, 82:
Golden Light the metalpoint drawings of Dennis Martin by John A. Parks
2001
-
65(2001), 12, Seite 60 - 69:
Drawing a Plan for Portraits Ben Wohlberg by M. Stephen Doherty
2001
-
65(2001), 4, Seite 34 - 41, 74 - 75:
Going to Extremes Rockwell Kent's wilderness paintings by Joseph C. Skrapits
2001
-
65(2001), 9, Seite 30 - 37:
Conversations with a Landscape Philadelphia artist Jeffrey Reed by Joseph C. Skrapits
2001
-
65(2001), 7, Seite 48 - 53:
Life on Earth Kay Ruane's graphite drawings force viewers to confront their relationship to the earth by Catherine Noonan
2001
-
64(2000), 9, Seite 72 - 80:
Rock Newcomb and Terry Madden two dynamic artists and teachers by M. Stephen Doherty
2000
-
64(2000), 2, Seite 36 - 41:
Painter of Champions Florida artist Anthony M. Alonso... by Linda S. Price
2000
-
64(2000), 5, Seite 44 - 49, 79 - 80:
Lives of the Saints Melissa Weinman skillfully illustrates contemporary versions of religious icons... by Elizabeth Forst
2000
-
64(2000), 5, Seite 66 - 67:
Emerging Artists Patricia Watwood by Ann Kalayil
2000
-
64(2000), 8, Seite 64 - 70:
The Shimmer of Silverpoint Drawings artist Jeannine Cook revives the elegant medium of silverpoint drawing by M. Stephen Doherty
2000
-
64(2000), 9, Seite 22 - 27, 82 - 83:
The Observable World New York City artist David FeBland captures urban life and its forgotten citizens in colorful, snapshotlike oils by Elizabeth Forst
2000
-
64(2000), 4, Seite 32 - 37:
Living Out Laub the road to painting was a long and confusing one for John Laub by Elizabeth Forst
2000
-
64(2000), 5, Seite 50 - 55, 79 - 80:
The Business of Portrait Painting portraitist Margaret Holland Sargent by Linda S. Price
2000
-
64(2000), 9, Seite 54 - 59, 84:
Artist as Editor when preparing for a show, Simon Gunning thinks of himself as an editor as much as an artist by Linda S. Price
2000
-
64(2000), 7, Seite 32 - 39, 72 - 74:
Bringing Light to Darkness Printmaker Art Werger by M. Ruthe Thompson
2000
-
64(2000), 6, Seite 24 - 29, 73:
Simply Stated oil painter Bob Barlow by Peggy Arenz
2000
-
64(2000), 12, Seite 64 - 72:
Reductive Screen Prints printmaker Larry Basky by Bonnie Iris and M. Stephen Doherty
2000
-
64(2000), 7, Seite 22 - 27:
Casting Light on Beauty Frank Arcuri by M. Stephen Doherty
2000
-
64(2000), 6, Seite 36 - 41, 73 - 75:
People and Places Gordon Wetmore has built an enviable career painting portraits and landscapes around the world by M. Stephen Doherty
2000
-
64(2000), 8, Seite 36 - 41, 75:
Context is Everything New York artist Tula Telfair redefines landscape painting by uniting romanticism with minimalism by E. Lynne Moss
2000
-
64(2000), 9, Seite 46 - 53:
Making the Landscape Your Own Elizabeth O'Reilly by M. Stephen Doherty
2000
-
63(1999), 9, Seite 28 - 33, 81:
Brigitte Curt E. Lynn Moss
1999
-
63(1999), 9, Seite 38 - 43:
Steven Levin A Young Master in Minneapolis by Terese Loeb Kreuzer
1999
-
63(1999), 9, Seite 48 - 53:
Reflective Moments Annette Adrian Hanna's pensive figures seem poised to divulge their most intimate secrets by Ruth Faulkner
1999
-
63(1999), 9, Seite 70 - 76:
Pop Art by Sandra Angelo
1999
-
63(1999), 8, Seite 48 - 53, 74 - 76:
Urban Landscapes in Transition in her collagraphy prints, Grace Bentley-Scheck represents architecture as a dynamic and revercerating force by Ruthe Thompson
1999
-
63(1999), 10, Seite 42 - 49, 85:
Out of Africa a gifted and ambitious artist, John Banovich by Michael J. Burlingham
1999
-
63(1999), 10, Seite 56 - 61:
Mastering Design ...artist and illustrator Morgan Samuel Price by Michael P. Kinch
1999
-
63(1999), 11, Seite 28 - 35:
Kate Palmer by Jim Lynch
1999
-
63(1999), 11, Seite 70 - 78:
Painting from Photographs impressionist C. W. Mundy... by Karen Raugust
1999
-
63(1999), 12, Seite 26 - 31, 76:
Wide Open Spaces in the world of David Shevlino's oil landscapes by Georgina Keenan
1999
-
63(1999), 10, Seite 76 - 82:
White-Line Printmaking New York artist Joseph Vorgity... by M. Stephen Doherty
1999
-
63(1999), 11, Seite 36 - 41:
Where the Past and Present Meet - Sheldon Tapley by Bill Creevy
1999
-
63(1999), 11, Seite 56 - 61, 80:
Still Lifes of the Sublime the still-life paintings of Kyle James Stevens by Linda M. Gosman
1999
-
63(1999), 12, Seite 22 - 25:
Rethinking Public Art how a sculpture by Richard Serra altered a nation's perspective on public art commissions by Daniel Grant
1999