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Duma, Dana [Author]; Stojanova, Christina [Author] ; Blos-Jáni, Melinda [Contributor]; Deaca, Mircea [Contributor]; Duma, Dana [Contributor]; Heck, Kalling [Contributor]; Iacob, Raluca [Contributor]; Lutas, Liviu [Contributor]; Nasta, Dominique [Contributor]; Pethő, Ágnes [Contributor]; Pop, Doru [Contributor]; Stojanova, Christina [Contributor]; Sándor, Katalin [Contributor]; Trocan, Irina [Contributor]; Uricaru, Ioana [Contributor]; Virginás, Andrea [Contributor]; Țuțui, Marian [Contributor]

The New Romanian Cinema

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  • Media type: E-Book
  • Title: The New Romanian Cinema
  • Contains: Frontmatter
    CONTENTS
    List of Figures
    Notes on the Contributors
    Acknowledgements
    Traditions in World Cinema
    Introduction
    PART I. MODERNISM/MINIMALISM
    1. Beyond Modernity: The Stylistic Divide and the New Romanian Cinema
    2. Minimalism in the New Romanian Cinema: Absent, Omnipresent or Misjudged?
    3. No Melo: Minimalism and Melodrama in the New Romanian Cinema
    PART II. INTERMEDIALITY/INTERTEXTUALITY
    4. ‘Exhibited Space’ and Intermediality in the Films of Corneliu Porumboiu
    5. Filming the Camera: Reflexivity and Reenactment in Reconstruction and Niki and Flo
    6. Ephemeral History and Enduring Celluloid: Cinematic Reality and Theatricality in Nae Caranfil’s Films
    7. Remediation and Minimalism in New Romanian Cinema: The Example of Cristi Puiu
    PART III. ETHICS/NEW AESTHETICS
    8. Authenticity in New Romanian Cinema: ‘Ethics and Aesthetics Are One’
    9. The Square and the Screen: The Ethical Dimension of the New Romanian Cinema
    10. Beyond the Hills and Austerity Politics
    PART IV. GENDER/GENRE
    11. Woman Films: Body and Will
    12. Traces of Genre in New Romanian Cinema: A Narrow Path for a Small Entity?
    PART V. NATIONAL/PLACE AND TRANSNATIONAL/SPACE
    13. Kitchen Encounters: Scenes of Face-to-face Dialogue in Films of the New Romanian Cinema
    14. New Romanian Cinema: Geography and Identity
    15. The ‘Transnational Turn’: New Urban Identities and the Transformation of Contemporary Romanian Cinema
    PART VI. HISTORICAL OVERVIEW
    16. Historical Overview of Romanian Cinema
    Combined Bibliography
    Filmography of the New Romanian Cinema
    General Filmography
    Index of Authors and Film Titles
    Index of Terms and Concepts
  • Contributor: Duma, Dana [VerfasserIn]; Blos-Jáni, Melinda [MitwirkendeR]; Deaca, Mircea [MitwirkendeR]; Duma, Dana [MitwirkendeR]; Heck, Kalling [MitwirkendeR]; Iacob, Raluca [MitwirkendeR]; Lutas, Liviu [MitwirkendeR]; Nasta, Dominique [MitwirkendeR]; Pethő, Ágnes [MitwirkendeR]; Pop, Doru [MitwirkendeR]; Stojanova, Christina [VerfasserIn]; Stojanova, Christina [MitwirkendeR]; Sándor, Katalin [MitwirkendeR]; Trocan, Irina [MitwirkendeR]; Uricaru, Ioana [MitwirkendeR]; Virginás, Andrea [MitwirkendeR]; Țuțui, Marian [MitwirkendeR]
  • imprint: Edinburgh: Edinburgh University Press, [2022]
  • Published in: Traditions in World Cinema ; TWC
  • Extent: 1 Online-Ressource (344 p.); 36 B/W illustrations
  • Language: English
  • DOI: 10.1515/9780748696444
  • ISBN: 9780748696444
  • Identifier:
  • Keywords: Rumänien > Film > Geschichte 2001-2018
  • Origination:
  • Footnote: In English
  • Description: The first collection of essays to comprehensively map out New Romanian CinemaCovering more than forty films made since 2001 – including The Death of Mr. Lazarescu, The Paper will be Blue, Police, Adjective and Beyond the Hills – this pioneering collection of essays on New Romanian Cinema is the first to contextualise it aesthetically, theoretically and historically. Scholars from across Europe and North America are brought together, reflecting on the realism, minimalism and intermedial artifice of New Romanian cinemas, on its approaches to issues of national and gender identity, and on its unique convergence of ethics and aesthetics. With its thorough bibliographic and filmographic references, and a comprehensive historical overview, the anthology represents a systematic guide to New Romanian Cinema as a consolidated cinematic movement, and highlights its potential as a rich interdisciplinary field of study.ContributorsMelinda Blos-Jáni, Sapientia University, Cluj-NapocaMircea Deaca, University of BucharestDana Duma, Bucharest National University of Theatre and FilmKalling Heck, University of RedlandsRaluca Iacob, independent researcher and film curatorLiviu Lutas, Linnaeus UniversitDominique Nasta, Université Libre de BruxellesÁgnes Pethő, Sapientia Hungarian University, Cluj-NapocaDoru Pop, Babeş-Bolyai University, ClujKatalin Sándor, Babeş-Bolyai University, ClujChristina Stojanova, University of ReginaIrina Trocan, Bucharest National University of Theatre and FilmMarian Țuțui, Hyperion UniversityIoana Uricaru, Middlebury CollegeAndrea Virginás, Sapientia University, Cluj-Napoca
  • Access State: Restricted Access | Information to licenced electronic resources of the SLUB