• Media type: E-Book
  • Title: James Benning's Environments : Politics, Ecology, Duration
  • Contains: Frontmatter
    Contents
    List of Figures
    Notes on the Contributors
    Acknowledgments
    Introduction
    Contributors
    Intellectual Environments
    Surveying James Benning
    Utah and the Times: Governing Temporality in Deseret
    Violence and Landscape in the Films of James Benning
    Material Environments
    Constructing the Transversal Time-image: Ecosophy, Immanence, and Corporate “Land” in James Benning’s Four Corners and California Trilogy
    Men in Huts in Woods: Independence, Transcendentalism, and Technology in James Benning’s Thoreau and Kaczynski Documentaries and Exhibition
    The Earth as Material Film: Benning’s Light Glance Making a Material-Image
    Perceptual Environments
    A Lake-Event
    Defacing the Close-Up
    The Adventure of Patience
    Filmography
    Index
  • Contributor: Lübecker, Nikolaj [VerfasserIn]; Beck, John [MitwirkendeR]; Biagioli, Kriss [MitwirkendeR]; Colman, Felicity [MitwirkendeR]; Conley, Tom [MitwirkendeR]; Gardner, Colin [MitwirkendeR]; Lübecker, Nikolaj [MitwirkendeR]; MacDonald, Scott [MitwirkendeR]; Panse, Silke [MitwirkendeR]; Rugo, Daniele [VerfasserIn]; Rugo, Daniele [MitwirkendeR]
  • imprint: Edinburgh: Edinburgh University Press, [2022]
  • Extent: 1 Online-Ressource (192 p.); 20 colour illustrations
  • Language: English
  • DOI: 10.1515/9781474470346
  • ISBN: 9781474470346
  • Identifier:
  • Keywords: Ecocriticism ; Ecology in motion pictures ; Environmentalism in motion pictures ; Film, Media & Cultural Studies ; PERFORMING ARTS / Film & Video / Direction & Production
  • Origination:
  • Footnote: In English
  • Description: A critical exploration of James Benning’s films, the material environments they explore and the perceptual environments they createFor more than forty years, the experimental filmmaker James Benning has been engaged in a systematic investigation of the relations between man, landscape, and the filmic medium, and during the last decade it has become increasingly clear how much these investigations have to offer to contemporary debates about ecology, the age of the anthropocene and the potentialities of new digital technologies. In James Benning’s Environments a range of international scholars highlight the thematic and formal coherence of Benning’s practice, whilst providing readers with an artistic and historical context to understand his experimental film work. The volume offers a number of interpretative frameworks drawing on film theory, environmental humanities, visual culture and philosophy, explaining why Benning has emerged as one of today’s essential filmmakers.Key FeaturesContextualises Benning’s work in relation to the most important artistic and socio-historical influences on his filmmakingAnalyses Benning as an eco-filmmaker with perspectives from environmental studies and eco-cinemaOffers philosophical approaches to Benning’s films in view of their aesthetic, political and epistemological import
  • Access State: Restricted Access | Information to licenced electronic resources of the SLUB