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Balsom, Erika [Contributor]; Brady, Martin [Contributor]; Burt, Raymond L. [Contributor]; Böhn, Andreas [Contributor]; Dassanowsky, Robert von [Contributor]; Dassanowsky, Robert von [Editor]; Frey, Mattias [Contributor]; Graml, Gundolf [Contributor]; Guenther, Christina [Contributor]; Hall, Sara F. [Contributor]; Huber, Christoph [Contributor]; Hughes, Helen [Contributor]; Kuttenberg, Eva [Contributor]; Lamb-Faffelberger, Margarete [Contributor]; Lorenz, Dagmar [Contributor]; Ludewig, Alexandra [Contributor]; Meyer, Imke [Contributor]; Moser, Joseph [Contributor]; Mund, Verena [Contributor]; Palfreyman, Rachel [Contributor]; Russegger, Arno [Contributor]; Sathe, Nikhil [Contributor]; Speck, Oliver C. [Contributor]; Speck, Oliver C. [Editor]; [...]

New Austrian Film

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  • Media type: E-Book
  • Title: New Austrian Film
  • Contains: Frontmatter
    Contents
    Introduction New Austrian Film: Th e Non-exceptional Exception
    Part I Early Visions/Influential Sites
    Chapter 1 “The Experiment Is Not Yet Finished”: VALIE EXPORT’s Avant-garde Film and Multimedia Art
    Chapter 2 Franz Antel’s Bockerer Series: Constructing the Historical Myths of Second Republic Austria
    Chapter 3 Historical Drama of a Well-intentioned Kind: Wolfgang Glück’s 38 – Auch das war Wien
    Chapter 4 Cartographies of Identity: Memory and History in Ruth Beckermann’s Documentary Films
    Part II Barbara Albert and the Female Re-focus
    Chapter 5 A New Community of Women: Barbara Albert’s Nordrand
    Chapter 6 Metonymic Visions: Globalization, Consumer Culture, and Mediated Aff ect in Barbara Albert’s Böse Zellen
    Chapter 7 Place and Space of Contemporary Austria in Barbara Albert’s Feature Films
    Chapter 8 Connecting with Others, Mirroring Diff erence: Th e Films of Kathrin Resetarits
    Chapter 9 Not Politics but People: Th e “Feminine Aesthetic” of Valeska Grisebach and Jessica Hausner
    Part III Michael Haneke and Ulrich Seidl: A Question of Spectatorial Destination
    Chapter 10 Allegory in Michael Haneke’s Th e Seventh Continent
    Chapter 11 “What Goes without Saying”: Michael Haneke’s Confrontation with Myths in Funny Games
    Chapter 12 Unseen/Obscene: The (Non-)Framing of the Sexual Act in Michael Haneke’s La Pianiste
    Chapter 13 The Possibility of Desire in a Conformist World: Th e Cinema of Ulrich Seidl
    Chapter 14 Dog Days: Ulrich Seidl’s Fin-de-siècle Vision
    Chapter 15 Import and Export: Ulrich Seidl’s Indiscreet Anthropology of Migration
    Part IV Re-visions, Shifting Centers, Crossing Borders
    Chapter 16 Crossing Borders in Austrian Cinema at the Turn of the Century: Flicker, Allahyari, Albert
    Chapter 17 “Th e Resentment of One’s Fellow Citizens Intensifi ed into a Strong Sense of Community”: Psychology and Misanthropy in Frosch’s Total Therapy, Flicker’s Hold-Up, and Haneke’s Caché
    Chapter 18 Trapped Bodies, Roaming Fantasies: Mobilizing Constructions of Place and Identity in Florian Flicker’s Suzie Washington
    Chapter 19 A Cinephilic Avant-garde: Th e Films of Peter Tscherkassky, Martin Arnold, and Gustav Deutsch
    Part V Stefan Ruzowitzky and Neo-classic Trends
    Chapter 20 Screening Nazism and Reclaiming the Horror Genre: Stefan Ruzowitzky’s Anatomy Films
    Chapter 21 Beyond Borders and across Genre Boundaries: Critical Heimat in Stefan Ruzowitzky’s Th e Inheritors
    Chapter 22 A Genuine Dilemma: Ruzowitzky’s The Counterfeiters as Moral Experiment
    Chapter 23 National Box-office Hits or International “Arthouse”? The New Austrokomödie
    Part VI Austria and Beyond as Terra Incognita: Glawogger, Sauper, Spielmann
    Chapter 24 Austria Plays Itself and Sees Da Him: Notes on the Image of Austria in the Films of Michael Glawogger
    Chapter 25 Configurations of the Authentic in Hubert Sauper’s Darwin’s Nightmare
    Chapter 26 The Lady in the Lake: Austria’s Images in Götz Spielmann’s Antares
    Chapter 27 “Children of Optimism”: An Interview with Götz Spielmann on Revanche and New Austrian Film
    Select Filmography
    Notes on Contributors
    Index
  • Contributor: Balsom, Erika [MitwirkendeR]; Brady, Martin [MitwirkendeR]; Burt, Raymond L. [MitwirkendeR]; Böhn, Andreas [MitwirkendeR]; Dassanowsky, Robert von [MitwirkendeR]; Dassanowsky, Robert von [HerausgeberIn]; Frey, Mattias [MitwirkendeR]; Graml, Gundolf [MitwirkendeR]; Guenther, Christina [MitwirkendeR]; Hall, Sara F. [MitwirkendeR]; Huber, Christoph [MitwirkendeR]; Hughes, Helen [MitwirkendeR]; Kuttenberg, Eva [MitwirkendeR]; Lamb-Faffelberger, Margarete [MitwirkendeR]; Lorenz, Dagmar [MitwirkendeR]; Ludewig, Alexandra [MitwirkendeR]; Meyer, Imke [MitwirkendeR]; Moser, Joseph [MitwirkendeR]; Mund, Verena [MitwirkendeR]; Palfreyman, Rachel [MitwirkendeR]; Russegger, Arno [MitwirkendeR]; Sathe, Nikhil [MitwirkendeR]; Speck, Oliver C. [MitwirkendeR]; Speck, Oliver C. [HerausgeberIn]; Standún, Regina [MitwirkendeR]; Tweraser, Felix W [MitwirkendeR]; Vicari, Justin [MitwirkendeR]; Wauchope, Mary [MitwirkendeR]; Wheatley, Catherine [MitwirkendeR]; Wurmitzer, Gabriele [MitwirkendeR]
  • imprint: New York; Oxford: Berghahn Books, [2011]
  • Extent: 1 Online-Ressource (408 p.)
  • Language: English
  • DOI: 10.1515/9780857452320
  • ISBN: 9780857452320
  • Identifier:
  • Keywords: Motion picture industry Austria History ; Motion pictures Austria History ; PERFORMING ARTS / Film & Video / History & Criticism
  • Origination:
  • Footnote: In English
  • Description: Out of a film culture originally starved of funds have emerged rich and eclectic works by film-makers that are now achieving the international recognition that they deserve: Barbara Albert, Michael Haneke, Ulrich Seidl, and Stefan Ruzowitzky, to give four examples. This comprehensive critical anthology, by leading scholars of Austrian film, is intended to introduce and make accessible this much under-represented phenomenon. Although the book covers the full development of the Austrian new wave it focuses on the period that has brought it global attention: 1998 to the present. New Austrian Film is the only book currently available on this topic and will be an essential reference work for academics, students and filmmakers, interested in modern Austrian film
  • Access State: Restricted Access | Information to licenced electronic resources of the SLUB