• Media type: E-Book
  • Title: Taking stakes in the unknown : tracing post-black art
  • Contributor: Adusei-Poku, Nana [Author]
  • Published: Bielefeld: transcript, 2021
  • Published in: Image ; volume 180
  • Extent: 1 Online-Ressource (215 Seiten); Illustrationen
  • Language: English
  • DOI: 10.5555/9783839452943
  • ISBN: 9783839452943
  • Identifier:
  • RVK notation: LO 94037 : 21. Jahrhundert
  • Keywords: Bradford, Mark > Hewitt, Leslie > Thomas, Mickalene > Thomas, Hank Willis > Metz, Philip > Engagierte Kunst > Schwarze > Postkolonialismus
    Kunst > Afroamerikanismus > Bradford, Mark
    Kunst > Rassismus > Postkolonialismus > Hewitt, Leslie
    Kunst > Rassismus > Geschlechterforschung > Thomas, Mickalene
    Thomas, Hank Willis
  • Origination:
  • Footnote: Online resource; title from title screen (viewed July 28, 2021)
  • Description: In 2001, Freestyle, a survey exhibition curated by Thelma Golden at the Studio Museum in Harlem, introduced both a young generation of artists of African descent and the ambitious yet knowingly opaque term post-black to a pre 9-11 and pre-Obama world. In Taking Stakes in the Unknown, Nana Adusei-Poku contextualizes the term post-black in its socio-historical and cultural context. Whilst exploring its present legacy and past potential, she examines works by artists who were defined as part of the post-black generation: Mark Bradford, Leslie Hewitt, Mickalene Thomas and Hank Willis Thomas - and, by expanding the scope of the definition, the Black German artist Philip Metz.