Footnote:
In English
Mode of access: Internet via World Wide Web
Description:
Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Abbreviations -- Introduction: Morbid Undercurrents—Medicine and Culture after the Revolution -- 1. Settings: The Cultural World of Medical Practice, ca. 1750–1800 -- 2. Medicine in the Boudoir: The Marquis de Sade and Medical Understanding after the Reign of Terror -- 3. Writing Sexual Difference: The Natural History of Women and Gendered Visions, ca. 1800 -- 4. Seeing and Knowing: Readers and Physiognomic Science -- 5. Sex and the Citizen: Reproductive Manuals and Fashionable Readers under the Napoleonic State -- 6. Sculpting Ideal Bodies: Medicine, Aesthetics, and Desire in the Artist’s Studio -- 7. The Mesmerist Renaissance: Medical Undercurrents and Testing the Limits of Scientific Authority -- 8. Physiology as Literary Genre: Passions, Taste, and Social Agendas under the Restoration and July Monarchy -- Epilogue: Medicine, Writing, and Subcultures after the Revolution -- Notes -- Index
In Morbid Undercurrents, Sean M. Quinlan follows the way that medical ideas, stemming from the so-called "birth of the clinic," zigzagged across the intellectual landscape of the French Revolution and its aftermath. It was a remarkable "hotspot" in the historical timeline, when doctors and scientists pioneered a staggering number of fields—from forensic investigation to evolutionary biology—and these innovations captivated the public imagination. During the 1790s and beyond, medicine left the somber halls of universities, hospitals, and learned societies and became profoundly politicized, inspiring a whole panoply of different—and often bizarre and shocking—subcultures. Quinlan reconstructs the ethos of the time and its labyrinthine underworld, traversing the intersection between medicine and pornography in the works of the Marquis de Sade; the efforts to create a "natural history of women;" the proliferation of sex manuals and books on family hygiene; anatomical projects to sculpt antique bodies; the rage for physiognomic self-help books to help readers identify social and political "types" in post-Revolutionary Paris; the use of physiological medicine as a literary genre; and the "Mesmerist renaissance," with its charged debates over animal magnetism and somnambulism. In creating this reconstruction, Quinlan argues that the place and authority of medicine was, at least in part, an attempt to redress the acute sense of dislocation produced by the Revolution. Morbid Undercurrents exposes how medicine then became a subversive, radical, and ideologically charged force in French society