> Details
Antick, Paul
[Contributor];
Binter, Julia T. S.
[Contributor];
Bjerregaard, Peter
[Contributor];
Dalsgaard, Anne Line
[Contributor];
Empson, Rebecca
[Contributor];
Grimshaw, Anna
[Contributor];
Grossman, Alyssa
[Contributor];
Høgel, Jakob Kirstein
[Contributor];
Irving, Andrew
[Contributor];
Kapferer, Bruce
[Contributor];
Marcus, George E
[Contributor];
McLean, Stuart
[Contributor];
Mes, Willem
[Contributor];
Nielsen, Morten
[Contributor];
Russell, Catherine
[Contributor];
Salamon, Karen Lisa
[Contributor];
Schüssler, Alexandra
[Contributor];
Suhr, Christian
[Contributor];
Suhr, Christian
[Editor];
Vohnsen, Nina Holm
[Contributor];
Willerslev, Rane
[Contributor];
Willerslev, Rane
[Editor]
Transcultural Montage
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- Media type: E-Book
- Title: Transcultural Montage
-
Contains:
Frontmatter
Contents
Illustrations
Acknowledgments
INTRODUCTION Montage as an Amplifier of Invisibility
PART I Montage as an Analytic
CHAPTER 1 Montage and Time Deleuze, Cinema, and a Buddhist Sorcery Rite
CHAPTER 2 Temporal Aesthetics On Deleuzian Montage in Anthropology
CHAPTER 3 All the Difference in the World Liminality, Montage, and the Reinvention of Comparative Anthropology
CHAPTER 4 Into the Gloaming A Montage of the Senses
PART II Montage in Writing
CHAPTER 5 Being a Montage
CHAPTER 6 Smith’s Tour Favela
CHAPTER 7 Labor Days A Non-Linear Narrative of Development
CHAPTER 8 Mind the Gap
PART III Montage in Film
CHAPTER 9 Women in Cities Comparative Modernities and Cinematic Space in the 1930s
CHAPTER 10 Radioglaz and the Global City Possibilities and Constraints of Experimental Montage
CHAPTER 11 Filming in the Light of Memory
CHAPTER 12 Montage as Analysis in Ethnographic and Documentary Filmmaking From Hunting for Plots Toward Weaving Baskets of Data
CHAPTER 13 In Defense of Observational Cinema The Significance of the Bazinian Turn for Ethnographic Filmmaking
PART IV Montage in Museum Exhibitions
CHAPTER 14 Assembling Potentials, Mounting Effects Ethnographic Exhibitions Beyond Correspondence
CHAPTER 15 Assembling Bodies Cuts, Clusters, and Juxtapositions
CHAPTER 16 Project Villa Sovietica Clashing Images, Expectations, and Receptions
AFTERWORD The Traffic In Montage, Then and Now
Contributors
Index
- Contributor: Antick, Paul [MitwirkendeR]; Binter, Julia T. S. [MitwirkendeR]; Bjerregaard, Peter [MitwirkendeR]; Dalsgaard, Anne Line [MitwirkendeR]; Empson, Rebecca [MitwirkendeR]; Grimshaw, Anna [MitwirkendeR]; Grossman, Alyssa [MitwirkendeR]; Høgel, Jakob Kirstein [MitwirkendeR]; Irving, Andrew [MitwirkendeR]; Kapferer, Bruce [MitwirkendeR]; Marcus, George E [MitwirkendeR]; McLean, Stuart [MitwirkendeR]; Mes, Willem [MitwirkendeR]; Nielsen, Morten [MitwirkendeR]; Russell, Catherine [MitwirkendeR]; Salamon, Karen Lisa [MitwirkendeR]; Schüssler, Alexandra [MitwirkendeR]; Suhr, Christian [MitwirkendeR]; Suhr, Christian [HerausgeberIn]; Vohnsen, Nina Holm [MitwirkendeR]; Willerslev, Rane [MitwirkendeR]; Willerslev, Rane [HerausgeberIn]
-
imprint:
New York; Oxford: Berghahn Books, [2013]
- Extent: 1 Online-Ressource (300 p.)
- Language: English
- DOI: 10.1515/9780857459657
- ISBN: 9780857459657
- Identifier:
- Keywords: Ethnology Authorship ; Ethnology Philosophy ; Motion pictures in ethnology ; SOCIAL SCIENCE / Anthropology / Cultural & Social
- Origination:
-
Footnote:
In English
- Description: The disruptive power of montage has often been regarded as a threat to scholarly representations of the social world. This volume asserts the opposite: that the destabilization of commonsense perception is the very precondition for transcending social and cultural categories. The contributors—anthropologists, filmmakers, photographers, and curators—explore the use of montage as a heuristic tool for comparative analysis in anthropological writing, film, and exhibition making. Exploring phenomena such as human perception, memory, visuality, ritual, time, and globalization, they apply montage to restructure our basic understanding of social reality. Furthermore, as George E. Marcus suggests in the afterword, the power of montage that this volume exposes lies in its ability to open the very “combustion chamber” of social theory by juxtaposing one’s claims to knowledge with the path undertaken to arrive at those claims
- Access State: Restricted Access | Information to licenced electronic resources of the SLUB