- Referenced in: Saxon Bibliography (Sächsische Bibliografie)
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> Issues
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36,1 : Special issue:
Theorizing wax on the meaning of a disappearing medium guest eds.: Allison Goudie
Oxford: Univ. Press, 2013
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34(2011), 2, Seite 203-226:
The Pygmalion Impulse in Historic Preservation the Dresden Zwinger Christiane Hertel
2011
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33(2010), 2, Seite 211-232:
A Sign of Good Taste Andy Warhol and the Rise of Brand Image Advertising Anthony E. Grudin
2010
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33(2010), 2, Seite 127-141:
Ernst Gombrich's Politics of Art History Exile, Cold War and "The Story of Art" Vardan Azatyan
2010
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33(2010), 2, Seite 167-188:
Masculine Regeneration and the Attenuated Body in the Early Works of Nandalal Bose Niharika Dinkar
2010
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33(2010), 2, Seite 189-210:
Homeless Houses Classifying Walker Evans's Photographs of Victorian Architecture Barnaby Haran
2010
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32(2009), 2, Seite 265-280:
Idiom Post-medium Richter Painting Photography Rosemary Hawker
2009
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31(2008), 1, Seite 27-49:
François Dallegret's Astrological Automobiles Occult Commodities for France in the 1960s Sarah K. Rich
2008
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31(2008), 2, Seite 261-280:
Technologies of War, Media, and Disent in the Post 9/11 Work of Krzysztof Wodiczko Dora Apel
2008
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30(2007), 2, Seite 205-232:
Materialist Feminism for the Twenty-first Century the Video Essays of Ursula Biemann Angela Dimitrakaki
2007
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30(2007), 1, Seite 7-25:
A Theoretical Diagram in an Empty Classroom Jeff Wall's "Picture for Women" David Campany
2007
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30(2007), 1, Seite 27-37:
"A Sudden Gust of Wind (after Hokusai) from After to Before the Photograph Laura Mulvey
2007
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30(2007), 1, Seite 19-54:
"Poor Ass!" (A Donkey in Blackpool, 1999) Steve Edwards
2007
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30(2007), 1, Seite 81-100:
Towards the Reinvigoration of the 'Western Tableau' some Notes on Jeff Wall and Duchamp Michael Newman
2007
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30(2007), 1, Seite 117-133:
Wall's Tableau Mort Stewart Martin
2007
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30(2007), 1, Seite 135-151:
In Other Hands Jeff Wall's Beispiel Sheperd Steiner
2007
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30(2007), 1, Seite 153-167:
Post-60s Photography and its Modernist Context a Conversation Between Jeff Wall and John Roberts Jeff Wall and John Roberts
2007
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30(2007), 3, Seite 456-483:
Remedy or Poison? Diego Rivera, Medicine and Technology David Lomas
2007
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30(2007), 3, Seite 404-430:
Pop's Ladies and Bad Girls Axell, Pauline Boty and Rosalyn Drexler Kalliopi Minioudaki
2007
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30(2007), 3, Seite 486-504:
Indeterminacy and (Dis)order in the Work of Cy Twombly Jon Bird
2007
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29(2006), 3, Seite 395-418:
Heartfield's Collaboration Nancy Roth
2006
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28(2005), 1, Seite 25-44:
Gerhard Richter's "Stations of the Cross" on Martyrdom and Memory in Postwar German Art Lisa Saltzman
2005
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28(2005), Seite 457 - 478:
Gerhard Richter and Adolf Eichmann Paul B. Jaskot
2005
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28(2005), Seite 391 - 405:
Pinot-Gallizio's "Industrial Painting" Towards a Surplus of Life Frances Stracey
2005
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28(2005), Seite 407 - 428:
Iron Horses Leland Stanford, Eadwaeard Muybridge, and the Industrialised Eye John Ott
2005
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28(2005), 1, Seite 1-24:
Class, Conflict, Race and Remembrance Adrian Piper's "Black Box/White Box", Greensboro, NC, 1 Francis Frascina
2005
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27(2004), Seite 219 - 238:
Christian Boltanski's Memory Images Remaking French Museums in the Aftermath of '68 Rebecca J. DeRoo
2004
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27(2004), Seite 1 - 22:
Jackson Pollock's Address to the Nonhuman Omri Moses
2004
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27(2004), Seite 23 - 42:
Varying the Self Bacon's Versions of van Gogh Brendan Prendeville
2004
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27(2004), Seite 61 - 78:
Literality and Absence of Self in the Work of Carl Andre Dominic Rahtz
2004
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27(2004), Seite 95 - 113:
A Disappearing Act Francesca Woodman's"Portrait of a Reputation" Harriet Riches
2004
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26(2003), 1, Seite 69 - 97.:
Institutions, Culture, and America's "Cold War Years" the Making of Greenberg's "Modernist Painting" Francis Frascina
2003
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26(2003), 1, Seite 1 - 23:
Overexposed whiteness and the landscape photography of Carleton Watkins Martin A. Berger
2003
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26(2003), 2, Seite 23 - 46:
The Sucess of a Photographer Culture, Commerce, and Ideology in the Work of E. O. Hoppé Sally-ann Baggott and Brian Stokoe
2003
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24(2001), 1, Seite 23 - 44:
Paul Westheim in Mexico a Cosmopolitan "Man Contemplating the Heavens Peter Chametzky
2001
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24(2001), 2, Seite 57 - 73:
Installed "In The Place Of The Public" Martha Rosler
2001
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24(2001), 2, Seite 41 - 56:
Detritus and Decrepitude the Sculpture of Thomas Hirschhorn Benjamin H. D. Buchloh
2001
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24(2001), 1, Seite 113 - 130:
Wrestling with Francis Bacon Simon Ofield
2001
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24(2001), 2, Seite 103 - 112:
Mark Dion's "Tate Thames Dig" Iwona Blazwick
2001
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24(2001), 2, Seite 127 - 143:
"Der Bevölkerung" Hans Haacke
2001
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23(2000), 1, Seite 1 - 21:
Reading August Sander's Archive Andy Jones
2000
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23(2000), 1, Seite 51 - 72:
Painting Mexican Identities Nationalism and Gender in the Work of María Izquierdo Robin Adèle Greeley
2000