> Details
Petrie, Duncan
[Author];
Mayne, Laura
[Author];
Williams, Melanie
[Author]
;
Cairns, David
[Contributor];
Chapman, Llewella
[Contributor];
Drummond, Phillip
[Contributor];
Forrest, David
[Contributor];
Frith, Paul
[Contributor];
Fryers, Mark
[Contributor];
Langhorst, Caroline
[Contributor];
Lowe, Vicky
[Contributor];
Mortimer, Claire
[Contributor];
Petrie, Duncan
[Contributor];
Rickards, Carolyn
[Contributor];
Roberts, Steven
[Contributor];
Satchell-Baeza, Sophia
[Contributor];
Spicer, Andrew
[Contributor];
Sprio, Margherita
[Contributor];
Sélavy, Virginie
[Contributor];
Vice, Sue
[Contributor];
Williams, Melanie
[Contributor]
Sixties British Cinema Reconsidered
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- Media type: E-Book
- Title: Sixties British Cinema Reconsidered
-
Contains:
Frontmatter
CONTENTS
FIGURES AND TABLES
NOTES ON THE CONTRIBUTORS
INTRODUCTION
PART ONE STARS AND STARDOM
1. MALE STARDOM IN 1960s BRITISH CINEMA
2. ‘REBEL REBEL’?: OLIVER REED IN THE 1960s
3. CAROL WHITE: THE BARDOT OF BATTERSEA
4. ‘THE OLD WAVE AT WORK’: THE TRANSATLANTIC STARDOM OF THE BRITISH CHARACTER ACTRESS IN THE 1960s
PART TWO CREATIVE COLLABORATIONS
5. WOODERY-POKERY: CHARLES WOOD’S SIXTIES SCREENWRITING
6. ‘BEYOND NATURALISM’: JOCELYN HERBERT, IF . . . (1968) AND DESIGN FOR PERFORMANCE IN 1960s BRITISH CINEMA
7. KES: FROM PAGE TO SCREEN
8. ‘I’D LIKE TO REMEMBER YOU AS YOU ARE – AS JUST A GRUMPY OLD MAN’: JOSEPH LOSEY AND THE MAKING OF FIGURES IN A LANDSCAPE (1970)
PART THREE STYLE AND GENRE
9. ‘WHOLESOME ROUGH STUFF’: HAMMER FILMS AND THE ‘A’ AND ‘U’ CERTIFICATE, 1959–65
10. WIDESCREEN PYROTECHNICS: SHOT COMPOSITION AND STAGING IN THE COLD WAR FILMS OF JOSEPH LOSEY AND SIDNEY J. FURIE
11. THE RISE AND FALL OF THE COLOURFUL CORPORATE FANTASY IN 1960s BRITISH CINEMA
12. WITCHFINDERS AND SORCERERS: SORCERY AND COUNTERCULTURE IN THE WORK OF MICHAEL REEVES
PART FOUR CULTURAL TRANSFORMATIONS
13. ‘AN IMPULSE OF ANGER, INSTANTLY REGRETTED’: REBELLION AND REACTION IN THE EARLY-1960s NAVAL FILM
14. NARRATIVES OF RACE AND IDENTITY IN SIXTIES BRITISH CINEMA
15. PANIC AT THE DISCO: BRAINWASHING, ALIENATION AND THE DISCOTHEQUE IN SWINGING LONDON FILMS
INDEX
- Contributor: Petrie, Duncan [Author]; Cairns, David [Contributor]; Chapman, Llewella [Contributor]; Drummond, Phillip [Contributor]; Forrest, David [Contributor]; Frith, Paul [Contributor]; Fryers, Mark [Contributor]; Langhorst, Caroline [Contributor]; Lowe, Vicky [Contributor]; Mayne, Laura [Author]; Mortimer, Claire [Contributor]; Petrie, Duncan [Contributor]; Rickards, Carolyn [Contributor]; Roberts, Steven [Contributor]; Satchell-Baeza, Sophia [Contributor]; Spicer, Andrew [Contributor]; Sprio, Margherita [Contributor]; Sélavy, Virginie [Contributor]; Vice, Sue [Contributor]; Williams, Melanie [Author]; Williams, Melanie [Contributor]
-
Published:
Edinburgh: Edinburgh University Press, [2022]
- Extent: 1 Online-Ressource (280 p.); 28 B/W illustrations
- Language: English
- DOI: 10.1515/9781474443906
- ISBN: 9781474443906
- Identifier:
- Keywords: Motion pictures Great Britain History ; Film, Media & Cultural Studies ; HISTORY / Europe / Great Britain / General
- Origination:
-
Footnote:
In English
- Description: Re-evaluates a critically neglected period in British film historyOrganised around four themes: stardom; film production, film style and the wider cultural contextActs as a companion volume to the monograph Transformation and Tradition in 1960s British CinemaThis collection of exciting new research on British cinema of the 1960s reconsiders and reframes the film culture that emerged from that tumultuous decade. Challenging assumptions around Sixties stardom, the book focuses on creative collaboration and the contribution of production personnel beyond the director, and discusses how cultural change is reflected in both film style and cinematic themes. With perspectives and insights from established scholars and new critical voices, Sixties British Cinema Reconsidered draws on under-explored archival resources to explore four key research areas: stars and stardom; creative collaborations in filmmaking; developments in genre and film style; and how the cinema of the period both responded and contributed to social and cultural transformation in the 1960s.ContributorsDavid Cairns, Edinburgh College of ArtLlewella Chapman, University of East AngliaPhillip Drummond, New York University in LondonPaul Frith, University of East AngliaMark Fryers, University of East Anglia and NYU LondonDavid Forrest, University of SheffieldCaroline Langhorst, De Montfort University Victoria Lowe, University of ManchesterLaura Mayne, University of HullClaire Mortimer, independent scholarDuncan Petrie, University of YorkSteven Roberts, University of BristolCarolyn Rickards, University of BristolSophia Satchell-Baeza, University of the Arts London and De Montfort UniversityVirginie Sélavy, independent scholarAndrew Spicer, University of the West of England BristolMargherita Sprio, University of WestminsterSue Vice, University of Sheffield Melanie Williams, University of East Anglia"
- Access State: Restricted Access | Information to licenced electronic resources of the SLUB