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Brill, Olaf [Author]; Rhodes, Gary D [Author] ; Brill, Olaf [Contributor]; Choe, Steve [Contributor]; Cuff, Paul [Contributor]; Elsaesser, Thomas [Contributor]; Guffey, Robert [Contributor]; Harper, Graeme [Contributor]; Hogan, David J [Contributor]; Kappes, Mirjam [Contributor]; McCarron, Bernard [Contributor]; Rafaelic, Daniel [Contributor]; Rhodes, Gary D [Contributor]; Singer, Robert [Contributor]; Sipiora, Phillip [Contributor]; Soister, John T [Contributor]

Expressionism in the Cinema

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  • Media type: E-Book
  • Title: Expressionism in the Cinema
  • Contributor: Brill, Olaf [Author]; Brill, Olaf [Contributor]; Choe, Steve [Contributor]; Cuff, Paul [Contributor]; Elsaesser, Thomas [Contributor]; Guffey, Robert [Contributor]; Harper, Graeme [Contributor]; Hogan, David J [Contributor]; Kappes, Mirjam [Contributor]; McCarron, Bernard [Contributor]; Rafaelic, Daniel [Contributor]; Rhodes, Gary D [Author]; Rhodes, Gary D [Contributor]; Singer, Robert [Contributor]; Sipiora, Phillip [Contributor]; Soister, John T [Contributor]
  • Published: Edinburgh: Edinburgh University Press, [2022]
    [Online-Ausgabe]
  • Published in: Traditions in World Cinema ; TWC
  • Extent: 1 Online-Ressource (336 p)
  • Language: English
  • DOI: 10.1515/9781474403269
  • ISBN: 9781474403269
  • Identifier:
  • RVK notation: AP 44500 : Schwarzweißfilm
  • Keywords: Expressionism in motion pictures ; PERFORMING ARTS / Film & Video / General
  • Type of reproduction: [Online-Ausgabe]
  • Origination:
  • Footnote: In English
    Mode of access: Internet via World Wide Web
  • Description: Frontmatter -- CONTENTS -- List of Illustrations -- List of Contributors -- Traditions in World Cinema -- Introduction -- PART I. EXPRESSIONISM IN GERMAN CINEMA -- 1. Expressionist Cinema-Style and Design in Film History -- 2. Of Nerves and Men: Postwar Delusion and Robert Reinert's Nerven -- 3. Franjo Ledic: A Forgotten Pioneer of German Expressionism -- 4. Expressionist Film and Gender: Genuine, A Tale of a Vampire (1920) -- 5. "The Secrets of Nature and Its Unifying Principles": Nosferatu (1922) and Jakob von Uexküll on Umwelt -- 6. Raskolnikow (1923): Russian Literature as Impetus for German Expressionism -- PART II. EXPRESSIONISM IN GLOBAL CINEMA -- 7. The Austrian Connection: The Frame Story and Insanity in Paul Czinner's Inferno (1919) and Fritz Freisler's The Mandarin (1918) -- 8. "The Reawakening of French Cinema": Expression and Innovation in Abel Gance's J'accuse (1919) -- 9. Here Among the Dead: The Phantom Carriage (1921) and the Cinema of the Occulted Taboo -- 10. Drakula halála (1921): The Cinema's First Dracula -- 11. Le Brasier ardent (1923): Ivan Mosjoukine's clin d'oeil to German Expressionism -- 12. Nietzsche's Fingerprints on The Hands of Orlac (1924) -- 13. "True, Nervous": American Expressionist Cinema and the Destabilized Male -- 14. Dos monjes (1934) and the Tortured Search for Truth -- 15. Maya Deren in Person in Expressionism -- Index of Names -- Index of Film Titles

    From classical to contemporary narratives, this book redefines the expressionist aestheticOne of the most visually striking traditions in cinema, for too long Expressionism has been a neglected critical category of research in film history and aesthetics. The fifteen essays in this anthology remedies this by revisiting key German films like The Cabinet of Dr. Caligari (1920) and Nosferatu (1922), and also provides original critical research into more obscure titles like Nerven (1919) and The Phantom Carriage (1921), films that were produced in the silent and early sound era in countries ranging from France, Sweden and Hungary, to the United States and Mexico.An innovative and wide-ranging collection, Expressionism in the Cinema re-canonizes the classical Expressionist aesthetic, extending the critical and historical discussion beyond pre-existing scholarship into comparative and interdisciplinary areas of film research that reach across national boundaries.Contributors Steve Choe, University of IowaPaul Cuff, University of WarwickThomas Elsaesser, University of AmsterdamRobert Guffey, California State University-Long BeachGraeme Harper, Oakland University (Michigan)David J. Hogan, Independent ScholarMirjam Kappes, Independent ScholarBernard McCarron, Independent ScholarDaniel Rafaelic, Independent ScholarRobert Singer, CUNY Graduate CenterPhilip Sipiora, University of South FloridaJohn Soister, Independent Scholar
  • Access State: Restricted Access | Information to licenced electronic resources of the SLUB