> Details
Abel, Marco
[Contributor];
Bayraktar, Nilgün
[Contributor];
Berghahn, Daniela
[Contributor];
Eren, Mine
[Contributor];
Fenner, Angelica
[Contributor];
Gramling, David
[Contributor];
Gueneli, Berna
[Contributor];
Göktürk, Deniz
[Contributor];
Hake, Sabine
[Contributor];
Hake, Sabine
[Editor];
Halle, Randall
[Contributor];
Hillman, Roger
[Contributor];
Machtans, Karolin
[Contributor];
Majer-O’Sickey, Ingeborg
[Contributor];
Mennel, Barbara
[Contributor];
Mennel, Barbara
[Editor];
Peterson, Brent
[Contributor];
Prager, Brad
[Contributor];
Silvey, Vivien
[Contributor];
Tunç Cox, Ayça
[Contributor]
Turkish German Cinema in the New Millennium
: Sites, Sounds, and Screens
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- Media type: E-Book
- Title: Turkish German Cinema in the New Millennium : Sites, Sounds, and Screens
-
Contains:
Frontmatter
Contents
List of Illustrations
Introduction
I CONFIGURATIONS OF STEREOTYPES AND IDENTITIES: NEW METHODOLOGIES
Chapter 1 My Big Fat Turkish Wedding: From Culture Clash to Romcom
Chapter 2 The Oblivion of Influence: Mythical Realism in Feo Aladağ’s When We Leave
Chapter 3 The Minor Cinema of Thomas Arslan: A Prolegomenon
II MULTIPLE SCREENS AND PLATFORMS: FROM DOCUMENTARY AND TELEVISION TO INSTALLATION ART
Chapter 4 Roots and Routes of the Diasporic Documentarian: A Psychogeography of Fatih Akın’s We Forgot to Go Back
Chapter 5 Gendered Kicks: Buket Alakuş’s and Aysun Bademsoy’s Soccer Films
Chapter 6 Location and Mobility in Kutluğ Ataman’s Site-specific Video Installation Küba
Chapter 7 Turkish for Beginners: Teaching Cosmopolitanism to Germans
Chapter 8 “Only the Wounded Honor Fights”: Züli Aladağ’s Rage and the Drama of the Turkish German Perpetrator
III INSTITUTIONAL CONTEXTS: STARS, THEATERS, AND RECEPTION
Chapter 9 The German Turkish Spect ator and Turkish Language Film Programming: Karli Kino, Maxximum Distribution, and the Interzone Cinema
Chapter 10 Mehmet Kurtuluş and Birol Ünel: Sexualized Masculinities, Normalized Ethnicities
Chapter 11 The Perception and Marketing of Fatih Akın in the German Press
Chapter 12 Hyphenated Identities: The Reception of Turkish German Cinema in the Turkish Daily Press
IV THE CINEMA OF FATIH AKIN: AUTHORSHIP, IDENTITY, AND BEYOND
Chapter 13 Cosmopolitan Filmmaking: Fatih Akın’s In July and Head-On
Chapter 14 Remixing Hamburg: Transnationalism in Fatih Akın’s Soul Kitchen
Chapter 15 World Cinema Goes Digital: Looking at Europe from the Other Shore
Notes on Contributors
Works Cited
Index of Names
Index of Films
- Contributor: Abel, Marco [MitwirkendeR]; Bayraktar, Nilgün [MitwirkendeR]; Berghahn, Daniela [MitwirkendeR]; Eren, Mine [MitwirkendeR]; Fenner, Angelica [MitwirkendeR]; Gramling, David [MitwirkendeR]; Gueneli, Berna [MitwirkendeR]; Göktürk, Deniz [MitwirkendeR]; Hake, Sabine [MitwirkendeR]; Hake, Sabine [HerausgeberIn]; Halle, Randall [MitwirkendeR]; Hillman, Roger [MitwirkendeR]; Machtans, Karolin [MitwirkendeR]; Majer-O’Sickey, Ingeborg [MitwirkendeR]; Mennel, Barbara [MitwirkendeR]; Mennel, Barbara [HerausgeberIn]; Peterson, Brent [MitwirkendeR]; Prager, Brad [MitwirkendeR]; Silvey, Vivien [MitwirkendeR]; Tunç Cox, Ayça [MitwirkendeR]
- imprint: New York; Oxford: Berghahn Books, [2012]
- Published in: Film Europa ; 13
- Extent: 1 Online-Ressource (260 p.)
- Language: English
- DOI: 10.1515/9780857457691
- ISBN: 9780857457691
- Identifier:
-
RVK notation:
AP 59410 : Deutschland
- Keywords: Culture in motion pictures ; Foreign language films Germany History 21st century ; Motion picture audiences Germany ; Motion pictures and transnationalism ; Motion pictures Germany History 21st century ; Motion pictures, Turkish Germany History 21st century ; Stereotypes (Social psychology) in motion pictures ; PERFORMING ARTS / Film & Video / History & Criticism
- Origination:
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Footnote:
In English
- Description: In the last five years of the twentieth century, films by the second and third generation of the so-called German guest workers exploded onto the German film landscape. Self-confident, articulate, and dynamic, these films situate themselves in the global exchange of cinematic images, citing and rewriting American gangster narratives, Kung Fu action films, and paralleling other emergent European minority cinemas. This, the first book-length study on the topic, will function as an introduction to this emergent and growing cinema and offer a survey of important films and directors of the last two decades. In addition, it intervenes in the theoretical debates about Turkish German culture by engaging with different methodological approaches that originate in film studies
- Access State: Restricted Access | Information to licenced electronic resources of the SLUB