• Media type: E-Book
  • Title: The Global Rules of Art : The Emergence and Divisions of a Cultural World Economy
  • Contains: Frontmatter
    Contents
    List of Illustrations
    List of Tables
    Preface: An Unsettling Success
    1 A Global Field Approach to Art and Culture
    Part I. The Emergence of a Global Field in the Contemporary Visual Arts
    2 The Genesis of a Global Artistic Subfield
    3 From an International Avant-Garde Market to a Global Commercial Subfield
    Part II. Dynamics of Artistic Recognition in the Globalizing Field
    4 Cross-Border Valuation between Art Experts and the Market
    5 Diversity and Careers in a Dual Cultural World Economy
    Part III. Creative Lives
    6 Becoming a Global Artist at the Relatively Autonomous Pole
    7 The Hype of the Chinese Market Star Yue Minjun
    8 “Global Art” between Autonomy and Heteronomy
    Epilogue
    Acknowledgments
    Appendices
    Notes
    References
    Index
  • Contributor: Buchholz, Larissa [VerfasserIn]
  • imprint: Princeton, NJ: Princeton University Press, [2022]
  • Published in: Princeton Studies in Global and Comparative Sociology
  • Extent: 1 Online-Ressource (416 p.); 57 b/w illus. 17 tables. 8 maps
  • Language: English
  • DOI: 10.1515/9780691239866
  • ISBN: 9780691239866
  • Identifier:
  • RVK notation: MS 8000 : Allgemeine Abhandlungen, Künstler etc.
    QR 750 : Kulturwirtschaft (Film, Theater, etc.)
  • Keywords: Art and globalization ; Art Marketing ; Art, Modern 20th century Economic aspects ; Art, Modern 21st century Economic aspects ; ART / Business Aspects ; Deterritorialization ; Documenta ; Economic capital ; Economic globalization ; Ethnoscape ; Externality ; Fluxus ; General Agreement on Tariffs and Trade ; Geopolitics ; Global Exchange ; Global Finance (magazine) ; Global Leadership ; Global Map ; Global administrative law ; Global city ; Global field ; Global imbalances ; Global issue ; Global justice ; [...]
  • Origination:
  • Footnote: In English
  • Description: A trailblazing look at the historical emergence of a global field in contemporary art and the diverse ways artists become valued worldwidePrior to the 1980s, the postwar canon of “international” contemporary art was made up almost exclusively of artists from North America and Western Europe, while cultural agents from other parts of the world often found themselves on the margins. The Global Rules of Art examines how this discriminatory situation has changed in recent decades. Drawing from abundant sources—including objective indicators from more than one hundred countries, multiple institutional histories and discourses, extensive fieldwork, and interviews with artists, critics, curators, gallerists, and auction house agents—Larissa Buchholz examines the emergence of a world-spanning art field whose logics have increasingly become defined in global terms.Deftly blending comprehensive historical analyses with illuminating case studies, The Global Rules of Art breaks new ground in its exploration of valuation and how cultural hierarchies take shape in a global context. The book’s innovative global field approach will appeal to scholars in the sociology of art, cultural and economic sociology, interdisciplinary global studies, and anyone interested in the dynamics of global art and culture
  • Access State: Restricted Access | Information to licenced electronic resources of the SLUB