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Cuelenaere, Eduard [Author]; Joye, Stijn [Author]; Willems, Gertjan [Author] ; Araüna Baró, Núria [Contributor]; Cuelenaere, Eduard [Contributor]; Forrest, Jennifer [Contributor]; Joye, Stijn [Contributor]; Leitch, Thomas [Contributor]; Martin, Marie [Contributor]; Mathilde Frank, Stefanie [Contributor]; Meir, Christopher [Contributor]; Munro, Robert [Contributor]; Noordenbos, Boris [Contributor]; Sanyal, Kamalika [Contributor]; Slugan, Mario [Contributor]; Smith, Iain Robert [Contributor]; Souch, Irina [Contributor]; Stewart, Michael [Contributor]; Van Heuckelom, Kris [Contributor]; Varga, Balázs [Contributor]; Verevis, Constantine [Contributor]; Verstraten, Peter [Contributor]; Willems, Gertjan [Contributor]

European Film Remakes

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  • Media type: E-Book
  • Title: European Film Remakes
  • Contains: Frontmatter
    Contents
    Figures
    Notes on Contributors
    Acknowledgements
    Preface: Farewell, Hollywood
    Introduction: Film Remakes in the Context of European Cinema
    Part I Conceptual Perspectives: Delineating and Pushing the Boundaries of Remake Studies
    1 The Film Remake as Prism: Towards a Model of Systematic Textual Analysis
    2 The ‘Secret Remake’: A European Take on the Traditional Remake?
    3 From ‘Mini-Remake’ to Open-Ended Coda: How to Make a ‘Proper’ Homage
    4 Rainer Werner Fassbinder’s Berlin Alexanderplatz (1980) as Remake?
    5 Remakesploitation: Exploitation Film Remakes and the Transnational Giallo
    Part II Historical Perspectives: Continuity and Change
    7 Screening Transformation Processes: Post-War Remakes of Nazi-Era Films
    8 The Colour Remakes of Swedish Classics in the 1950s: Production, Promotion and Critical Reception in the Context of Technological Innovation
    Part III Contemporary Perspectives: European Film Remakes in the New Millennium
    9 Remakes à la polonaise: From National Re-Adaptations to Internationally Inspired Rom-Coms
    10 Nostalgic Mediations of the Soviet Past in Nikolai Lebedev’s Remake The Crew (2016)
    11 Mistaken Identities: Millennial Remakes, Post-Socialist Transformation and Hungarian Popular Cinema
    12 Refashioning the Remake: A Bigger Splash
    Part IV Industrial Perspectives: Practices of Production and Circulation
    13 Remake and Decline in Scottish Cinema: Whisky Galore! 1949 and 2016
    14 ‘Remakable’ Directors: The Contemporary Spanish Media Industry and Popular Discourses on Remakes and National Authorship
    15 Remakes and Globally-Oriented European Cinema: Contemporary Industrial Practices and Shifting Hierarchies
    Index
  • Contributor: Cuelenaere, Eduard [VerfasserIn]; Araüna Baró, Núria [MitwirkendeR]; Cuelenaere, Eduard [MitwirkendeR]; Forrest, Jennifer [MitwirkendeR]; Joye, Stijn [VerfasserIn]; Joye, Stijn [MitwirkendeR]; Leitch, Thomas [MitwirkendeR]; Martin, Marie [MitwirkendeR]; Mathilde Frank, Stefanie [MitwirkendeR]; Meir, Christopher [MitwirkendeR]; Munro, Robert [MitwirkendeR]; Noordenbos, Boris [MitwirkendeR]; Sanyal, Kamalika [MitwirkendeR]; Slugan, Mario [MitwirkendeR]; Smith, Iain Robert [MitwirkendeR]; Souch, Irina [MitwirkendeR]; Stewart, Michael [MitwirkendeR]; Van Heuckelom, Kris [MitwirkendeR]; Varga, Balázs [MitwirkendeR]; Verevis, Constantine [MitwirkendeR]; Verstraten, Peter [MitwirkendeR]; Willems, Gertjan [VerfasserIn]; Willems, Gertjan [MitwirkendeR]
  • imprint: Edinburgh: Edinburgh University Press, [2022]
  • Published in: Screen Serialities ; SCSE
  • Extent: 1 Online-Ressource (272 p.); 3 B/W illustrations
  • Language: English
  • DOI: 10.1515/9781474460668
  • ISBN: 9781474460668
  • Identifier:
  • Keywords: Film remakes Europe History and criticism ; Film remakes-History and criticism-Europe ; Film remakes ; Motion pictures ; Film, Media & Cultural Studies ; PERFORMING ARTS / Film & Video / General
  • Origination:
  • Footnote: In English
  • Description: Combines historical and contemporary approaches to film remakes in EuropeInvestigates, next to the textual, socio-cultural and political dimensions, the often neglected industrial, financial and production-related dynamics of European remake practicesProvides a mix of different methodologies, ranging from comparative textual analysis to production, promotion, and reception analysisTakes into account both popular and art cinema remakesExamines European film remakes within local, regional, national, transnational or transcultural contextsOffers new theoretical concepts and methodological models that take into account both the distinctive and universal aspects of film remaking in a European contextBringing together a range of international scholars, European Film Remakes discusses for the first time the textual, socio-cultural, political, and industrial mechanisms and singularities of the film remake in a European context. Offering a variety of historical, theoretical, and methodological approaches, the book is illustrated by a wide range of case studies from across Europe, including films like A Bigger Splash, Open Your Eyes and Perfect Strangers. Although commonly understood as a typical Hollywood practice, this book demonstrates how film remakes are, and always have been, a significant part of the European film culture and industry
  • Access State: Restricted Access | Information to licenced electronic resources of the SLUB