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Aguilar, Gonzalo [Contributor]; Amado, Ana [Contributor]; Amante, Adriana [Contributor]; Barrenha, Natalia Christofoletti [Editor]; Bernini, Emilio [Contributor]; Campo, Mônica [Contributor]; Catelli, Nora [Contributor]; Christofoletti Barrenha, Natalia [Contributor]; Cunha, Damyler [Contributor]; Forcinito, Ana [Contributor]; Kratje, Julia [Contributor]; Laera, Alejandra [Contributor]; Martin, Deborah [Contributor]; Merchant, Paul R. [Contributor]; Niebylski, Dianna C. [Contributor]; Oubiña, David [Contributor]; Souto, Mariana [Contributor]; Verardi, Malena [Contributor]

ReFocus: The Films of Lucrecia Martel

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  • Media type: E-Book
  • Title: ReFocus: The Films of Lucrecia Martel
  • Contains: Frontmatter
    Contents
    Figures
    Notes on Contributors
    Acknowledgements
    Chapter 1. Metamorphosis and Persistence: An Introduction
    Chapter 2. Speeds, Generations and Utopias: On The Swamp
    Chapter 3. Sounding Class, Race and Gender in The Swamp
    Chapter 4. Being Unable to See and Being Invisible: Unrecognisable, Inaudible Voices in Fish, New Argirópolis and Muta
    Chapter 5. Muta: Monstrosity and Mutation
    Chapter 6. Short Films as Aesthetic Freedom
    Chapter 7. Masculinity, Desire and Performance in The Holy Girl
    Chapter 8. Other Areas: The Bio-communal and Feminine Utopia of Cornucopia
    Chapter 9. Realities Made to Order: On The Headless Woman
    Chapter 10. Fevers, Frights and Psychophysical Disconnections: Invisible Threats in the Soundtracks of Zama and The Headless Woman
    Chapter 11. Martel Variations
    Chapter 12. ‘They smother you’
    Chapter 13. ‘A kind of bliss, a closing eyelid, a tiny fainting spell’: Zama and the Lapse into Colour
    Chapter 14. Phenomenology of Spirits: Off-screen Horror in Lucrecia Martel’s Films
    Chapter 15. The Conquest of the Uncomfortable: An Interview with Lucrecia Martel
    Index
  • Contributor: Aguilar, Gonzalo [MitwirkendeR]; Amado, Ana [MitwirkendeR]; Amante, Adriana [MitwirkendeR]; Barrenha, Natalia Christofoletti [HerausgeberIn]; Bernini, Emilio [MitwirkendeR]; Campo, Mônica [MitwirkendeR]; Catelli, Nora [MitwirkendeR]; Christofoletti Barrenha, Natalia [MitwirkendeR]; Cunha, Damyler [MitwirkendeR]; Forcinito, Ana [MitwirkendeR]; Kratje, Julia [MitwirkendeR]; Laera, Alejandra [MitwirkendeR]; Martin, Deborah [MitwirkendeR]; Merchant, Paul R. [MitwirkendeR]; Niebylski, Dianna C. [MitwirkendeR]; Oubiña, David [MitwirkendeR]; Souto, Mariana [MitwirkendeR]; Verardi, Malena [MitwirkendeR]
  • imprint: Edinburgh: Edinburgh University Press, [2022]
  • Published in: ReFocus: The International Directors Series ; RFIDS
  • Extent: 1 Online-Ressource (232 p.); 26 B/W illustrations
  • Language: English
  • DOI: 10.1515/9781474485241
  • ISBN: 9781474485241
  • Identifier:
  • Keywords: PERFORMING ARTS / Film & Video / Direction & Production
  • Origination:
  • Footnote: In English
  • Description: Collects critical essays on the influential Argentine director Lucrecia MartelIncludes essays by prominent scholars from Latin America, the United States and Europe, and a new interview with MartelOffers conceptually rich and politically engaged readings of Martel’s films Covers all of Martel’s work, including short films and projects beyond cinema Lucrecia Martel has made only four feature films to date, but has nonetheless become one of the world’s most admired directors. Her work is extraordinarily sensitive to the limits of sensory perception, the limits imposed by gender roles, and the limits of empathy and affect across social divisions. This edited collection broadens the critical conversation around Martel’s work by integrating analyses of her features with the less frequently studied short films and her other artistic projects. This volume’s fresh, holistic approach to Martel’s career includes contributions from scholars in Latin America, Europe and the United States, and ends with a new interview with Martel herself
  • Access State: Restricted Access | Information to licenced electronic resources of the SLUB